Vovan & Lexus Prank Jerome Powell, Chair of the Federal Reserve
"Former Ukrainian President Petrro Poroshenko" (Russian pranksters Vovan and Lexus) calls the chairman of the Federal Reserve Jerome Powell on behalf of the President of Volodymyr Zelensky.
Powell complained that "the whole world order that has existed for so many years" is being violated in front of his eyes the US economy is on the verge of recession, inflation is off the scale and sanctions against Russia have failed because of the "capable" Elvira Nabiullina, who is "very knowledgeable and intelligent."
- In which countries have anti-Russian sanctions been mirrored the most?
- Why did the elites split in the USA?
- Why is participation in the Davos Forum a "stigma"?
- And what did Powell say to Zelensky's request to give him a printing press?
This film is from the point of view of a cameraman following a young woman through the streets of a city. He chases her down an alley and knocks her over, in a symbolic form of video assault. No dialogue.
Directed and written by John Lennon and Yoko Ono.
Stars Nicholas D. Knowland and Eva Majlath.
https://www.imdb.com/title/tt0256305/
https://odysee.com/@OpenAllNight:7?view=content
"On their way to Africa are a group of rogues who hope to get rich there, and a seemingly innocent British couple. They meet and things happen..."
Beat the Devil is a 1953 adventure comedy film directed by John Huston. It starred Humphrey Bogart, Jennifer Jones, and Gina Lollobrigida and featured Robert Morley, Peter Lorre, and Bernard Lee. Huston and Truman Capote wrote the screenplay, loosely based upon the 1951 novel of the same name by British journalist Claud Cockburn writing under the pseudonym James Helvick. Huston made the film as a sort of loose parody of the 1941 film The Maltese Falcon, which Huston directed and in which Bogart and Lorre appeared. Capote said, "John [Huston] and I decided to kid the story, to treat it as a parody. Instead of another Maltese Falcon, we turned it into a... [spoof] on this type of film."
The script, written on a day-to-day basis as the film was shot, concerns the adventures of a motley crew of swindlers and ne'er-do-wells trying to claim land rich in uranium deposits in Kenya as they wait in a small Italian port to travel aboard a tramp steamer en route to Mombasa.
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Afrikan aarre (Beat the Devil) on John Hustonin ohjaama elokuva vuodelta 1953. Sen käsikirjoituksen tekivät Huston ja Truman Capote, ja se perustuu löyhästi brittiläisen toimittajan ja kriitikon Claud Cockburnin samannimiseen romaaniin, jonka tämä kirjoitti salanimellä James Helvick. Huston suunnitteli elokuvasta parodiaa aiemmasta mestariteoksestaan Maltan haukka ja muista lajin elokuvista.
Tämä Hustonin teos ei solahda helposti mihinkään valmiiseen luokkaan, sillä sitä on luonnehdittu milloin trilleriksi, komediaksi, draamaksi, rikoselokuvaksi ja romanttiseksi elokuvaksi. Ennen kaikkea se on parodia siitä film noir -tyylistä, jonka uranuurtaja Huston itse oli, ja sellaisena se on myöhemmin saanut kulttiaseman.
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https://en.wikipedia.org/wiki/Beat_the_Devil_(film)
https://fi.wikipedia.org/wiki/Afrikan_aarre
https://www.imdb.com/title/tt0046414/
https://odysee.com/@OpenAllNight:7?view=lists
A scarf, a chainsaw, and a mysterious blonde are the only clues to a growing number of stiffs (and not all of them are dead bodies). Who can the police turn to? Harry Bates, of course, the smartest officer on the force.
Too bad - Harry can't outwit a houseplant. Lucky for him, he has his trust partner Dick Smoker and his faithful dog (who seems to be a guy in a dog suit) to help him solve the case. The only suspects are a pair of beautiful sisters, Montana and Dakota.
When the trigger-happy Harry gets romantically involved with the twin half step-sisters will he lose more than his cool?
Inspired lunacy ensues as Blondes Have More Guns parodies the likes of Pulp Fiction and Indecent Proposal.
A sexy, loony comedy with razor... er... chainsaw sharp wit!
Quote:
"The first scene of this movie (after the Holy Grail-inspired credits) left me enthralled - it's that "manic deadpan" pun-a-minute perfectly-paced bliss you'd expect to find from a Zucker/Abrahams/Zucker piece straight from the Kentucky Fried Theatre itself. Unfortunately, the movie can't quite hold on to this level of inspiration, and slowly peters out - plenty of fourth-wall breaking and goofy sight gags, and even the occasional good bit (thanks in no small part to the delivery and comic abilities of the cast), but the script is lacking in the razor-sharp precision that elevates Naked Gun and the like to works of genius."
Directed by George Merriweather.
Writing Credits (in alphabetical order) Dan Goodman, Mary Guthrie, George Merriweather.
Cast (in credits order):
Michael McGaharn ... Harry Bates
Elizabeth Key ... Montana Beaver-Shotz
Richard Neil ... Dick Smoker
Gloria Lusiak ... Dakota Beaver
André Brazeau ... Captain Hook
David Myers ... Lyle Shotz
Ken Belsky ... The Doctor (as Brian York)
Benny Buettner ... Dr. Hasselblad / Henry (as Bennie Buttner)
Ramona Lisa ... Patricia Martin
Derek-James Yee ... Tom Woo (as Derek Yee)
Ron Meier ... Detective
Richard Myers ... Dahmer
Et al...
https://www.imdb.com/title/tt0112526/
https://www.rottentomatoes.com/m/blondes_have_more_guns
https://odysee.com/@OpenAllNight:7?view=lists
"After receiving mysterious empty packages inside his apartment, a young computer-programmer begins a personal investigation into their origins."
Paranoia: 1.0 (originally One Point O, also known as 1.0, One Point Zero, Version 1.0, Virus 1.0, and Paranoia 1.0) is a 2004 cyberpunk dystopian horror mystery written and directed by Jeff Renfroe and Marteinn Thorsson. The film is a Kafkaesque nightmare in which a young computer programmer is an unwitting guinea pig in a corporate experiment to test a new advertising scheme. The film stars Jeremy Sisto and Deborah Unger and features Lance Henriksen, Eugene Byrd, Bruce Payne and Udo Kier.
Production
Paranoia: 1.0 was an international co-production, and was shot entirely in Bucharest, Romania. It premiered in competition at the 2004 Sundance Film Festival under its original title (One Point O). The programming code seen in the film is from Viralator 0.9. The directors cited a number of influences on the film including Orson Welles' The Trial, Ridley Scott's Blade Runner, Michelangelo Antonioni's Red Desert, Michael Powell's Peeping Tom and David Cronenberg's Videodrome. The parts of Derrick and Trish were written with Udo Kier and Deborah Kara Unger in mind. Adrien Brody was set to play Simon, but this fell through and Jeremy Sisto was cast. Bruce Payne joined the cast after filming had begun in Bucharest.
Cast
Jeremy Sisto as Simon J.
Deborah Kara Unger as Trish
Udo Kier as Derrick
Bruce Payne as Neighbor
Lance Henriksen as Howard
Eugene Byrd as Nile
Emil Hostina as Landlord
Constantin Cotimanis as Detective Polanski
Sebastian Knapp as Detective Harris
Constantin Florescu as Tall Man
Ana Maria Popa as Alice
Matt Devlen as Cashier
Udo Kier and Jeremy Sisto both voiced the robot head
Reception
One reviewer stated that "If Philip K. Dick was reading Kafka, got freaked out and wrote The Matrix, which was then directed by Stanley Kubrick, you might end up with something like this".
In 2007, the film was listed as one of the “Top 50 Dystopian Movies of All Time” by Snarkerati, a popular movie web-magazine.
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https://onepointo.com/
https://www.imdb.com/title/tt0317042/
https://en.wikipedia.org/wiki/Paranoia_1.0
https://odysee.com/@OpenAllNight:7?view=lists
"The insane government bureaucracy at a state pension window."
The Office (Polish: Urząd) is a 1966 short film by Polish director Krzysztof Kieślowski, produced while he was a student at the Łódź Film School. The film is included as an extra on the Region 1 and 2 releases of Kieślowski's feature film No End.
The film's runtime of 5 minutes consists entirely of interactions at a government office service window, with a clerk handling various requests by people seeking state aid. The film portrays the intense bureaucracy that existed in Polish government services at the time, with the people being turned away for various procedural violations.
One request is denied because the applicant brought too many identifying documents, they were told that they needed an official nullification of one of the redundant papers. Another man encounters difficulty because a document was stamped with a square, rather than a round seal.
Chaitanya Tamhane took notations and hints from the film's composition of offices while making Court.
While not to be mixed with The Office - the TV series - watching this is more painful than the morons in the Office by Ricky Gervais. These people being real... Communism can turn humans into clerks!
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https://en.wikipedia.org/wiki/The_Office_(film)
https://www.imdb.com/title/tt0167319/
https://odysee.com/@OpenAllNight:7?view=lists
Down Among the Z Men is a 1952 black-and-white British comedy film starring the Goons: Spike Milligan, Peter Sellers, Michael Bentine and Harry Secombe.
Plot
Harry Jones (Secombe) is a clerk in Mr Crab's general mercantile store and an amateur actor in community theatre, where he is currently playing a Scotland Yard inspector, "Batts of the Yard". When the absentminded Professor Osrick Purehart (Bentine) leaves a secret military formula in the store, mayhem ensues as two suspicious secret agents (actually enemy spies), who have been shadowing the professor, question Harry regarding the professor, none of them realising that Harry now has the formula in his possession.
Convinced by the two spies to follow the professor, Harry goes to an Army post, Camp Warwell, where he is mistakenly enlisted in the Z Men, ostensibly an elite unit guarding atomic secrets but in reality a ragtag group of reservists, retreads, and others of marginal (at best) competence. The spies kidnap an adjutant newly assigned to the camp and one of them then impersonates him to gain entry to Camp Warwell.
The post's commander, Colonel Bloodnok (Sellers), has been assigned for security purposes a supposed "daughter" (Carole Carr) who is actually a female MI5 operative. Harry soon becomes smitten with the "daughter", and they work together to foil an attempt by the secret agents to purloin Professor Purehart's formula.
Title
National Service in Britain in the 1950s obliged all fit British men to serve in the military for two years, and thereafter three and a half years in the reserves. "Category Z" was one of the classes of reserve organization. During the Korean War there was much apprehension that, in order to supply enough troops, the government might remobilize "Z-men" who had been released after their two years in uniform.
As the letter "Z" is pronounced as "Zed" in Queen's English, the title is also a pun on a traditional drinking song, Down Among the Dead Men.
Production
Down Among the Z Men is the only film starring all four Goons; Bentine was absent from the 1951 Penny Points to Paradise. In the film, Bentine, Milligan and Sellers repeated their radio characters, whereas Secombe's Neddy Seagoon was replaced with a less-raucous Harry Jones.
The film was shot at the Maida Vale Studios in London, with sets designed by the art director Don Russell. The production was shot over a two-week shooting schedule. Milligan, who wrote most of the radio scripts for the Goons, had no role creating in the film's screenplay. Bentine would later tell an interviewer that the film's lack of financing required director Maclean Rogers to only permit one take per scene. Rogers, however, incorporated two dance numbers into the film featuring showgirls as female soldiers practising for a talent show.
Release
Down Among the Z Men was not a commercial success in Great Britain. Since the Goons were unknown in the United States at the time, there was no theatrical release to the American market. Years later, after Sellers became a major film star, bootleg 16mm prints of the film began to turn up in the US, sometimes under the new title The Goon Show Movie.
https://en.wikipedia.org/wiki/Down_Among_the_Z_Men
https://www.imdb.com/title/tt0044563/
"Two New Yorkers accused of murder in rural Alabama while on their way back to college call in the help of one of their cousins, a loudmouth lawyer with no trial experience."
My Cousin Vinny is a 1992 American comedy film directed by Jonathan Lynn, and written by Dale Launer, who also produced with Paul Schiff.
The film stars Joe Pesci, Ralph Macchio, Marisa Tomei, Mitchell Whitfield, Lane Smith, Bruce McGill, and Fred Gwynne in his final film appearance before his death on July 2, 1993.
Two young New Yorkers traveling through rural Alabama are arrested and put on trial for a murder they did not commit, and a cousin, Vinny Gambini, a lawyer who had only recently passed the bar exam after five unsuccessful attempts, defends them.
Much of the humor comes from the fish-out-of-water interaction between the brash Italian-American New Yorkers (Vinny and his fiancée, Mona Lisa Vito) and the more reserved Southern townspeople. The principal location of filming was Monticello, Georgia.
My Cousin Vinny was a critical and financial success, with Pesci, Gwynne, and Tomei praised for their performances. Tomei won the Academy Award for Best Supporting Actress.
Attorneys have also lauded the film for its accurate depiction of criminal procedure and trial strategy.
Cast
Joe Pesci as Vinny Gambini
Ralph Macchio as Bill Gambini
Marisa Tomei as Mona Lisa Vito
Mitchell Whitfield as Stan Rothenstein
Fred Gwynne as Judge Chamberlain Haller
Lane Smith as Jim Trotter III
Austin Pendleton as John Gibbons
Bruce McGill as Sheriff Dean Farley
Maury Chaykin as Sam Tipton
Paulene Myers as Constance Riley
Raynor Scheine as Ernie Crane
James Rebhorn as George Wilbur
Chris Ellis as J.T.
Michael Simpson as Neckbrace
Lou Walker as Grits Cook
Kenny Jones as Jimmy Willis
Reception
Box office
With a budget of $11 million, My Cousin Vinny was more successful than anticipated, grossing $52,929,168 domestically and $11,159,384 internationally, bringing its overall worldwide total to $64,088,552.
Critical response
On Rotten Tomatoes, the film holds a rating of 87%, based on 60 reviews. The site's consensus reads, "The deft comic interplay between Joe Pesci and Marisa Tomei helps to elevate My Cousin Vinny's predictable script, and the result is a sharp, hilarious courtroom comedy."
Roger Ebert of The Chicago-Sun Times gave My Cousin Vinny 2.5 stars out of a possible 4. He declared that despite Macchio's co-star billing the actor was given little to do, and the film seemed adrift until "lightning strikes" with the final courtroom scenes when Gwynne, Pesci and Tomei all gave humorous performances.
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https://en.wikipedia.org/wiki/My_Cousin_Vinny
https://www.imdb.com/title/tt0104952/
https://odysee.com/@BMovieBoxcar:d?view=lists
https://odysee.com/@OpenAllNight:7
"An ordinary factory worker buys a camera on the occasion of the birth of his child. The authorities order him to make documentaries about the factory's success. But his endeavor to be truthful leads him to opposition against censorship."
Camera Buff (Polish: Amator, meaning "amateur") is a 1979 Polish drama film written and directed by Krzysztof Kieślowski and starring Jerzy Stuhr.
The film is about a humble factory worker whose newfound hobby, amateur film, becomes an obsession, and transforms his modest and formerly contented life.
Camera Buff won the Polish Film Festival Golden Lion Award and the FIPRESCI Prize and Golden Prize at the 11th Moscow International Film Festival, and the Berlin International Film Festival Otto Dibelius Film Award in 1980.
Cast
Jerzy Stuhr as Filip Mosz
Malgorzata Zabkowska as Irka Mosz
Ewa Pokas as Anna Wlodarczyk
Stefan Czyzewski as Director
Jerzy Nowak as Stanislaw Osuch
Tadeusz Bradecki as Witek Jachowicz
Marek Litewka as Piotrek Krawczyk
Boguslaw Sobczuk as Kedzierski
Krzysztof Zanussi as Himself, et al.
Analysis
Camera Buff explores censorship in Communist Poland and its repression of the individual's expression of his observations. Filip also confronts the consequences of a man who discovers new possibilities and finds his former world, which had been so fulfilling before he'd discovered film-making, rendered dull, old, and limited.
Krzysztof Kieślowski emphasizes the power of film through various scenes in Camera Buff. Filip's movie-making allows his grieving friend to watch a short clip of his late mother waving from a window and of himself cheerfully driving a hearse and waving to the camera.
When he films the story of a diminutive factory worker and then shows him the result, the worker is overcome with emotion by Filip's ability to give voice and an arc to an otherwise ordinary, unexceptional life.
Filip finds that with its ability to create comes film's ability to destroy when he tries to air a film clip of his which aims to quietly expose Party corruption. The clip results in the dismissal of one of his supporters from his job, an unfortunate consequence of his uninformed reporting, the Party's secrecy, and Communist Poland's culture of censorship.
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https://en.wikipedia.org/wiki/Camera_Buff
https://www.imdb.com/title/tt0078763/
https://odysee.com/@OpenAllNight:7?view=lists
Teemu Hartikainen (of Kuopio) who played in KalPa (Kuopio), Edmonton (but escaped Trudeau), now in Geneve (in the corrupt WEFzerland) shows his magic.
He's not just a brute physical hockey player but is able to display incredient, creative talent as well as proven by this clip.
No two ways about it, his "filthy" (as in "sublime") shootout move is way past impressive.
At the time of uploading this the IIHF World Championships 2023 are being played and he's done some damage (to the opponents net) including The Lions' opening goal in the games against the USA.
* https://en.wikipedia.org/wiki/Teemu_Hartikainen
* https://www.eliteprospects.com/player/11365/teemu-hartikainen