From the Veil of Thorns album Eschaton & Celebration out now on PANICMACHINE http://www.veilofthorns.com http://digital.panicmachine.com/album/eschaton-celebration Eschaton (Noun) - From Ancient Greek ἔσχατον (eskhaton), neuter singular of ἔσχατος (eskhatos, "last"). (New Testament) day at the end of time following Armageddon when God will decree the fates of all individual humans according to the good and evil of their earthly lives. (literally) the last; used in theology to refer to the world's state during the posthistoric era of God's overt (apocalyptic) reign, immediately preceding the end of the world. Celebration (Noun) - The formal performance of a solemn rite, such as Christian sacrament - The observance of a holiday or feast day, as by solemnities - The act, process of showing appreciation, gratitude and/or remembrance, notably as a social event.- A social gathering for entertainment and fun; a party. Veil of Thorns are known for covering much ground sonically and conceptually. There is the punk-noir and lyrical meditations on being an outsider and lubrication of the wheels of empire on Vampire Wars. There is the musical hall of mirrors and dispatches from the charred fields of the apocalypsis of the act of artistic creation found on the twin albums Necrofuturist and Salon Apocalypse. Eschaton & Celebration opens up to an experience of the final stage of apocalypse. This is a journey into the heart of chaos that indeed does celebrate the end of everything familiar in cultural, spiritual and physical reality itself. P. Emerson Williams -- Vocals, Guitar, bass, cello, keyboards, programming Ruddy Bitch -- Drums, Electronic Soundwaves, percussive Manipulations PANICMACHINE: http://digital.panicmachine.com/album/eschaton-celebration Spotify: https://play.spotify.com/album/7vyvVS4IJH4utGYfyrgRrr Rdio: http://rd.io/x/QVWinyIaSKE/ iTunes: https://itunes.apple.com/gb/album/eschaton-celebration/id875269140?affId=1480348 Rhapsody: http://www.rhapsody.com/artist/veil-of-thorns/album/eschaton-and-celebration Nokia-Ovi: http://music.ovi.com/no/no/t4/Product/Veil-of-Thorns/Eschaton-Celebration/68820680 Wimp: https://wimp.no/wweb/album/30337045 Inner Moonlight Where the casting was of the night On my name, hubris, persuasion Clouded that summit The majestic filth which ill eclipses miracle Oh, we will always have the spark On which the shadows scream Inner moonlight Unseeing, dark illusion led Flitting, never a sin, in knowledge Art in exploitation Inner moonlight Holy, sad story, august and light And we shared in the promise A wintertime deceased Inner moonlight Decedent's stark fall Gutters contorted Waste moon Aspect of my sown subconscious Two wounds that are fire to heat Angel ... https://www.youtube.com/watch?v=wHUON49EiJI

http://digital.panicmachine.com/album/para-abnormal Track List: 1. Class Mutation 2. As The All Goes Asunder 3. Flash Tribe Displacement 4. In The Endless Night 5. Light Show 6. Nervous Piety Theorem 7. Cloud Empire 8. Mixed Media Jailbreak 9. Histrionic Gnosis 10. Exquisite Corpses about Fans of the retro-futuristic Cognitive Dissonance and the tribal gothic fever dreams of the twin albums Necrofuturist and Salon Apocalypse will welcome the way Para-Abnormal synthesizes these disparate threads of Veil of Thorns art. This is post-punk with a defiant heart, its world decidedly dystopian but the souls dwelling hterein face this world undaunted. Cold camera eyes are on every inch, infrastructure collapsing, but the survivors are having a party in the ruins. The solidity and assuredness of the drums supplied by James Curcio (Hoodoo Engine, Babalon, subQtaneous) and P. Emerson Williams coaxed many strange sounds from an electric-acoustic 12 string guitar. The process of writing on Para-Abnormal was a very spontaneous one, with grooves inspiring syncopated guitar parts and lyrics the cut-up impressions of a world gone mad as any creation reflecting the current state of human affairs would have to be. Veil of thorns started in Boston in the late -80’s, when the number of Goth bands in town could be counted on one hand. Stark, angular post-punk songs give way to spare jazz-inflected tone poems that lead back into sanguine deathrock dust storms. Many of the gigs included guest players and extensive improvisation. credits released 03 July 2013 "...pushes the envelope, shakes up the status quo, and demands attention." -Gothic Beauty "This is their most stylish work, but some of the thorns have an extra edge." -Mick Mercer "This is where Rozz Williams and Marilyn Manson merge in an Event Horizon singularity." -Corazine "...they brew up a dust storm of tight-but-loose guitar riffs and driving, nervy, drums...half way between a lament and a threat." -Uncle Nemesis credits 12-String Guitar, Vocals, Bass, Synth – P. Emerson Williams Drums, Sequencing, Bass – James Curcio http://www.veilofthorns.com http://www.jamescurcio.com http://www.panicmachine.com ... https://www.youtube.com/watch?v=aRzt3fDN8T0