DEADEYEXXX PRODUCTIONS SHORTOUT2 Thank you for watching! ***Still in the experiential stage yet*** ***Channels will be picked at random. Please don't ask. Thank you*** ***Comments are permanently turned off on shorts*** DeadeyeXXX productions: @deadeyeXXX productions https://www.youtube.com/channel/UCSNKVFJ15QkDlaxYoLw1neg https://www.bensound.com/
TRANS-SIBERIAN ORCHESTRA
CHRISTMAS EVE
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WMG
On behalf of: Atlantic Records
"Christmas Eve/Sarajevo 12/24" consists of four sections, alternating between soft and loud, as well as between the two component pieces in the medley. Part one consists of "God Rest Ye Merry, Gentlemen" performed on a cello, accompanied only by a picked electric guitar and a flute in round. After a short ritard, part two abruptly begins, with "Shchedryk" (recognizable in the English-speaking world as the melody from "Carol of the Bells") being played at full volume, full orchestration and the synthesizers and electric guitars taking lead melody. The time signature also abruptly shifts from cut time to a driving triple meter, which persists through the rest of the piece.
After a short transition, the third section consists of a piano solo, featuring motifs from both melodies being played simultaneously, with light string backing that builds through the section. The transition to the fourth and final section is again abrupt; the final section closely resembles the second, with "Shchedryk" being the central melody, again led by guitar and synthesizer with piano added. The coda consists of backing strings continuing softly after the fourth section ends, fading to a close.
Both of the tunes used in "Christmas Eve/Sarajevo 12/24" were in the public domain in 1995: "Shchedryk" was released in 1918 (although the English lyrics to "Carol of the Bells," dating to 1936, were still under copyright and were not included in the recording), while "God Rest Ye Merry, Gentlemen" dated back several centuries. Kinkel, O'Neill and Oliva received copyright protection and songwriting credit through ASCAP for their arrangement.[1]
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IRON MAIDEN
PHANTOM OF THE OPERA
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MS MARVEL
POST CREDIT SCENE
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FAVORITE 70'S MUSIC
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In North America, Europe, and Oceania, the decade saw the rise of disco, which became one of the biggest genres of the decade, especially in the mid-to-late 1970s.[1] In Europe, a variant known as Euro disco[1] rose in popularity towards the end of the 1970s. Aside from disco, funk, smooth jazz, jazz fusion, and soul music remained popular throughout the decade. Rock music played an important part in the Western musical scene, with punk rock thriving throughout the mid to late 1970s.
[2] Other subgenres of rock, particularly glam rock,[3] hard rock, progressive, art rock, and heavy metal achieved various amounts of success. Other genres such as reggae were innovative throughout the decade and grew a significant following.[4] The Hip hop emerged during this decade,[5] but was slow to start and did not become significant until the late 1980s. Classical began losing a little momentum; however, through invention and theoretical development, this particular genre gave rise to experimental classical and minimalist music by classical composers. A subgenre of classical, film scores, remained popular with movie-goers. Alongside the popularity of experimental music, the decade was notable for its contributions to electronic music, which rose in popularity with the continued development of synthesizers and harmonizers; more composers embraced this particular genre, gaining the notice of listeners who were looking for something new and different. Its rising popularity, mixed with the popular music of the period, led to the creation of synthpop. Pop also had a popularity role in the 1970s.
In Africa, especially Nigeria, the genre known as Afrobeat gained a following throughout the 1970s.[6]
In Latin America and the Iberian Peninsula, the Nueva canciĆ³n movement peaked in popularity and was adopted as the music of the hippie, Liberation Theology, and New Left movements. Cumbia music began its internationalization as regional scenes rose outside Colombia. Merengue experienced mainstream exposure across Latin America and the southern US border states.
In Asia, music continued to follow varying trends. In Japan, the decade saw several musical trends, including pop music, folk music, rock music, disco music, while the rock group "Spiders" disbanded in 1970.[7]
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