What If...? – Universal (John Carpenter's Firestarter)
The best-selling Stephen King sci-fi horror novel Firestarter, about a young girl with pyrokinetic powers named Charlie McGee who's being hunted down by a top-secret government agency, was originally going to be adapted into a film by none other than horror maestro John Carpenter, in what was to be his next film following The Thing. Carpenter enlisted that film's screenwriter Bill Lancaster to pen the screenplay, which deviated from King's novel by way of telling the story chronologically — ditching King's original flashback structure entirely — and merging the characters of John Rainbird and Dr. Joseph Wanless into one: a new female antagonist named Dr. Rahv, who presided over the Lot 6 experiments and later posed as a maid in order to gain Charlie's trust. Months later, Carpenter hired frequent collaborator Bill Phillips to do a rewrite, and rumor has it that his planned casting choices included Jennifer Connelly as Charlie, Richard Dreyfuss as her father Andy, Darwin Joston as Rainbird, and Lancaster's father Burt as Captain James Hollister. However, when The Thing was a critical and commercial failure upon its release, Universal Pictures promptly booted Carpenter off of the project. The studio and proudcer Dino De Laurentiis then forged ahead with a new take directed by Mark L. Lester and adapted by Stanley Mann, staying closer to the novel than the abanoned Lancaster and Phillips drafts and starring Drew Barrymore as Charlie. Follow me and ponder the question, "What if...?"
In 2011, Bill Dubuque's action thriller script entitled The Accountant, about a certified public accountant with high-functioning autism who makes his living uncooking the books of criminal and terrorist organizations around the world that are experiencing internal embezzlement, made it onto that year's Black List, an annual survey of the most-liked motion picture screenplays not yet produced in Hollywood. Before it was eventually made into a film for Warner Bros. Pictures with Warrior helmer Gavin O'Connor calling the shots behind the camera and Ben Affleck starring in the titular role, an earlier incarnation of the film was to have been directed by the notorious Mel Gibson — with Academy Award nominee Will Smith potentially starring — for Sony's Columbia Pictures and Media Rights Capital, after a prior attempt to attract the Coen brothers to the project didn't pan out. Gibson and Smith — along with their respective production partners Bruce Davey and James Lassiter — would presumably also produce alongside Zero Gravity Management's Mark Williams and Electric City Entertainment's Lynette Howell Taylor. Follow me and ponder the question, "What if...?"
Music: "Making a Silk Trap" – James Horner (The Amazing Spider-Man)
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https://www.youtube.com/watch?v=vKbAJNiwmyI
Set to hit theaters next year during Thanksgiving weekend is the long-in-development sequel, Gladiator 2. Directed by Ridley Scott from a screenplay by Peter Craig and David Scarpa, the film takes place twenty-something years after the events of the first film, with the story now following a fully-grown Lucius (Paul Mescal), the nephew of Commodus whose life was saved by the fallen Maximus. Scott will also produce the film with Lucy Fisher, David Franzoni, Laurie MacDonald, Walter F. Parkes, Michael Pruss, and Douglas Wick. The production crew includes special effects supervisor Neil Corbould, costume designer Janty Yates, production designer Arthur Max, and director of photography Dariusz Wolski. A joint-venture production between Scott Free, Parkes+MacDonald Image Nation, and Red Wagon Entertainment, the film will be released on November 22, 2024 by domestically by Paramount Pictures and internationally by Universal Pictures.
Music: "The Wolves" – Harry Gregson-Williams (The Last Duel)
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https://www.youtube.com/watch?v=Nq1kpa-eAiU
The process of trying to get a live-action feature film adaptation of the popular Hanna-Barbera animated sitcom The Jetsons off the ground has been a long and troubling one, with numerous writers and directors coming and going on the project, including the likes of Joe Dante, Chuck Russell, Rob Minkoff, Adam Shankman, Conrad Vernon, Matt Lieberman, Scott Alexander & Larry Karaszewski, Christopher Markus & Stephen McFeely, Adam Sztykiel, Amy Holden Jones, Jared Stern, and Sam Harper among many, many others. One of the great what-ifs of its development history was a version that was to have been directed by Robert Rodriguez, from a screenplay adapted by Adam F. Goldberg, revised by John Altschuler & Dave Krinsky, and further polished by Van Robichaux & Evan Susser. Rodriguez's take on the property was to be a hybrid of live-action and animation, much of it shot against a green screen, similar to his work on the Spy Kids sequels and The Adventures of Sharkboy and Lavagirl. The film was to be a co-production between Warner Bros. Pictures and Universal Pictures, with the chief producers on the project being Denise Di Novi and Donald De Line. Rodriguez hoped to begin filming in the summer of 2010, but ultimately, it wasn't meant to be. Co-producer Elizabeth Avellán cited potentially massive production costs as a factor, while Di Novi stated that Rodriguez's vision for the project wasn't as mainstream as Warner Bros. was looking for. Follow me and ponder the question, "What if...?"
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https://www.youtube.com/watch?v=9o5E2gkf4b0
In the summer of 2014, it was announced that visionary filmmaker Edgar Wright would be directing a coming-of-age sci-fi film for Sony's Columbia Pictures entitled Grasshopper Jungle, from a screenplay penned by Con Air and High Fidelity scribe Scott Rosenberg, adapted from the young adult novel of the same name by Andrew Smith, which follows the lives of two young high school boys who fight for their lives and deal with sexual confusion during an apocalypse in their run-down, half-abandoned hometown of Ealing, Iowa. Wright's production partner Nira Park would also serve as a producer on the project alongside Matt Tolmach, with Arnon Milchan joining through Regency Enterprises three years later. No doubt many of Wright's frequent collaborators would've also joined in, including score composer Steven Price, film editors Jonathan Amos and Paul Machliss, production designer Marcus Rowland, and cinematographer Bill Pope. However, no further news would ever come of the project following reports of Regency's involvement. Follow me and ponder the question, "What if...?"
Music: "This Is Our Planet" – Steven Price (Our Planet)
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https://www.youtube.com/watch?v=ziF1XVurxHU
Years before visionary director Tim Burton would be involved with the Netflix original series Wednesday, he was planning on helming a 3D stop-motion animated adaptation of Charles Addams' beloved New Yorker single-panel cartoon series The Addams Family for Universal Pictures and Chris Meledandrdi's Illumination Entertainment, with a screenplay penned by Burton's Ed Wood and Mars Attacks! scribes Scott Alexander and Larry Karaszewski. The project was announced in 2010 and initially slated to be released in 2013, the same year that Illumination would also premiere Despicable Me 2. No doubt many of Burton's frequent collaborators would've also joined in, including score composer Danny Elfman, film editor Chris Lebenzon, and production designer Rick Heinrichs. However, development on the project promptly came to a close when Universal and Illumination ended up losing the rights to the property, which were soon acquired by Metro-Goldwyn-Mayer Pictures, who would release their own CGI-animated film version in 2019. Follow me and ponder the question, "What if...?"
Music: "Defeated" – Danny Elfman (Before I Wake)
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https://www.youtube.com/watch?v=DxnegRAHOWg
A section of composer Alf Clausen's original musical score for Atlas Belched, the ninth episode of the second season of the beloved television series Moonlighting, created by Glenn Gordon Caron and starring Cybill Shepherd and Bruce Willis.
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https://www.youtube.com/watch?v=5mOsolk6p1U
Said to be one of the greatest films never made is an alien invasion horror-thriller that was to have been produced by Academy Award-winning filmmaker Steven Spielberg. Entitled Night Skies and based on an idea conceived by Spielberg after having recently made Close Encounters of the Third Kind for Columbia Pictures, the film was inspired by the Kelly-Hopkinsville encounter, where a family in Kentucky claimed that they had been terrorized by gremlin-like aliens. Spielberg's concept, described as "Straw Dogs with aliens," involved a band of malicious extraterrestrial scientists trying to communicate with chickens, cows, and other livestock in an attempt to discover which of Earth's animal species are sentient, before turning their unwelcome attentions to a human family and dissecting their farm animals. Piranha scribe John Sayles was hired to pen the screenplay, which included a subplot involving one of the aliens — the only kind and innocent one — befriending the human family's autistic son. Spielberg also enlisted Rick Baker to design and create the special make-up and creature effects for the aliens and tapped The Texas Chain Saw Massacre helmer Tobe Hooper to direct the film. However, after making Raiders of the Lost Ark for Lucasfilm and Paramount Pictures, Spielberg began having second thoughts about the project, wanting to instead get back to the tranquillity and spirituality of Close Encounters of the Third Kind. After the film was cancelled, the material developed was instead utilized in two other Spielberg productions: the Hooper-directed Poltergeist, and the Spielberg-directed E.T. the Extra-Terrestrial. Follow me and ponder the question, "What if...?"
Music: "Main Title" – Jerry Goldsmith (Psycho II)
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https://www.youtube.com/watch?v=BGea90uBvcU
A live-action feature film adaptation of Electronic Arts' popular survival horror/sci-fi video game Dead Space has been in varying stages of development for nearly fifteen years. Set on a mining spaceship overrun by deadly monsters called Necromorphs following the discovery of an artifact called the Marker, the game's story follows an engineer named Isaac Clarke as he navigates the ship and fights the creatures while struggling with growing psychosis. In the summer of 2009, journeyman D.J. Caruso was hired to direct, fresh off of the back-to-back successes of Disturbia and Eagle Eye. Neal H. Moritz and Ori Marmur were to produce through their Original Film shingle, along with Temple Hill Entertainment's Marty Bowen and Wyck Godfrey and EA's Patrick O'Brien and Steve Papoutsis. The Europa Report scribe Philip Gelatt wrote an initial draft of the film's screenplay, with a later draft being penned by Top Gun: Maverick co-writer Justin Marks. No doubt many of Caruso's frequent collaborators would've also joined in, including score composer Brian Tyler, costume designer Marie-Sylvie Deveau, film editors Vince Filippone and Jim Page, production designer Tom Southwell, and cinematographer Rogier Stoffers. Presumably, Sony's Columbia Pictures would distribute the film given that Original Film had a long-time partnership deal with the studio that lasted until 2019. However, in the ten years since there was an update on the status of the project, no further news ever came of it. Follow me and ponder the question, "What if...?"
Music: "Twinkle, Twinkle, Little Star" – Jason Graves and Kristine Barrett (Dead Space)
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https://www.youtube.com/watch?v=sL11sCfmINc
Set to begin filming next Thursday in Budapest, Hungary is the upcoming ninth installment in the Alien franchise, Alien: Romulus. Directed by Fede Álvarez from a screenplay co-written with Rodo Sayagues, the film — said to be a standalone interquel, unconnected to previous installments in the franchise — stars Cailee Spaeny, Isabela Merced, David Jonsson, Archie Renaux, Spike Fearn, and Aileen Wu as a group of young people on a distant world who find themselves in a confrontation with the Xenomorphs. Álvarez will also produce the film, alongside Michael Pruss and series veterans Ridley Scott and Walter Hill, with Brent O'Connor, Elizabeth Cantillon, and Tom Moran serving as executive producers. The production crew includes visual effects supervisor Eric Barba, costume designer Carlos Rosario, production designer Naaman Marshall, and director of photography Galo Olivares. A joint-venture production between 20th Century Studios, Scott Free, Bad Hombre, and Brandywine, the film will be released direct-to-streaming on Hulu next year.
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https://www.youtube.com/watch?v=6j3G3_SH5M8