Éditions fractales Dans ce drame, personne n'est innocent, mais rien ne justifie une guerre, jamais ! Pour chercher une solution, il faut identifier les problèmes, et Il faudra tôt ou tard trouver des compromis. Flashback : ce JT a été diffusé le lundi 24 février 2014 sur France 2, soit 8 ans, jour pour jour avant le début du conflit du 24 février 2022. https://www.francetvinfo.fr/replay-jt... La vérité est souvent plus nuancée, et cette vidéo nous montre l'un des problèmes majeurs que nos dirigeants doivent résoudre dans ce conflit. Ces miliciens ultranationalistes sont encore très influents au sein du pouvoir, avec le soutien indirect de l'Europe. Nos responsables politiques doivent réagir. Qu'en pensez-vous ?

LA MUETTE DE PORTICI Opéra en 5 actes Composer : Daniel-François-Esprit Auber Libretto : Eugène Scribe et Casimir Delavigne First performance : Théâtre de l’Opéra (Salle Le Peletier), Paris, 29 February 1828 PLOT: Naples, In 1647. The Spanish control Naples. Alfonso, the Viceroy’s son, has seduced and abandoned Fenella, a Neapolitan maiden; her brother, the fisherman Masaniello, leads a revolution against the Spanish. Masaniello is crowned King of Naples but is murdered by his fellow conspirators, and Fenella throws herself off a balcony as Vesuvius erupts. LA MUETTE DE PORTICI (also known as MASANIELLO) was revolutionary. The opera was performed on the night of the Belgian Revolution of 1830; and it was the first opera played after the French July Revolution of 1830. “The opera,” Wagner wrote in his "Reminiscences of Auber" (1871), “was recognised as an obvious precursor of the July Revolution, and seldom has an artistic product stood in closer connection with a world-event.” The opera was the first true French grand opéra, a serious work in five acts, based on a historical event, with spectacular events, couleur locale, choruses and ballet. (The heroine of the title – Fenella, the mute girl of Portici – is danced by a ballerina.) It influenced Rossini’s "Guillaume Tell" and Meyerbeer’s "Robert le Diable", and was admired by Wagner: “Such a vivid operatic subject was a complete novelty – the first real drama in five acts with all the attributes of a genuine tragedy, down to the actual tragic ending… Each of these five acts presented a drastic picture of the greatest vivacity, in which arias and duets in the conventional operatic sense were scarcely to be detected any more, or at least – with the exception of the prima donna’s aria in the first act – no longer had this effect. Now it was the entire act, as a larger ensemble, that gripped one and carried one away.” No. 8 – Duo : « Mieux vaut mourir que rester misérable » Masaniello and his friend Pietro swear vengeance and decide to throw off the shackles of the oppressor. This duet was the signal for the Belgian revolution of 1830. Masaniello: Alfredo Kraus Pietro: Jean-Philippe Lafont Conductor: Thomas Fulton Orchestre Philharmonique de Monte Carlo Monte-Carlo, 1996 Musique utilisée dans cette vidéo En savoir plus Écoutez de la musique sans publicité avec YouTube Premium Titre Auber: La Muette de Portici, Act 2: "Mieux vaut mourir ... Amour sacré de la patrie" (Masaniello, Pietro) Artiste Thomas Fulton Album Auber: La Muette de Portici, Act 2: "Mieux vaut mourir ... Amour sacré de la patrie" (Masaniello, Pietro) Concédé sous licence à YouTube par WMG (au nom de PLG France) et 2 sociétés de gestion des droits musicaux https://www.youtube.com/watch?v=MwN4Wx2kdco