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Pizzicato Five - Goodbye Baby & Amen
12. Pizzicato Five - Goodbye Baby & Amen
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THE S
07.-The-Smiths---Shoplifters-of-the-World-Unite
***"The Smiths"***were an English rock band formed in Manchester in 1982. Consisting of vocalist ***[Morrissey](https://cutt.ly/7vnQKtF)***, guitarist ***[Johnny Marr](https://cutt.ly/XvnQXo2)***, bassist ***[Andy Rourke](https://cutt.ly/yvnQVIJ)***, and drummer ***[Mike Joyce](https://en.wikipedia.org/wiki/Mike_Joyce_(musician))***,
critics consider the band one of the most important to emerge from the British independent music scene of the 1980s.
Based on the songwriting partnership of Morrissey and Marr, the Smiths' focus on a guitar, bass, and drum sound, and fusion of 1960s rock and post-punk, were a rejection of the synthesiser-based dance-pop of the time. The friction between Morrissey and Marr resulted in a flurry of singles and albums over the course of three years that provided the blueprint for British guitar rock in the following decade.
***"The World Won't Listen"*** is a band's second of three compilation albums , released on 23 February 1987 by **"[Rough Trade Record](https://cutt.ly/FvmyIRL)s"**.
The album was conceived as a collection of the band's singles and their B-sides from 1985 to 1987.
All tracks are written by Morrissey/Marr, except ***"Money Changes Everything"*** and ***"Oscillate Wildly"***, written by Johnny Marr, and ***"Golden Lights"***, written by ***[Twinkle](https://cutt.ly/FvmyIRL)***.
***“Shoplifters of the World Unite”*** is the seventh song on the **Smiths** compilation album ***”The World Won’t Listen”***.
***
***"The Smiths"*** info:
**[Official](https://cutt.ly/hvoP3Po)** / **[Unofficial](https://cutt.ly/wvoA20L)** / **[Wikipedia](https://cutt.ly/3voPUdu)** / **[Discogs](https://cutt.ly/6voPNHt)** / **[AllMusic](https://cutt.ly/KvoPG2T)** / **[Facebook](https://cutt.ly/QvoP59Y)** / **[YouTube](https://cutt.ly/KvoAuOH)** / **[Instagram](https://cutt.ly/EvoScCn)** / **[Twitter](https://cutt.ly/ZvoShMs)** / **[Soundcloud](https://cutt.ly/TvoAxoX)**[Spotify](https://cutt.ly/fvoAd8W)** / **[Lyrics](https://cutt.ly/KvoSotd)** / **
***
More ***"The Smiths"*** **Organism Star** candy:
**"The Smiths"** / ***[The Smiths](https://cutt.ly/Tv4u9PB)***
**"The Smiths"** / ***[Hatful of Hollow](https://cutt.ly/Jv4iqET)***
**"The Smiths"** / ***[Meat Is Murder](https://cutt.ly/9v4iy07)***
**"The Smiths"** / ***[The Queen Is Dead](https://cutt.ly/Kv4iaVi)***
**"The Smiths"** / ***[Strangeways, Here We Come](https://cutt.ly/kv4sNpP)***
**"The Smiths"** / ***[Louder Than Bombs](https://cutt.ly/qv4s5YE)***
**"The Smiths"** / ***[Rank](https://cutt.ly/Av4fkrH)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
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LUSH
Lush---Bitter
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Lush" Biography***
One of the first bands to have been described with the *"shoegazing"* label, were an English alternative band formed in ***[London](https://cutt.ly/GQCIBch)*** in 1987. The original ***“Lush”*** line-up consisted of ***[Miki Berenyi](https://cutt.ly/4QCI0hj)*** (vocals, guitar), ***[Emma Anderson](https://cutt.ly/pQCI94G)*** (vocals, guitar), ***[Steve Rippon](https://cutt.ly/5QCObEV)*** (bass) and ***[Chris Acland](https://cutt.ly/aQCI4A2)*** (drums).
***[Phil King](https://cutt.ly/gQCOh1X)*** replaced ***Rippon*** in 1991. ***Meriel Barham***, the original lead vocalist left almost immediately, eventually joining ***“[Pale Saints](https://cutt.ly/NQC1jGo)”***. When a replacement could not be found, guitarist ***Miki*** stepped up to the mic.
The band, initially named the ***"Baby Machines"***, were inspired by the garage rock scene of the ***"[Nuggets](https://cutt.ly/hQC0sUW)”*** series", ***"[Cocteau Twins](https://cutt.ly/bQC0hPF)"***, ***"[Siouxsie and the Banshees](https://cutt.ly/cQC0c8G)"***, the ***"[Beach Boys](https://cutt.ly/bQC0S95)"*** and the ***''[Byrds](https://cutt.ly/hQC0G0V)``***.
Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, ***“Lush”*** earned a cult following within the British and American undergrounds with its first *EPs*, yet the group never quite attained the critical respect given to its peers ***“[My Bloody Valentine](https://cutt.ly/VQC0BPf)”*** and ***“[Ride](https://cutt.ly/HQC09p2)”***. Even so, ***“Lush”*** lasted longer than any other of their contemporaries, developing sharp pop skills as their career progressed.
By the time of their final album, 1996's ***"[Lovelife](https://cutt.ly/HQC09p2)"***, they had converted themselves into a power *pop band* with *dream pop* overtones, which resulted in the greatest chart success of their career. That success was dealt a blow when drummer ***Chris Acland*** committed suicide in the fall of 1996, effectively bringing the band to an end.
> Thanks to ***[Robin Guthrie’s](https://cutt.ly/oQBpMhZ)*** connections, in 1989, the band signed to ***“[4AD](https://cutt.ly/WQBpAgw)”*** and released their first recording ***“Scar”***, a six-track mini-album. Originally intended to be a three-track single release, ***“Scar”*** was produced by ***[John Fryer](https://cutt.ly/rQBpUPm)*** and the band themselves and recorded at London's ***Blackwing Studios***.
>
> The album was described as having a distinctive style, somewhere between ***“Cocteau Twins”*** and ***“[Sonic Youth](https://cutt.ly/OQBpnLj)”***, as well as a mix of angelic vocals over subtle guitar trash, of melodies over chaotic rhythms, of haunting whispers over spitting feedback.
# ***"The Song Info***
***“Bitter”*** is the fourth song from ***“Lush”*** debut mini-album ***“[Scar](https://cutt.ly/5QBJjwP)”***, released on 9 October 1989 on ***“[4AD](https://cutt.ly/WQBpAgw)”***, and recorded at London's ***“[Blackwing Studios](https://cutt.ly/vQBaoUi)”***.
# ***"Lush" Info***
**[Light from a dead star](https://cutt.ly/qQCU849)** **/** **[Lushapalooza](https://cutt.ly/oQCOVZa)** **/** **[Wikipedia](https://cutt.ly/KQCENuB)** **/** **[AD](https://cutt.ly/sQCUQxa)** **/** **[AllMusic](https://cutt.ly/qQCEV0p)** **/** **[Pitchfork](https://cutt.ly/1QCRtFd)** **/** **[Last.fm](https://cutt.ly/TQCRwt9)** **/** **[Discogs](https://cutt.ly/nQCE0q3)** **/** **[Facebook](https://cutt.ly/2QCE2ku)** **/** **[Twitter](https://cutt.ly/nQCTETl)** **/** **[Instagram](https://cutt.ly/HQCE9ge)** **/** **[YouTube](https://cutt.ly/2QCE36x)** **/** **[Spotify](https://cutt.ly/pQCRj0C)** **/** **[Lyrics](https://cutt.ly/oQCTd0z)**
# ***More "Lush" Organizam Star Candy***
- ***Lush - ["Spooky"](https://cutt.ly/xQBKoCu)***
- ***Lush - ["Split"](https://cutt.ly/QQBXFck)***
- ***Lush - ["Lovelife"](https://cutt.ly/nQBKh2r)***
- ***Lush - ["Blindspot ep"](https://cutt.ly/UQBBvaU)***
# ***"Organizam Star" Recommendations***
- ***Airiel - ["Molten Young Lovers"](https://cutt.ly/kQZttVr)***
- ***Cocteau Twins - ["Victorialand"](https://cutt.ly/UvLHZOe)***
- ***Autumn's Grey Solace - ["Within The Depths Of A Darkened Forest"](https://cutt.ly/SQB6vzk)***
- ***Republica - ["Republica"](https://cutt.ly/Ib1PZIB)***
- ***Elastica - ["The Menace"](https://cutt.ly/MQB6GzV)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
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MORRI
09.-Morrissey---He-Cried
***Steven Patrick Morrissey***, known by his surname, is an English singer, songwriter, and author. He came to prominence as the frontman of rock band the ***"[Smiths](https://cutt.ly/vvmCtDB)"** who were active from 1982 to 1987. Since then, he has pursued a successful solo career.
Morrissey's music is characterised by his baritone voice and distinctive lyrics with recurring themes of emotional isolation, sexual longing, self-deprecating and dark humour, and anti-establishment stances.
***"Maladjusted"*** is Morrissey's sixth studio album, attempt to integrate the torch songs that he experimented with on ***"Vauxhall and I"*** with the indie rock of his earlier career.
However, this release caused a small amount of controversy over what was to be the penultimate track, ***"Sorrow Will Come in the End"*** which is clearly about the ***Mike Joyce*** royalties dispute, and lyrically takes the form of, essentially, an extended threatening message to him and his representatives after loss in ***"Smiths"*** royalty suit.
***”Maladjusted”*** received a mixed-to-unfavourable response from critics. They're charming songs, but they're subtle charms, offering the kind of pleasures only longtime Morrissey followers will find irresistible.
***”He Cried”*** is the ninth song on Morrissey’s fifth studio album ***”[Maladjusted](https://cutt.ly/4buvDDB)”***, released on 11 August 1997 by ***Island Records***.
***
***"Morrissey"*** info:
**[Official](https://cutt.ly/Avo3oXk)** **/** **[Unofficial](https://cutt.ly/0vo3wsC)** **/** **[Wikipedia](https://cutt.ly/0vo3wsC)** **/** **[AllMusic](https://cutt.ly/qvo9B9D)** **/** **[Discogs](https://cutt.ly/2vo9X3i)** **/** **[Facebook](https://cutt.ly/4vo3nFq)** **/** **[YouTube](https://cutt.ly/Evo3Wac)** **/** **[Instagram](https://cutt.ly/ivo8ncZ)** **/** **[Twitter](https://cutt.ly/1vo3RCd)** **/** **[Forum](https://cutt.ly/Rvo8hT0)** **/** **[M-zine](https://cutt.ly/qvo8SXH)** **/** **[Spotify](https://cutt.ly/2vo3S8B)** **/** **[Lyrics](https://cutt.ly/Kvo83IC)**
***
More ***"Morrissey"*** **Organism Star** candy:
**"Morrissey"** / ***[Viva Hate](https://cutt.ly/Ebuc9g9)***
**"Morrissey"** / ***[Kill Uncle](https://cutt.ly/jbuve3B)***
**"Morrissey"** / ***[Your Arsenal](https://cutt.ly/obuvgoN)***
**"Morrissey"** / ***[Vauxhall and I](https://cutt.ly/UbuvcsN)***
**"Morrissey"** / ***[Southpaw Grammar](https://cutt.ly/ebuvE53)***
***
> **[Organism Star Official](https://organismstar.wordpress.com/)** / Complete *Organism Star* LBRY Archive!
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06.-The-Smiths---The-Boy-With-The-Thorn-In-His-Side
***"The Smiths"***were an English rock band formed in Manchester in 1982. Consisting of vocalist ***[Morrissey](https://cutt.ly/7vnQKtF)***, guitarist ***[Johnny Marr](https://cutt.ly/XvnQXo2)***, bassist ***[Andy Rourke](https://cutt.ly/yvnQVIJ)***, and drummer ***[Mike Joyce](https://en.wikipedia.org/wiki/Mike_Joyce_(musician))***,
critics consider the band one of the most important to emerge from the British independent music scene of the 1980s.
Based on the songwriting partnership of Morrissey and Marr, the Smiths' focus on a guitar, bass, and drum sound, and fusion of 1960s rock and post-punk, were a rejection of the synthesiser-based dance-pop of the time. The friction between Morrissey and Marr resulted in a flurry of singles and albums over the course of three years that provided the blueprint for British guitar rock in the following decade.
***"Rank"*** is the band's only live album, recorded live at The National Ballroom in London in October of 1986, roughly six months before they disbanded altogether, these 14 songs capture the Smiths performing in full-on rock-star mode.
It’s an essential part of any Smiths fan's collection, and it's an enlightening live peek at a foursome who many deem the greatest band of the 1980s, and more than a few others deem the last great band period.
***“The Boy With The Thorn In His Side”*** is the sixth song on the **Smiths** live album ***”Rank”***, released in September 1988 by British record company by **"[Rough Trade Records](https://cutt.ly/FvmyIRL)"**.
***
***"The Smiths"*** info:
**[Official](https://cutt.ly/hvoP3Po)** / **[Unofficial](https://cutt.ly/wvoA20L)** / **[Wikipedia](https://cutt.ly/3voPUdu)** / **[Discogs](https://cutt.ly/6voPNHt)** / **[AllMusic](https://cutt.ly/KvoPG2T)** / **[Facebook](https://cutt.ly/QvoP59Y)** / **[YouTube](https://cutt.ly/KvoAuOH)** / **[Instagram](https://cutt.ly/EvoScCn)** / **[Twitter](https://cutt.ly/ZvoShMs)** / **[Soundcloud](https://cutt.ly/TvoAxoX)**[Spotify](https://cutt.ly/fvoAd8W)** / **[Lyrics](https://cutt.ly/KvoSotd)** / **
***
More ***"The Smiths"*** **Organism Star** candy:
**"The Smiths"** / ***[The Smiths](https://cutt.ly/Tv4u9PB)***
**"The Smiths"** / ***[Hatful of Hollow](https://cutt.ly/Jv4iqET)***
**"The Smiths"** / ***[Meat Is Murder](https://cutt.ly/9v4iy07)***
**"The Smiths"** / ***[The Queen Is Dead](https://cutt.ly/Kv4iaVi)***
**"The Smiths"** / ***[Strangeways, Here We Come](https://cutt.ly/kv4sNpP)***
**"The Smiths"** / ***[The World Won’t Listen](https://cutt.ly/Kv4s9yu)***
**"The Smiths"** / ***[Louder Than Bombs](https://cutt.ly/qv4s5YE)***
***
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04.-The-Smiths---Ask
***"The Smiths"***were an English rock band formed in Manchester in 1982. Consisting of vocalist ***[Morrissey](https://cutt.ly/7vnQKtF)***, guitarist ***[Johnny Marr](https://cutt.ly/XvnQXo2)***, bassist ***[Andy Rourke](https://cutt.ly/yvnQVIJ)***, and drummer ***[Mike Joyce](https://en.wikipedia.org/wiki/Mike_Joyce_(musician))***,
critics consider the band one of the most important to emerge from the British independent music scene of the 1980s.
Based on the songwriting partnership of Morrissey and Marr, the Smiths' focus on a guitar, bass, and drum sound, and fusion of 1960s rock and post-punk, were a rejection of the synthesiser-based dance-pop of the time. The friction between Morrissey and Marr resulted in a flurry of singles and albums over the course of three years that provided the blueprint for British guitar rock in the following decade.
***"Rank"*** is the band's only live album, recorded live at The National Ballroom in London in October of 1986, roughly six months before they disbanded altogether, these 14 songs capture the Smiths performing in full-on rock-star mode.
It’s an essential part of any Smiths fan's collection, and it's an enlightening live peek at a foursome who many deem the greatest band of the 1980s, and more than a few others deem the last great band period.
***“Ask”*** is the fourth song on the **Smiths** live album ***”Rank”***, released in September 1988 by British record company by **"[Rough Trade Records](https://cutt.ly/FvmyIRL)"**.
***
***"The Smiths"*** info:
**[Official](https://cutt.ly/hvoP3Po)** / **[Unofficial](https://cutt.ly/wvoA20L)** / **[Wikipedia](https://cutt.ly/3voPUdu)** / **[Discogs](https://cutt.ly/6voPNHt)** / **[AllMusic](https://cutt.ly/KvoPG2T)** / **[Facebook](https://cutt.ly/QvoP59Y)** / **[YouTube](https://cutt.ly/KvoAuOH)** / **[Instagram](https://cutt.ly/EvoScCn)** / **[Twitter](https://cutt.ly/ZvoShMs)** / **[Soundcloud](https://cutt.ly/TvoAxoX)**[Spotify](https://cutt.ly/fvoAd8W)** / **[Lyrics](https://cutt.ly/KvoSotd)** / **
***
More ***"The Smiths"*** **Organism Star** candy:
**"The Smiths"** / ***[The Smiths](https://cutt.ly/Tv4u9PB)***
**"The Smiths"** / ***[Hatful of Hollow](https://cutt.ly/Jv4iqET)***
**"The Smiths"** / ***[Meat Is Murder](https://cutt.ly/9v4iy07)***
**"The Smiths"** / ***[The Queen Is Dead](https://cutt.ly/Kv4iaVi)***
**"The Smiths"** / ***[Strangeways, Here We Come](https://cutt.ly/kv4sNpP)***
**"The Smiths"** / ***[The World Won’t Listen](https://cutt.ly/Kv4s9yu)***
**"The Smiths"** / ***[Louder Than Bombs](https://cutt.ly/qv4s5YE)***
***
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LUSH
Lush---500
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
***
# ***"Lush" Biography***
One of the first bands to have been described with the *"shoegazing"* label, were an English alternative band formed in ***[London](https://cutt.ly/GQCIBch)*** in 1987. The original ***“Lush”*** line-up consisted of ***[Miki Berenyi](https://cutt.ly/4QCI0hj)*** (vocals, guitar), ***[Emma Anderson](https://cutt.ly/pQCI94G)*** (vocals, guitar), ***[Steve Rippon](https://cutt.ly/5QCObEV)*** (bass) and ***[Chris Acland](https://cutt.ly/aQCI4A2)*** (drums).
***[Phil King](https://cutt.ly/gQCOh1X)*** replaced ***Rippon*** in 1991. ***Meriel Barham***, the original lead vocalist left almost immediately, eventually joining ***“[Pale Saints](https://cutt.ly/NQC1jGo)”***. When a replacement could not be found, guitarist ***Miki*** stepped up to the mic.
The band, initially named the ***"Baby Machines"***, were inspired by the garage rock scene of the ***"[Nuggets](https://cutt.ly/hQC0sUW)”*** series", ***"[Cocteau Twins](https://cutt.ly/bQC0hPF)"***, ***"[Siouxsie and the Banshees](https://cutt.ly/cQC0c8G)"***, the ***"[Beach Boys](https://cutt.ly/bQC0S95)"*** and the ***''[Byrds](https://cutt.ly/hQC0G0V)``***.
> On their fourth album ***“Lovelife”***, the band moved away from their earlier *dream pop* and *shoegazing* style and embraced a more *Britpop*-oriented sound.
> From the circular melody of the opening "[Ladykillers](https://cutt.ly/MQBVC6t)" it's clear that “Lush” had been influenced by the direct, jagged pop of “[Elastica](https://cutt.ly/EQBV2wF)”, but the band also has reached back into '60s pop. All of the ballads on ***“Lovelife”*** are rooted in the hazy dream pop of the early '90s, but they are given stylish, mod arrangements complete with muted brass.
>
> ***“Lush”*** had completed touring for the year and was on break when ***Chris Acland***, suffering from depression, had unexpectedly hung himself in his parent's home on October 17, 1996. Devastated by the loss, the remaining members of ***“Lush”*** dropped out of the public eye.
> With the chemistry that made up the band shattered, the remaining members made it official, with the announcement in 1998 that the band was no more.
# ***The Song Info***
***“500”*** is the third song from Lush's fourth and last studio album ***“[Lovelife](https://cutt.ly/nQBKh2r)”***, released on 5 March 1996 by ***“[4AD](https://cutt.ly/WQBpAgw)”***. The album was produced by ***[Pete Bartlett](https://cutt.ly/IQBBeLy)*** and the band at ***Protocol Studios*** in London, and engineered by ***Giles Hall***.
# ***"Lush" Info***
**[Light from a dead star](https://cutt.ly/qQCU849)** **/** **[Lushapalooza](https://cutt.ly/oQCOVZa)** **/** **[Wikipedia](https://cutt.ly/KQCENuB)** **/** **[AD](https://cutt.ly/sQCUQxa)** **/** **[AllMusic](https://cutt.ly/qQCEV0p)** **/** **[Pitchfork](https://cutt.ly/1QCRtFd)** **/** **[Last.fm](https://cutt.ly/TQCRwt9)** **/** **[Discogs](https://cutt.ly/nQCE0q3)** **/** **[Facebook](https://cutt.ly/2QCE2ku)** **/** **[Twitter](https://cutt.ly/nQCTETl)** **/** **[Instagram](https://cutt.ly/HQCE9ge)** **/** **[YouTube](https://cutt.ly/2QCE36x)** **/** **[Spotify](https://cutt.ly/pQCRj0C)** **/** **[Lyrics](https://cutt.ly/oQCTd0z)**
# ***More "Lush" Organizam Star Candy***
- ***Lush - ["Scar"](https://cutt.ly/5QBJjwP)***
- ***Lush - ["Spooky"](https://cutt.ly/xQBKoCu)***
- ***Lush - ["Split"](https://cutt.ly/QQBXFck)***
- ***Lush - ["Blindspot ep"](https://cutt.ly/UQBBvaU)***
# ***"Organizam Star" Recommendations***
- ***Airiel - ["Molten Young Lovers"](https://cutt.ly/kQZttVr)***
- ***Cocteau Twins - ["Victorialand"](https://cutt.ly/UvLHZOe)***
- ***Autumn's Grey Solace - ["Within The Depths Of A Darkened Forest"](https://cutt.ly/SQB6vzk)***
- ***Republica - ["Republica"](https://cutt.ly/Ib1PZIB)***
- ***Elastica - ["The Menace"](https://cutt.ly/MQB6GzV)***
***
# ***Complete [Organizam Star](https://organizamstar.wordpress.com/ "The Sound Of Who We Are") Archive!***
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MADDE
Madder-Rose---Bring-It-Down-
***”Madder Rose”*** was a New York City-based alternative rock band formed in 1991 in a Greenwich Village apartment, after ***[Billy Coté](http://www.billycote.com/)***, the band's songwriter, was informed by a mutual friend that a woman named ***[Mary Lorson](https://cutt.ly/xml50MY)*** was looking for a project. Cote' and Lorson formed ***”Madder Rose”*** with bassist ***Matt Verta-Ray*** and drummer ***Johnny Kick***.
They had their first gig a few months later, and then, after distributing countless singles, they signed with ***”[Atlantic Records](https://cutt.ly/aml6g7F)”*** the next year.
The band's music has been described as suggesting druggy languor, which inspired the British music press to trumpet ***”Madder Rose”*** as the second coming of the ***”[Velvet Underground](https://cutt.ly/kml6nPs)”***. Their sound progressed from indie pop rock, not unlike peers ***”[Velocity Girl](https://cutt.ly/Hml6Q4O)”***, ***”[Lush](https://cutt.ly/5ml6Uo2)”***, ***”[Helium](https://cutt.ly/xml6A3J)”***, and ***”[Juliana Hatfield](https://cutt.ly/aml6Gb4)”***, to shoegaze and trip-hop.
***”Bring It Down”*** is the band's debut album, released in 1993 on ***”[Seed Records](https://cutt.ly/6mzqOsK)”***, an alternative-oriented subsidiary of ***”[Big Beat Records](https://cutt.ly/ZmzYFkE)”***, and was produced by ***Kevin Salem***, member of the alternative ensemble ***”[Dumptruck](https://en.wikipedia.org/wiki/Dumptruck_(band))”***.
Some of the attention given to the group may well have resulted from the hype over female rockers in the early '90s, but ***Mary Lorson*** is nobody's stereotype and nobody's fool. With a strong, warm voice - not as forceful as ***[Kathleen Hanna's](https://cutt.ly/tmziaaH)***, not as commanding as ***[PJ Harvey's](https://cutt.ly/EmzigCE)***, but easily able to capture and set a mood - she's endlessly listenable, her lyrics often wryly romantic and intelligent without sounding forced.
***Billy Coté*** takes a key role throughout, true crumbling, melancholic shades on the tearjerking ***"[While Away](https://cutt.ly/FmzPRoz)"*** or the fractured, halfway to ***Neil Young*** squall on ***"[Lights Go Down](https://cutt.ly/fmzShpS)"***.
In the meantime ***Verta-Ray*** contributes some remarkably dark bass work, while at many points drummer ***Johnny Kick*** shows he has an ear for polite breakbeats and rumbling energy that suit the mood as much as more straightforward rock rhythms.
Critics praised ***Madder Rose's*** unique style of chiming, grinding arrangements and haunting vocals. The band sealed its name with the alternative music scene after a main stage appearance at the 1993 ***[Reading Festival](https://cutt.ly/KmziyI1)*** in England.
1. **[Beautiful John](https://cutt.ly/Xmxaqq0)**....00:00
2. **[While Away](https://cutt.ly/7mxpXCM)**....03:38
3. **[Bring It Down](https://cutt.ly/Imxae55)**....08:23
4. **[20 Foot Red](https://cutt.ly/Dmxaueb)**....13:01
5. **[Swim](https://cutt.ly/0mxadKL)**....16:25
6. **[Lay Down Low](https://cutt.ly/Xmxp0DI)**....19>04
7. **[Altar Boy](https://cutt.ly/0mxadKL)**....22:39
8. **[Lights Go Down](https://cutt.ly/kmxp3Gm)**....25:58
9. **[(Living A) Daydream](https://cutt.ly/omxac8J)**....29:58
10. **[Sugarsweet](https://cutt.ly/LmxaGR4)**....33:11
11. **[Razor Pilot](https://cutt.ly/VmxambS)**....36:57
12. **[Waiting for Engines](https://cutt.ly/wmxaUpq)**....41:50
13. **[Pocket Fulla Medicine](https://cutt.ly/pmxaPi4)**....46:29
***
***"Madder Rose"*** info:
**[Official](https://cutt.ly/Xml3mzF)** **/** **[Marry Brett Lorson](https://cutt.ly/Iml3Omc)** **/** **[Billy Coté](https://cutt.ly/tml3IrA)** **/** **[Wikipedia](https://cutt.ly/gml3c8G)** **/** **[AllMusic](https://cutt.ly/5ml3VyN)** **/** **[Discogs](https://cutt.ly/Oml3HXt)** **/** **[Spotify](https://cutt.ly/Vml31qA)** **/** **[Youtube](https://cutt.ly/0ml8doS)** **/** **[Facebook](https://cutt.ly/4ml32lO)** **/** **[Twitter](https://cutt.ly/xml38o7)** **/** **[Lyrics](https://cutt.ly/Eml8ye9)**
***
More ***"Madder Rose"*** **Organism Star** candy:
**"Madder Rose"** **/** ***[Panic On](https://cutt.ly/ymzF2i9)***
***
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R.E.M
08.-R.E.M.---Turn-You-Inside-Out
***"R.E.M."*** was an American rock band from ***[Athens, Georgia](https://cutt.ly/NmRkghQ)***, formed in 1980 by drummer ***[Bill Berry](https://cutt.ly/AmRklXQ)***, guitarist ***[Peter Buck](https://cutt.ly/ymRkcq5)***, bassist ***[Mike Mills](https://cutt.ly/CmRknrO)***, and lead vocalist ***[Michael Stipe](https://cutt.ly/lmRkQn5)***, who were students at the University of Georgia.
Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern.
While there were a number of hardcore and punk bands in the U.S. during the early '80s, ***"R.E.M."*** brought guitar pop back into the underground lexicon. The band marked the point when post-punk turned into alternative rock, and inspired countless bands, from the legions of jangle pop groups in the mid-'80s to scores of alternative pop groups in the '90s, who admired their slow climb to stardom.
On their sixth album ***”Green”***, the band continued to explore political issues both in its lyrics and packaging on the album, writing major-key rock songs and incorporating new instruments into their sound including the mandolin, as well as switching their original instruments on other songs.
Brighter, poppier, mature, and a bit different, ***"Green"*** shows the band making a major turning point in their sound without forgetting too much of what made them excellent to begin with. The clean and crisp production, excellent hooky and rich material, decent structure, and razor sharp focus also helps this album be a classic in its own right.
Except for those tender ballads, ***"R.E.M."*** has completely lost its folk inflections. A heavy guitar sound has replaced the old Byrdsy jangle, and the trademark asymmetrical song structures are gone, too, now, verses are repeated for maximum catchiness.
Now it’s clear that ***”Green”** made one band ready. Ready for the ***”[Out of Time](https://cutt.ly/pmPOH0J)”***...
***”Turn You Inside-Out”*** is the eighth song on the band’s sixth studio album ***"[Green](https://cutt.ly/lmPI0Oo)"***, released on November 7, 1988 by ***"Warner Bros. Records"***.
***
***"R.E.M."*** info:
**[Wikipedia](https://cutt.ly/UmEN4em)** **/** **[Official](https://remhq.com/)** **/** **[Allmusic](https://cutt.ly/VmEMxKC)** **/** **[Discogs](https://cutt.ly/dmEMlJa)** **/** **[Spotify](https://cutt.ly/UmEMgFG)** **/** **[Last.fm](https://cutt.ly/imEMPrb)** **/** **[Facebook](https://cutt.ly/TmEMqjC)** **/** **[YouTube](https://cutt.ly/tmEMfuH)** **/** **[Twitter](https://cutt.ly/hmEMrAR)** **/** **[Instagram](https://cutt.ly/AmEMuMS)** **/** **[Lyrics](https://cutt.ly/NmEMbsG)** **/**
***
More ***"R.E.M."*** **Organism Star** candy:
**"R.E.M."** **/** ***[Murmur](https://cutt.ly/6mPIH1l)***
**"R.E.M."** **/** ***[Reckoning](https://cutt.ly/KmPIKSM)***
**"R.E.M."** **/** ***[Fables Of The Reconstruction](https://cutt.ly/OmPIZq5)***
**"R.E.M."** **/** ***[Lifes Rich Pagiant](https://cutt.ly/WmPIXWX)***
**"R.E.M."** **/** ***[Document](https://cutt.ly/zmPICOI)***
**"R.E.M."** **/** ***[Out Of Time](https://cutt.ly/pmPOH0J)***
**"R.E.M."** **/** ***[Automatic For The People ](https://cutt.ly/rmPPfhq)***
**"R.E.M."** **/** ***[Monster](https://cutt.ly/hmPAlbd)***
**"R.E.M."** **/** ***[New Adventures In Hi-Fi](https://cutt.ly/lmPAJ4v)***
***
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NEW O
06.-New-Order---Ultraviolence
"***New Order***"are an English rock band formed in 1980 by vocalist and guitarist ***[Bernard Sumner](https://cutt.ly/9b9XrVA)***, bassist ***[Peter Hook](https://cutt.ly/9b9XrVA)*** and drummer ***[Stephen Morris](https://cutt.ly/eb9XiCi)***. The band formed after the demise of post-punk band ***"[Joy Division](https://cutt.ly/eb9XiCi)"***, following the suicide of lead singer ***Ian Curtis***; they were joined by ***[Gillian Gilbert](https://cutt.ly/mb9XsDe)*** on keyboards later that year.
***”New Order's”*** integration of post-punk with electronic and dance music made them one of the most acclaimed and influential bands of the 1980s.
Embracing the electronic textures and disco rhythms of the underground club culture many years in advance of its contemporaries, the group's pioneering fusion of new wave aesthetics and dance music successfully bridged the gap between the two worlds, creating a distinctively thoughtful and oblique brand of synth pop appealing equally to the mind, body, and soul.
***"Power, Corruption & Lies"*** is the band's second studio album, released on 2 May 1983 by Manchester-based British independent record label ***“[Factory Records](https://cutt.ly/cb9XM6P)”***. The album features more electronic tracks than their 1981 debut ***"Movement"***, with heavier use of synthesizers.
Bolstered by the addition of ***[Gillian Gilbert](https://cutt.ly/mb9XsDe)***, the band make the most out of their electronic gadgets, crafting indelible sequences, complex drum patterns, and oddly emotional washes of sound.
Aside from all the bright dance music and inventive production on display, ***”P C & L”*** also portrayed the band's growing penchant for beauty: ***"[Your Silent Face](https://cutt.ly/VneNoLt)"*** is a sublime piece of electronic balladry and ***"[Leave Me Alone](https://cutt.ly/mneNuyV)"*** is a wonderfully melancholic slice of post-punk guitar pop.
The album stands as a thrilling introduction to a band finding its feet and leaping ahead of the pack, combining superior songwriting skills, imaginative playing, and stunning arrangements that mixed the present with the future. (***John Bush***, ***”AllMusic”***)
***”Ultraviolence”*** is the sixth song on the band’s second album ***"[Power, Corruption & Lies](https://cutt.ly/Lnecm8K)"***, released on 2 May 1983 by Manchester-based British independent record label ***“Factory Records”***.
***
***"New Order"*** info:
**[Official](http://www.neworder.com/)** **/** **[Wikipedia](https://cutt.ly/8bHaxRI)** **/** **[AllMusic](https://cutt.ly/ybHsJ5H)** **/** **[Discogs](https://cutt.ly/EbHslwV)** **/** **[Spotify](https://cutt.ly/KbHaSjy)** **/** **[Facebook](https://cutt.ly/6bHaRFQ)** **/** **[YouTube](https://cutt.ly/2bHaUSA)** **/** **[Instagram](https://cutt.ly/mbHaOqd)** **/** **[Twitter](https://cutt.ly/7bHaPp2)** **/** **[Forum](https://cutt.ly/1bHssOQ)** **/** **[Lyrics](https://cutt.ly/ubHsVh8)**
***
More ***"New Order"*** **Organism Star** candy:
**"New Order"** / ***[Movement](https://cutt.ly/jnelmeX)***
**"New Order"** / ***[Low Life](https://cutt.ly/Jnevex1)***
**"New Order"** / ***[Brotherhood](https://cutt.ly/2nevyox)***
**"New Order"** / ***[Technique](https://cutt.ly/enevoJj)***
**"New Order"** / ***[Republic](https://cutt.ly/VnevfAY)***
**"New Order"** / ***[Get Ready](https://cutt.ly/6nevj06)***
**"New Order"** / ***[Waiting For The Sirens Call](https://cutt.ly/Inevxpz)***
**"New Order"** / ***[Lost Sirens ](https://cutt.ly/Vnevnc3)***
***
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