For Love of the Prophet: An Ethnography of Sudan's Islamic State
Author: Noah Salomon For some, the idea of an Islamic state serves to fulfill aspirations for cultural sovereignty and new forms of ethical political practice. For others, it violates the proper domains of both religion and politics. Yet, while there has been much discussion of the idea and ideals of the Islamic state, its possibilities and impossibilities, surprisingly little has been written about how this political formation is lived. For Love of the Prophet looks at the Republic of Sudan's twenty-five-year experiment with Islamic statehood. Focusing not on state institutions, but rather on the daily life that goes on in their shadows, Noah Salomons careful ethnography examines the lasting effects of state Islamization on Sudanese society through a study of the individuals and organizations working in its midst.
Author: Damon J. Phillips
There are over a million jazz recordings, but only a few hundred tunes have been recorded repeatedly. Why did a minority of songs become jazz standards? Why do some songs--and not others--get rerecorded by many musicians? Shaping Jazz answers this question and more, exploring the underappreciated yet crucial roles played by initial production and markets--in particular, organizations and geography--in the development of early twentieth-century jazz. Damon Phillips considers why places like New York played more important roles as engines of diffusion than as the sources of standards. He demonstrates why and when certain geographical references in tune and group titles were considered more desirable. He also explains why a place like Berlin, which produced jazz abundantly from the 1920s to early 1930s, is now on jazz's historical sidelines. Phillips shows the key influences of firms in the recording industry, including how record companies and their executives affected what music was recorded, and why major companies would rerelease recordings under artistic pseudonyms. He indicates how a recording's appeal was related to the narrative around its creation, and how the identities of its firm and musicians influenced the tune's long-run popularity. Applying fascinating ideas about market emergence to a music's commercialization, Shaping Jazz offers a unique look at the origins of a groundbreaking art form.
Author: Murray Krieger
Poetic Presence and Illusion brings together Krieger's speculation on literature and its effect on the reader. The poem, Krieger argues, is an illusionary presence and an ever-present illusion. It exists for the reader, like a drama before an audience, only within an illusionary context. But the illusion should not be taken lightly as a false substitute for reality. It is itself a real and positive force: it is what we see and, as such, is constitutive of our reality, even if our critical faculty de-constitutes that reality by viewing it as no more than an illusion. The coupling of poetic presence and poetic illusion serves to describe the relationship between poetry as metaphor and the reader's sense of personal and poetic reality. Krieger examines the workings of selected Renaissance and contemporary poems with regard to this dual nature and evaluates the work of literary critics (himself included) who have been concerned with this doubleness. Poetic Presence and Illusion allows readers who have read Krieger's earlier work to understand the development of his critical position.
Author: Loudell F. Snow
Representing more than twenty years of anthropological research, Walkin' over Medicine, originally published by Westview Press in 1993, presents the results of Loudell F. Snow's community-based studies in Arizona and Michigan, work in two urban prenatal clinics, conversations and correspondence with traditional healers, and experience as a behavioral scientist in a pediatrics clinic. Snow also visited numerous pharmacies, grocery stores, and specialty shops in several major cities, accompanied families to church services, and attended weddings, baptisms, graduations, and funerals.
Author: Leslie Bow
Asian American women have long dealt with charges of betrayal within and beyond their communities. Images of their disloyalty pervade American culture, from the daughter who is branded a traitor to family for adopting American ways, to the war bride who immigrates in defiance of her countrymen, to a figure such as Yoko Ono, accused of breaking up the Beatles with her seduction of John Lennon. Leslie Bow here explores how representations of females transgressing the social order play out in literature by Asian American women. Questions of ethnic belonging, sexuality, identification, and political allegiance are among the issues raised by such writers as Jeanne Wakatsuki Houston, Bharati Mukherjee, Jade Snow Wong, Amy Tan, Sky Lee, Le Ly Hayslip, Wendy Law-Yone, Fiona Cheong, and Nellie Wong. Beginning with the notion that feminist and Asian American identity are mutually exclusive, Bow analyzes how women serve as boundary markers between ethnic or national collectives in order to reveal the male-based nature of social cohesion. In exploring the relationship between femininity and citizenship, liberal feminism and American racial discourse, and women's domestic abuse and human rights, the author suggests that Asian American women not only mediate sexuality's construction as a determiner of loyalty but also manipulate that construction as a tool of political persuasion in their writing. The language of betrayal, she argues, offers a potent rhetorical means of signaling how belonging is policed by individuals and by the state. Bow's bold analysis exposes the stakes behind maintaining ethnic, feminist, and national alliances, particularly for women who claim multiple loyalties.
Author: Ronald A. Foresta
Between Barkley and Kentucky Lakestwo great, artificial bodies of water in western Tennessee and western Kentuckylies a wooded land that looks from above like the flattened thumb of a green giant. Once a land of marginal farms and small settlements, this 240-square-mile peninsula, known as the Land Between the Lakes, has been a national recreation area for the last half-century. Its rolling, wooded hills and open bottomlands give the place charm but little majesty. The place swallows up its few campgrounds and visitors they attracts, creating a vacuous tranquility. In this volume, Foresta explores how this forgotten and bypassed region became a national recreation area. He uses its history to retrieve our old attitudes toward nature, progress, and personal development. He also uses its history to retrieve a vision of the future that rallied idealists, intellectuals, and even public officials to its banner. In the early 1960s, the Tennessee Valley Authority set out to create a great park for posterity at the Land Between the Lakes. The park was to host the vast stretches of leisure that wealthy, secure, and more equal Americans of the late twentieth and early twenty-first centuries would have at their disposal. It would be a place where such Americans could turn that leisure into happiness, psychic well-being, and strength of character. The TVA cleared the land of its inhabitants to create the park, removing people from their homes and severing their roots, thus effacing the history of the place. It then set about reshaping the land in the image of an anticipated future. But when that future never arrived, managers struggled to fit the place to the America that actually came into being. In the end they failed, leaving the Land Between the Lakes enveloped in a haunting sense of emptiness. A deft blend of environmental history, geography, politics, and cultural history, Land Between the Lakes demonstrates both the idealism of mid-twentieth-century planners and how quickly such idealism can fall out of alignment with the flow of history. In so doing it explores a forgotten vision of the future that was in many ways more appealing than the present that came into being in its place.
Author: William Conrad Gibbons
This searching analysis of what has been called America's longest war was commissioned by the Senate Committee on Foreign Relations to achieve an improved understanding of American participation in the conflict. Part II covers the period from Kennedy's inauguration through Johnson's first year in office.Originally published in 1986.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: J. Samaine Lockwood
In this though-provoking study of nineteenth-century America, J. Samaine Lockwood offers an important new interpretation of the literary movement known as American regionalism. Lockwood argues that regionalism in New England was part of a widespread woman-dominated effort to rewrite history. Lockwood demonstrates that New England regionalism was an intellectual endeavor that overlapped with colonial revivalism and included fiction and history writing, antique collecting, colonial home restoration, and photography. The cohort of writers and artists leading this movement included Sarah Orne Jewett, Alice Morse Earle, and C. Alice Baker, and their project was taken up by women of a younger generation, such as Charlotte Perkins Gilman and Pauline Elizabeth Hopkins, who extended regionalism through the modernist moment. Lockwood draws on a diverse archive that includes fiction, material culture, collecting guides, and more. Showing how these women intellectuals aligned themselves with a powerful legacy of social and cultural dissent, Lockwood reveals that New England regionalism performed queer historical work, placing unmarried women and their myriad desires at the center of both regional and national history.