Author: Lorde Audre File Type: pdf La traduccion del titulo original de este libro, Sister outsider, nos sumergio en un mar de dudas por la multitud deposibilidades Hermana rebelde, hermana fuera de orden, hermana de la otra orilla, hermana de los margenes... Como entantas otras ocasiones, acudimos a la red de mujeres que rodea y apoya a la editorial. Asi aparecio el titulo ideal, sugeridoapor la historiadora M Milagros Rivera, no solo porque respeta la idea del titulo en ingles sino porque recoge el espiritulibre, rotundo, insustituible, de los textos que componen este libro.La hermana, la extranjera es el titulo de la obra de otra poeta, Maria-Merce Marcal, publicado en 1985 por El malI en suBarcelona natal y reeditado en 1995 por Edicions 62, con el titulo original La germana, la extranjera.Otro de los cuidados que ha recibido esta edicion es una revision completa, intentando recoger todo lo aprendido delecturas y debates con mujeres que han iluminado una y otra vez nuestras mentes y corazones.
Author: T. N. Fay
File Type: pdf
This book provides a practical set of rules to guide and help trainee obstetricians and midwives to understand the concepts of labour ward management, treatments, and prevention of complications. Labour ward management is a vital tool in learning to secure safe outcomes for both mothers and babies.**
Author: Lorenzo Natali
File Type: pdf
This book brings the visual dimension of environmental crimes and harms into the field of green criminology. It shows how photographic images can provide a means for eliciting narratives from people who live in polluted areas describing in detail and from their point of view what they know, think and feel about the reality in which they find themselves living. Natali makes the argument for developing a visual approach for green criminology, with a single case-study as its central focus, revealing the importance of using photo elicitation to appreciate and enhance the reflexive and active role of social actors in the symbolic and social construction of their environmental experiences. Examining the multiple interactions between the images and the words used to describe the socio-environmental worlds in which we live, this book is a call to open the eyes of green criminology to wider and richer explorations of environmental harms and crimes. An innovative and engaging study, this text will be of particular interest to scholars of environmental crime and cultural, green and visual criminologies. **Review In this important contribution to criminology Lorenzo Natali offers a powerful invitation to understand one of the worlds most compelling social problems in fresh ways. Wide ranging in scope the book explores environmental harms and crimes through a distinctive combination of cultural, green and visual criminologies. It is essential reading, a defining statement that immediately defines its field as a vital, shared point of reference. Making creative use of visual methods, and written in a clear and accessible way, this highly engaging text will be an invaluable resource and succeeds in stretching the criminological imagination beyond current orthodoxies. (Professor Eamonn Carrabine, University of Essex) The vitality and excitement of a new field of inquiry depends upon contributions that challenge and expand its original horizons. This fascinating book provides conceptual and methodological innovations for green criminology that are simultaneously provocative, stimulating, exhilarating and thought-provoking. A must read for those wishing to look at the world in new ways. (Professor Rob White - University of Tasmania, Australia) Environmental crimeis perceived and experienced by different people in different ways. In this beautifully written book, Natali makes a compelling argument for why and how tostudy those social actors who are the direct victims of various environmental harms. A Visual Approach for Green Criminologyis a path-breaking endeavor that should prove enormously inspirational for those interested in cultural criminology, green criminology, visual criminologies, their points of overlap and their lacunae. (Professor Avi Brisman, School of Justice Studies at Eastern Kentucky University) Lorenzo Natali has written an important book, which provides an elegant and compelling argument for a broader approach to green criminological research. Natali argues that we must learn how to listen visually to the voices of the victims of environmental crime. His fascinating account of the use of photo elicitation interviews reveals a rich and at times unexpected explanation of the participants complex social reality. This is essential reading for anyone interested in pursuing qualitative green criminology research. (John Cianchi, University of Tasmania) From the Back Cover This book brings the visual dimension of environmental crimes and harms into the field of green criminology. It shows how photographic images can provide a means for eliciting narratives from people who live in polluted areas describing in detail and from their point of view what they know, think and feel about the reality in which they find themselves living. Natali makes the argument for developing a visual approach for green criminology, with a single case-study as its central focus, revealing the importance of using photo elicitation to appreciate and enhance the reflexive and active role of social actors in the symbolic and social construction of their environmental experiences. Examining the multiple interactions between the images and the words used to describe the socio-environmental worlds in which we live, this book is a call to open the eyes of green criminology to wider and richer explorations of environmental harms and crimes. An innovative and engaging study, this text will be of particular interest to scholars of environmental crime and cultural, green and visual criminologies. Lorenzo Natali holds a PhD in Criminal Law and Criminology and is currently a post-doctoral Fellow at the Department of Sociology and Social Research, University of Milano-Bicocca, Italy. His research focuses on violent crime, symbolic and radical interactionism, green criminology, and qualitative and interdisciplinary approaches, including visual methodologies. He is the author of Green Criminology Prospettive Emergenti sui Crimini Ambientali (Torino Giappichelli).
Author: Adrienne Rich
File Type: epub
More than 200 poems collected from Adrienne Richs first six books, plus a dozen others of those decades.From their first publication, when Rich was twenty-one, in the prestigious Yale Younger Poets series, the successive volumes of her poetry have both charted the growth of her own mind and vision and mirrored our tempestuous, unsettled age. Her unmistakable voice, speaking even from the earliest poems with rare assurance and precision, wrestles with urgent questions while never failing to explore new poetic territory. In Collected Early Poems, readers will once again bear witness to Richs triumphant assertion of the centrality of poetry in our intertwined personal and political lives. **From Publishers WeeklyThe latest volume from this distinguished poet ( An Atlas of the Difficult World ) contains all of the work included in Richs first six books, and a few previously uncollected pieces as well. Her poetry of the 1950s stems from a strong, mostly male tradition, obviously and intentionally echoing the work of Frost, Williams, Dickinson and Stevens. These poems read easily and beautifully Richs language is cautious and well crafted, almost painfully perfect in its rhyme schemes and rhythms. She does not focus on distinctly female experience, but speaks instead of the more universal struggle of humanity in a disordered, fragmentary world. Over time, Richs style becomes more divergent and forceful it gathers narrative threads and experiments with irregular rhythms, line breaks and pauses. She writes of the struggle of the socially marginal in a world where there are definite limits to growth and boundaries to thought I am a woman . . . feeling the fullness of her powers at the precise moment when she must not use them. The poems written in the 1960s are pervaded by the poets consciousness of the subversive nature of creativity, especially for women, a gift at risk of being suppressed or curtailed at any moment by the self, family or the male-dominated society. In the last poems of the period, Richs voice is firm and brave, her language still searingly beautiful and individual. This important volume charts the radical transformation of one of Americas most significant poets. 1992 Reed Business Information, Inc. From Library Journal This volume charts Richs development as a poet, beginning with the precocious formal poems of her first books ( A Change of World, The Diamond Cutters ), originally published in the 1950s, and ending with the increasingly politically informed poems of the late 1960s ( The Will To Change ). Richs grave intelligence and technical mastery are brilliantly evident in every poem. Her greatest gift is for subtly exploring emotional and psychological states while remaining mindful of how cultural forces shape our thoughts and action. As she writes in one of her best-known poems (about the 18th-century astronomer Caroline Herschel), I am an instrument in the shape of a woman trying to translate pulsations into images for the relief of the body and the reconstruction of the mind. By one of our major poets, this is essential for all libraries. - Christine Stenstrom, Shea and Gould Law Lib., New York 1992 Reed Business Information, Inc.
Author: Peter Pringle
File Type: epub
In 1943, Albert Schatz, a young Rutgers College Ph.D. student, worked on a wartime project in microbiology professor Selman Waksmans lab, searching for an antibiotic to fight infections on the front lines and at home. In his eleventh experiment on a common bacterium found in farmyard soil, Schatz discovered streptomycin, the first effective cure for tuberculosis, one of the worlds deadliest diseases.As director of Schatzs research, Waksman took credit for the discovery, belittled Schatzs work, and secretly enriched himself with royalties from the streptomycin patent filed by the pharmaceutical company Merck. In an unprecedented lawsuit, young Schatz sued Waksman, and was awarded the title of co-discoverer and a share of the royalties. But two years later, Professor Waksman alone was awarded the Nobel Prize. Schatz disappeared into academic obscurity.For the first time, acclaimed author and journalist Peter Pringle unravels the intrigues behind one of the most important discoveries in the history of medicine. The story unfolds on a tiny college campus in New Jersey, but its repercussions spread worldwide. The streptomycin patent was a breakthrough for the drug companies, overturning patent limits on products of nature and paving the way for todays biotech world. As dozens more antibiotics were found, many from the same family as streptomycin, the drug companies created oligopolies and reaped big profits. Pringle uses firsthand accounts and archives in the United States and Europe to reveal the intensely human story behind the discovery that started a revolution in the treatment of infectious diseases and shaped the future of Big Pharma.
Author: Walter Ullmann
File Type: pdf
This classic text outlines the development of the Papacy as an institution in the Middle Ages. With profound knowledge, insight and sophistication, Walter Ullmann traces the course of papal history from the late Roman Empire to its eventual decline in the Renaissance.The focus of this survey is on the institution and the idea of papacy rather than individual figures, recognizing the shaping power of the popes roles that made them outstanding personalities. The transpersonal idea, Ullmann argues, sprang from Christianity itself and led to the Papacy as an institution sui generis.ReviewA ... classic ... those who do not own the original will welcome its republication.- Once More...
Author: Graham Allen
File Type: pdf
ReviewAllen so convincingly places questions of intertextual reference and origination at the heart of contemporary critical theory that this book could serve well as a key central text in any critical theory course or Victorian studies class. It is well-written, accessible to undergraduate and graduate students alike, and very well researched. As in many of the other volumes in the series, its Glossary of terms is helpful and lucid. I recommend it highly.Victorian PoetryAll readers will be grateful for the 11-page glossary of speciality terms, and advanced readers will welcome the substantial bibliography.ChoiceAbout the AuthorGraham Allen lectures on Romantic and Victorian literature, and literary theory at University College, Cork. He is author of Harold Bloom A Poetics of Conflict, Roland Barthes (Routledge Critical Thinkers), Mary Shelley, The Readers Guide toFrankenstein, and editor of The Salt Companion to Harold Bloom (with Roy Sellers) and Reading on Audience and Textual Materiality (with Carrie Griffin and Mary OConnell). Theories of intertextuality suggest that meaning in a text can only ever be understood in relation to other texts no work stands alone but is interlinked with the tradition that came before it and the context in which it is produced. This idea of intertextuality is crucial to understanding literary studies today.Graham Allen deftly introduces the topic and relates its significance to key theories and movements in the study of literature. The second edition of this important guide to intertextualityoutlines the history and contemporary use of the term incorporates a wealth of illuminating examples from literature and cultureincludes a new, expanded conclusion on the future of intertextualityexamines the politics and aesthetics of the termrelates intertextuality to global cultures and new media.Looking at intertextuality in relation to structuralism, post-structuralism, deconstruction, postcolonialism, Marxism, feminism and psychoanalytic theory, this is a fascinating and useful guide for all students of literature and culture.
Author: Hans Bertens
File Type: pdf
At last! Everything you ever wanted to know about postmodernism but were afraid to ask.Hans Bertens Postmodernism is the first introductory overview of postmodernism to succeed in providing a witty and accessible guide for the bemused student. In clear and straightforward but always elegant prose, Bertens sets out the interdisciplinary aspects, the critical debates and the key theorists of postmodernism. He also explains, in thoughtful and illuminating language, the relationship between postmodernism and poststructuralism, and that between modernism and postmodernism.An enjoyable and indispensible text for todays student.ReviewA very interesting and useful book.... is intellectual history of a very high order. It is consistently intelligent and interesting. Hans Bertenss book should be very useful for anyone interested in contemporary theoretical debates and a fine addition to any college course in literary or cultural theory..*World Literature Today*
Author: Peter Balakian
File Type: pdf
Peter Balakian is a renowned poet, scholar, and memoirist but his work as an essayist often prefigures and illuminates all three. I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination, he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, as in grabbing and holding with pressure, but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure as carbon might be put under pressure to create a diamond. And shadow, the second half of the title both as noun, the shaded or darker portion of the picture or view or perspective, partial illumination and partial darkness and as verb, to shadow, to trail secretly as an inseparable companion or a force that follows something with fidelity to cast a dark light on somethinga person, an event, an object, a form in nature. Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, shadows history, and casts its own type of illumination, creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory. **
Author: Murray Leeder
File Type: pdf
In 1896, Maxim Gorky declared cinema the Kingdom of Shadows. In its silent, ashen-grey world, he saw a land of spectral, and ever since then cinema has had a special relationship with the haunted and the ghostly. Cinematic Ghosts is the first collection devoted to this subject, including fourteen new essays, dedicated to exploring the many permutations of the movies phantoms. Cinematic Ghosts contains essays revisiting some classic ghost films within the genres of horror (The Haunting, 1963), romance (Portrait of Jennie, 1948), comedy (Beetlejuice, 1988) and the art film (Uncle Boonmee Who Can Recall His Past Lives, 2010), as well as essays dealing with a number of films from around the world, from Sweden to China. Cinematic Ghosts traces the archetype of the cinematic ghost from the silent era until today, offering analyses from a range of historical, aesthetic and theoretical dimensions. **