Author: Laura Cumming File Type: epub Focusing on the art of self-portraiture, this effortlessly engaging exploration of the lives of artists sheds fascinating light on some of the most extraordinary portraits in art history. Self-portraits catch your eye. They seem to do it deliberately. Walk into any art gallery and they draw attention to themselves. Come across them in the worlds museums and you get a strange shock of recognition, rather like glimpsing your own reflection. For in picturing themselves artists reveal something far deeper than their own physical looks the truth about how they hope to be viewed by the world, and how they wish to see themselves. In this beautifully written and lavishly illustrated book, Laura Cumming, art critic of the Observer, investigates the drama of the self-portrait, from Durer, Rembrandt and Velazquez to Munch, Picasso, Warhol and the present day. She considers how and why self-portraits look as they do and what they reveal about the artists innermost sense of self as well as the curious ways in which they may imitate our behaviour in real life. Drawing on art, literature, history, philosophy and biography to examine the creative process in an entirely fresh way, Cumming offers a riveting insight into the intimate truths and elaborate fictions of self-portraiture and the lives of those who practise it. A work of remarkable depth, scope and power, this is a book for anyone who has ever wondered about the strange dichotomy between the innermost self and the self we choose to present for posterity our face to the world.
Author: George Seldes
File Type: pdf
ContentsPART I LORDS OF THE PRESS1. The House of Lords2. Patterson-Lord of Tabloidia3. Power of the Middle West4. Little Lord Northcliffe5. California Press and Landlord6. Lord Howard and His Empire7. The Light That Failed8. A Jewish Press Lord9. Lord Baltimore10. The American Thunderer11. The Sun Grows Cold12. Sterns Fight for Liberalism13. Special Interests in Chicago14. The Herald Tribune, Cuba and Fascism15. Gannett Chain Lord16. Boston Brahmins, Bourgeoisie and Boobs17. Farewell Lord of San Simeon18. Annenberg19. Northwest Liberal Despite the Press20. Speaker in the House of Lords21. Post-Dispatch, or Absentee Landlordism22. William Allen White Anti-Press LordPART II SERVANTS OF THE LORDS1. Journalistic Noblesse Foreign Correspondents2. The Washington Galley Slaves3. The Plutogogues4. The Wages of Reaction5. 1936 and the Columnists6. From Reds to Riches7. Treason on the Times8. Freedom for NewspapermenPART III BATTLES OF THE LORDS1. Let Newspapermen Run the Newspapers2. Subsidy Weapon for a Free Press3. Ten Tests for a Free Press4. Investigate the Press Lords5. Labor Must Fight the Press LordsIndex
Author: Francesco Francioni
File Type: epub
In international law, as in any other legal system, respect and protection of human rights can be guaranteed only by the availability of effective judicial remedies. When a right is violated or damage is caused, access to justice is of fundamental importance for the injured individual and it is an essential component of the rule of law. Yet, access to justice as a human right remains problematic in international law. First, because individual access to international justice remains exceptional and based on specific treaty arrangements, rather than on general principles of international law second, because even when such right is guaranteed as a matter of treaty obligation, other norms or doctrines of international law may effectively impede its exercise, as in the case of sovereign immunity or non reviewability of UN Security Council measures directly affecting individuals. Further, even access to domestic legal remedies is suffering because of the constraints put by security threats, such as terrorism, on the full protection of freedom and human rights. This collection of essays offers seven distinct perspectives on the present status of access to justice its development in customary international law, the stress put on it in times of emergency, its problematic exercise in the case of violations of the law of war, its application to torture victims, its development in the case law of the UN Human Rights Committee and of the European Court of Human Rights, its application to the emerging field of environmental justice, and finally access to justice as part of fundamental rights in European law.**
Author: Jason McElligott
File Type: pdf
This is a study of a remarkable set of royalist newsbooks produced in conditions of strict secrecy in London during the late 1640s. It uses these flimsy, ephemeral sheets of paper to rethink the nature of both royalism and Civil War allegiance. Royalism, Print and Censorship in Revolutionary England moves beyond the simple and simplistic dichotomies of absolutism versus constitutionalism. In doing so, it offers a nuanced, innovative and exciting vision of a strangely neglected aspect of the Civil Wars. Print has always been seen as a radical, destabilizing force an agent of social change and revolution. Royalism, Print and Censorship in Revolutionary England demonstrates, by contrast, how lively, vibrant and exciting the use of print as an agent of conservatism could be. It seeks to rescue the history of polemic in 1640s and 1650s England from an undue preoccupation with the factional squabbles of leading politicians. In doing so, it offers a fundamental reappraisal of the theory and practice of censorship in early-modern England, and of the way in which we should approach the history of books and print-culture.ReviewA fine addition to the works in this field. --Times Literary Supplement About the AuthorJASON McELLIGOTT is the J.P.R. Lyell Research Fellow in the History of the Early Modern Printed Book at Merton College, Oxford.
Author: E. Dean Kolbas
File Type: pdf
Kolbas stakes out new territory in assessing the war over literary canon formation, a subject that contemporary polemicists have devoted much ink to. Throughout this succinct manuscript, Kolbas ranges through the sociology and politics of culture, aesthetic theory, and literary theory to develop his point that texts not only must should be situated in the historical and material conditions of their production, but also evaluated for their very real aesthetic content. One reason the is an important issue, Kolbas contends, is that the canon is not simply enclosed in the ivory tower of academia its effects are apparent in a much wider field of cultural production and use. He begins by critiquing the conservative humanist and liberal pluralist positions on the canon, which either assiduously avoid any sociological explanation of the canon or treat texts as stand-ins for particular ideologies. Kolbas is sympathetic to the arguments of Bourdieu et. al. regarding positioning the canon in a wider field of cultural production than the university, but argues that theirs are purely sociological explanations of aesthetics (i.e., there is no objective aesthetic content) that ignore arts autonomous realm, which he argues -- a la Adorno -- exists (if only problematically). Ultimately, he argues that critical theory, particularly the arguments of Adorno on aesthetics, offers the most fruitful path for evaluating the canon, despite the approachs clear flaws. His vision is a sociological one, but one that treats the components of the canon as possessing objective aesthetic content, albeit content that shifts in meaning over history.
Author: Stefania Benini
File Type: pdf
Poet, novelist, dramatist, polemicist, and filmmaker Pier Paolo Pasolini continues to be one of the most influential intellectuals of post-war Italy. In Pasolini The Sacred Flesh, Stefania Benini examines his corporeal vision of the sacred, focusing on his immanent interpretation of the Christian doctrine of the Incarnation and the sacred flesh of Christ in both Passion and Death as the subproletarian flesh of the outcast at the margins of capitalism. By investigating the many crucifixions within Pasolinis poems, novels, films, cinematic scripts and treatments, as well as his subversive hagiographies of criminal or crazed saints, Benini illuminates the radical politics embedded within Pasolinis adoption of Christian themes. Drawing on the work of theorists such as Ernesto De Martino, Mircea Eliade, Jean-Luc Nancy, Alain Badiou, Giorgio Agamben, and Slavoj Zizek, she shows how Pasolinis meditation on the disappearance of the sacred in our times and its return as a haunting revenant, a threatening disruption of capitalist society, foreshadows current debates on the status of the sacred in our postmodern world. **Review This is a thorough study of the true intellectual Pasolini. (Choice Magazine vol 53092016) Review A welcome addition to Pasolini scholarship, film studies, and theology, Beninis book may well be the ultimate scholarly work on the sacred in Pasolinis work. (Maurizio Viano, Department of Cinema and Media Studies, Wellesley College)
Author: Karen Lawrence
File Type: pdf
The author of the acclaimed The Odyssey of Style in Ulysses here presents her thinking on James Joyce dating from that landmark work. Whos Afraid of James Joyce? is consistently erudite and thought provoking.--John Gordon, Connecticut CollegeContains riches and will become an essential resource for new generations of Joyce critics looking to build on Lawrences immense contributions to the field. The glittering intelligence of the individual pieces in this collection reminds us that each time Lawrence returns to Joyces body of work, she manages not just to extract a creative reading, but to develop a fundamentally new way of approaching these immensely influential stories and novels.--Sean Latham, University of TulsaThe development of Joycean studies into a respected and very large subdiscipline of modernist studies can be traced to the work of several important scholars. Among those who did the most to document Joyces work, Karen Lawrence can easily be considered one of that elite cadre.A retrospective of decades of work on Joyce, this collection includes published journal articles, book chapters, and selections from her best known work (all updated and revised), along with one new essay. Featuring engaging close readings of such Joyce works as Dubliners and Ulysses, it will be a welcome addition to any serious Joyceans library and will prove extremely useful to new generations of Joyce critics looking to build on Lawrences expansive scholarship. Both readable and lively, this work may inspire a lifetime of reading, re-reading, and teaching Joyce.**A volume in The Florida James Joyce Series, edited by Sebastian D. G. Knowles**
Author: Scott Cunningham
File Type: pdf
This book, the first comprehensive study of persecution in Luke-Acts from a literary and theological perspective, argues that the author uses the theme of persecution in pursuit of his theological agenda. It brings to the surface six theological functions of the persecution theme, which has an important paraenetic and especially apologetic role for Lukes persecuted community. The persecution Lukes readers suffer is evidence that they are legitimate recipients of Gods salvific blessings.**
Author: John Berryman
File Type: epub
This volume brings together all of John Berrymans poetry, except for his epic The Dream Songs, ranging from his earliest unpublished poem (1934) to those written in the last months of his life (1972). John Berryman Collected Poems 1937-1971 is a definitive edition of one of Americas most distinguished poets.
Author: Kenyon Zimmer
File Type: epub
From the 1880s through the 1940s, tens of thousands of first- and second-generation immigrants embraced the anarchist cause after arriving on American shores. Kenyon Zimmer explores why these migrants turned to anarchism, and how their adoption of its ideology shaped their identities, experiences, and actions. Zimmer focuses on Italians and Eastern European Jews in San Francisco, New York City, and Paterson, New Jersey. Tracing the movements changing fortunes from the preWorld War I era through the Spanish Civil War, Zimmer argues that anarchists, opposed to both American and Old World nationalism, severed all attachments to their nations of origin but also resisted assimilation into their host society. Their radical cosmopolitan outlook and identity instead embraced diversity and extended solidarity across national, ethnic, and racial divides. Though ultimately unable to withstand the onslaught of Americanism and other nationalisms, the anarchist movement nonetheless provided a shining example of a transnational collective identity delinked from the nation-state and racial hierarchies.