Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travelers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further development of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a Japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travelers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further development of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a Japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travelers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further development of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a Japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Interstitial space is the digital and interactive component of the eponymous work exhibited in the summer of 2017 at ODD Space in Bucharest, part of "Privately" project.
The work tries to represent space taking into account the proximity of things, the way in which the subject is lost in the network/assemblage of objects and it is transformed in turn, together with the network/assemblage it is contained in. Hence, the notion of privacy itself takes a new meaning: putting aside the privacy defined in legal terms (normative privacy), we discover the experiential, interstitial privacy, privacy defined starting rather from the well-being created by the relation with the ally-objects in our proximity – privacy as an ecology of our well being.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travellers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further developement of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travellers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further developement of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travelers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further development of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a Japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travelers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further development of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a Japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travelers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further development of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a Japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.
Part of Only tomorrow II art project.
Only tomorrow II is an interactive video first exhibited at the Media Art Festival Arad Dadada/2016.
This work is a sequel of Only tomorrow (video exhibited at the Biennial of Young Artists Bucharest in 2006 and at European Travellers. Art from Cluj Today at Műcsarnok Kunsthalle Budapest in 2012) and a further developement of the idea behind it. Notions like Bataille's "communication" and Deleuze/Guattari's becoming are reused and enhanced through the use of technology, allowing new forms of expression (interactivity, combinatorics, loop, choice path, randomness) all linked to the content of the video.
Only tomorrow is a reverse Only yesterday (a japanese anime published in 1991) where nostalgia is replaced by reverie and the forgotten past by the immediate future and draws inspiration from the common theme of time, change and becoming.