This adaptation of A Christmas Carol has a distinctive look, created by multiple pans and zooms and by innovative, unexpected scene transitions. The visual style, which is unusually powerful, is inspired by 19th century engraved illustrations of the original story by John Leech and the pen and ink renderings by illustrator Milo Winter that graced 1930s editions of the book. The film's bleak mood and emphasis on darkness and shadows lead some to consider it the most frightening of the many dramatizations of the Dickens classic. Originally produced as a television special, A Christmas Carol was considered so well done that it was released theatrically.
Set in the year 2071, where technology has brought mankind to the brink of colonization on a planet named Gaia, one man takes on an isolated mission and discovers unearthly horrors that could bring an end to life on this planet.
With the help of Timer, the children, Peter and Missy venture through their uncle's body; their uncle, who smoked cigars, got upset working on the kitchen sink and ate and drank too much while he watched his football game. With each emotional turmoil, the kids would endure amusing, fascinating animated adventures within his body. At the end, the children ran to their poor uncle and told him what they went through; journeying through is body, his blood pressure, his anger and so on. And bless their Uncle's heart, the poor man just listened to them as best he could and never doubted a word they said.
"Here Comes Garfield" is an American 24-minute short film from 1982. The name in the title already tells you who this is all about, but you should also know when seeing the names of director Phil Roman and writer Jim Davis as both worked on many other Garfield cartoons too. And then there is of course Lorenzo Music, who voices the title character in all these films and who is really an example of perfect casting and who elevates the material by so so much. Garfield may have come from a simple comic strip but there are some touching moments in this TV Special that prove why he has been so consistently popular for so many years. The animation mimics Jim Davis' early incarnation of Garfield, and although it's not as refined as the modern Garfield, he's still the same great, fat cat. A genuine classic.
Good featurette has interviews with Tom Savini, Patricia Tallman, John Russo, John Vulick and Russell Streiner as they discuss why they decided to remake NIGHT OF THE LIVING DEAD.
Atkinson Film-Arts was an animation studio based in Canada. The company is best known for producing the first two Care Bears television specials. They also worked on "Harry Canyon" and "B-17" segments of the 1981 science fiction anthology movie Heavy Metal. The Body Electric is a 30 minute piece of mature-oriented cartoon that uses songs from RUSH as background music for the entire film. Even the film's title and the city's name Red Sector A are based on two of their songs. For the fans of Rush, this is a pretty rare film, something not to be overlooked.
Zack Hugh is the titular "Running Man," the undefeated champion of the "Death Circus" racing circuit and has raced for 10 years. Competitors race in high-speed Formula One-like craft, and spectators bet on the lives of these people for huge winnings. A reporter is sent to interview the mysterious Zack outside of the track and watches one of his races. He soon discovers Hugh has telekinetic abilities which he uses to destroy the other racers. As the race ends in his favor, the monitors in the pit display "LIFE FUNCTIONS TERMINATED." Mysteriously, though seemingly dead, Hugh continues around the track and is overtaken by a spectral racer. He attempts to employ the same strategy, straining to destroy the opponent, but in truth it is against his own mind. The force of the telekinesis is directed inward which rapidly tears both Hugh and his car apart. The Death Circus is permanently shut down afterwards; the reporter believing the event's true draw was the spectators' need to see how long Hugh could beat death.