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18 May 2021 19:37:18 UTC
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19466
Author: Anthony Bailey
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Born in 1776 in East Anglia near the river Stour, John Constable was destined for his fathers business of milling and grain-shipping. But he was obdurately opposed to this and persuaded his family he should become an artist instead. In the same determined spirit, he wooed Maria Bicknell in the teeth of opposition from her formidable grandfather, and persisted in painting landscapes at a time when history paintings and portraits were the fashion. Sometimes sharp and sarcastic, and often depressed, Constable in fact possessed a warm gift for intimate friendship. This is revealed in his letters to John Dunthorne, village handyman and housepainter, and to his best friend and patron, archdeacon John Fisher, to whom he wrote I have a kingdom of my own, both fertile and populous - my landscape and my children. In recent times, after a period of relative ignominy, Constables influence on British landscape painting has been re-acknowledged, he has been more widely exhibited and his reputation has been reestablished as one of the masters of his genre. This important and absorbing biography explores his life and work, and highlights the dramatic tension between the two.**From Publishers WeeklyRomantic painter John Constable (17761837) struggled for years to enter the Royal Academy, was constantly torn between the demands of family and artistic life and had a tortuous path to the limited success he did achieve in his lifetime. Bailey (Vermeer A View of Delft), a longtime New Yorker contributor and prolific author, seeks to expose both the chiaro and scuro in the painters life and worka perspective, argues Bailey, left largely unrealized in the only other full-length biography of Constable, Charles Leslies 1843 Memoirs of the Life of John Constable. The result is an intricate, intimate, balanced study, revealing the artists moody, depressive, acerbic and often parsimonious nature along with his intense devotion to his wife, Mary Bicknell (whom he met when she was 12, he 24) and their seven children. Baileys meticulous scholarship at times overwhelms with detail disproportionate to its larger relevance, and interesting issues, such as contemporary criticism of Constable, invite further analysis. Bailey writes with the elegant, carefully composed quietude of a Constable painting, and has crafted a sensitive and highly comprehensive portrait that will be essential for Constable scholars and very significant to general readers with an interest in the artist and his period. Color and b&w illus., maps. (Feb. 1) Reed Business Information, a division of Reed Elsevier Inc. ReviewWell-researched and accessible . . . a valuable companion to the artists first biography and a cornerstone for future research. Choice[Bailey] has lifted the lids on all the pies, pulled out the plums and served them up in a different and toothsome order . . . Judicious. The portrait that emerges is rounded, attractive and entertaining. Irish TimesThis sensitive book resonates with respect and admiration, treating the man with humanity and demolishing for ever the chocolate box frivolity surrounding Constables name and work. Sunday ExpressThe more one gets to know him, the more loveable Constable becomescurmudgeonly, cantankerous, melancholy and anxiety-ridden though he was. Sunday TelegraphAs with his earlier book on Vermeer, Baileys genius lies in finding a literary equivalent for his subjects style. He doesnt just describe Constables pictures, he writes them, each spare word like a stroke of the artists brush . . . lovely. Independent on Sunday Like his subject, Anthony Bailey has the great qualities of unobtrusiveness and sensitivity, letting things emerge organically rather than forcing his own imprint upon them. And also like Constable, he has an instinct for the details that can bring an entire canvas to life. Mail on Sunday
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English