Retro style 80s beach films style photo like movies Hard Bodies and other 80's movies. Suitable sizes to print the image on up to size 18x24 as well makes for great wallpaper Note that this is a digital item
Micheal Jackson Extermination Zone Full Album 2019 1. 00:00 The Way You Make Me Feel (Synthesizer Disco Mix)2.6:41 Human Nature (3D Binaural Acapella Version) 3. 11:29 Cry (8Bit Mix)4.16:18 Thriller (8 Bit Original Vocals Mix)5.21:28 Slave To The Rhythm (Audien Remix) 6.25:36 Jam (Space Vibes Mix)7.31:43 Someone Put Hands Out (Original Demo) 8. 37:06 Who Is It 5.1 Audio Version)9.43:39 Hollywood Tonight (Yianns Walk Of Fame Mix)10. Aright With Me Ft (The Jackson's)11.54:12 Wondering Ft (The Jackson's Nick Redux Unreleased M.J Vocal Version)12. Hollywood Tonight 1:02:52 (Album Version)13.1:08:15 The Way You Make Me Feel (Album Version) 14.1:80:20 Wondering Ft The Jackson (Original Version)15.1:22:40 Human Nature (Extended Version)
Madonna Music Comics Full album 1.00:00 Erotica (Marco Startori Remix)2.5:03 Like APrayer(Loelta Holloway Instrumental)3.9:00 Lady Is A Tramp Ft(Anthony Kiedis Live)4.12:22 KeepThe Trance(Remix)5.15:25 Freedom(UnreleasedAcapella)6.19:10 BackItUpDoItFt(Pharrell Unreleased)7.22:38 Love Is For Tender (NightCore)8.27:34Like A Flower(Demo)9.32:19 Mother&Father(Summer2K'Hard Rock 10.37:47 Broken In strumental 40:18 BergBirthdaySongFullVersion)11.12.42:47 Mother And Father(Album)
Madonna Desert Island Full Extended E.P 1. 00:00 Angels With Dirty Faces (Like a Prayer Demo Remix Edit Version ) 2.4:22 Trust No Bitch (D.J Beichmans Mix Rework Mix EdiJulio Skov) 3.7:47 Live To Tell (Stone's True Blue VocalDub)4.19:35 Dear Father(Remastered Version)5.23:17 Safe Neighborhood 6. 24:48 Run (Unreleased Demo)7.29:29 Who That Girl (Extended Remix) 8. 35:55 Justify My Love (Album Version) 9. 40:49 Think Of Me (Album Version)10.45:40 Drowning (Original Demo Remastered Version)11.49:14Justify My Love William Orbit 12 mix version)12.56:23 ThinkOf Me (Remix Remastered Version)
Shōgun is an American television miniseries based on the 1975 novel of the same name by James Clavell, who also was the executive producer of the miniseries. It was first broadcast in the United States on NBC over five nights between September 15 and September 19, 1980. To date, it is the only American television production to be filmed on location entirely in Japan, with additional sound stage filming also taking place in Japan at the Toho studio.
The miniseries is loosely based on the adventures of English navigator William Adams, who journeyed to Japan in 1600 and rose to high rank in the service of the shōgun. The miniseries follows fictional Englishman John Blackthorne's transforming experiences and political intrigues in feudal Japan in the early 17th century.Plot
Main article: Shōgun (novel)
After his Dutch trading ship Erasmus and its surviving crew is blown ashore by a violent storm at Anjiro on the east coast of Japan, Pilot-Major John Blackthorne, the ship's English navigator, is taken prisoner by samurai warriors. When he is later temporarily released, he must juggle his self-identity as an Englishman associated with other Europeans in Japan, namely Portuguese traders and Jesuit priests, with the alien Japanese culture into which he has been thrust and now must adapt to in order to survive. Being an Englishman, Blackthorne is at both religious and political odds with his enemy, the Portuguese, and the Catholic Church's Jesuit order. The Catholic foothold in Japan puts Blackthorne, a Protestant and therefore a heretic, at a political disadvantage. But this same situation also brings him to the attention of the influential Lord Toranaga, who mistrusts this foreign religion now spreading in Japan. He is competing with other samurai warlords of similar high-born rank, among them Catholic converts, for the very powerful position of Shōgun, the military governor of Japan.
Cast:
Richard Chamberlain Pilot-Major John Blackthorne (Anjin-san) William Adams
Toshiro Mifune Yoshi Toranaga, Lord of the Kwanto Tokugawa Ieyasu
Yoko Shimada Lady Toda Mariko Hosokawa Gracia
Frankie Sakai Lord Kashigi Yabu, Daimyo of Izu Honda Masanobu
Alan Badel Father Dell'Aqua Alessandro Valignano, S.J.
Michael Hordern Friar Domingo
Damien Thomas Father Martin Alvito João Rodrigues
John Rhys-Davies Portuguese Pilot Vasco Rodrigues
Vladek Sheybal Captain Ferreira Horatio Neretti
George Innes Johann Vinck Jan Joosten van Lodensteijn
Leon Lissek Father Sebastio
Yūki Meguro Kashigi Omi, Head Samurai of Anjiro Honda Masazumi
Hideo Takamatsu Lord Toda Buntaro Hosokawa Tadaoki
Hiromi Senno Usagi Fujiko
Nobuo Kaneko Ishido Kazunari, Ruler of Osaka Castle Ishida Mitsunari
Toru Abe Toda Hiromatsu Hosokawa Fujitaka
John Carney Ginsel
Masashi Ebara Suga
Hyoei Enoki Jirobei
Hiroshi Hasegawa Galley Captain
Ian Jentle Salamon
Yuko Kada Sazuko
Mika Kitagawa Kiku
Yoshie Kitsuda Gyoko
Stewart MacKenzie Croocq
Ai Matsubara Rako
Neil McCarthy Spillbergen Jacob Quaeckernaeck
Seiji Miyaguchi Muraji
Yumiko Morishita Asa
Yosuke Natsuki Zataki Matsudaira Sadakatsu
Takeshi Obayashi Urano
Masumi Okada Brother Michael Miguel Chijiwa
Edward Peel Jan Pieterzoon
Eric Richard Maetsukker
Atsuko Sano Lady Ochiba Yodo-dono
Setsuko Sekine Genjiko Oeyo
Akira Sera Old Gardener
Morgan Sheppard Specz
Miiko Taka Kiri Acha-no-tsubone
Shin Takuma Yoshi Naga Matsudaira Tadayoshi
Midori Takei Sono
Steve Ubels Roper
Rinichi Yamamoto Yoshinaka
Shizuko Azuma Onna
Orson Welles Voice-over narrator
Micheal Jackson Extermination Zone Full Album 2019 1. 00:00 The Way You Make Me Feel (Synthesizer Disco Mix)2.6:41 Human Nature (3D Binaural Acapella Version) 3. 11:29 Cry (8Bit Mix)4.16:18 Thriller (8 Bit Original Vocals Mix)5.21:28 Slave To The Rhythm (Audien Remix) 6.25:36 Jam (Space Vibes Mix)7.31:43 Someone Put Hands Out (Original Demo) 8. 37:06 Who Is It 5.1 Audio Version) 9.43:39 Hollywood Tonight (Yianns Walk Of Fame Mix)10. Aright With Me Ft (The Jackson's)11.54:12 Wondering Ft (The Jackson's Nick Redux Unreleased M.J Vocal Version)12. Hollywood Tonight 1:02:52 (Album Version)13.1:08:15 The Way You Make Me Feel (Album Version) 14.1:80:20 Wondering Ft The Jackson (Original Version)15.1:22:40 Human Nature (Extended Version)
Written and directed by Gerard Damiano
1976, 76 minutes, Not Rated Starring:Gerard Damiano
Penny Nichols
Al Goldstein
Luis De Jesus
Viju Krem
Lynette Sheldon
Adult films have been around in one form or another since the dawn of cinema. For years these were not really movies as much as they were more a series of short loops showing increasingly risqué behavior. The industry was forever changed with the arrival of Gerard Damiano’s Deep Throat (1972), a film that launched “The Golden Age of Porn”. The picture was feature-length and was the first of its kind to offer a plot, character development and relatively high production values. It received a theatrical release and upper-middle class mainstream audiences flocked to it, starting the “porn chic” movement of the 1970s. Damiano followed his success with The Devil in Miss Jones (1973) and remained at the forefront of the movement throughout the decade. In 1976, he entertained a new idea that would lampoon the industry he helped revolutionize with his next project Let My Puppets Come, an adaptation of the stage play Kumquats (1971), an adult-themed musical featuring a cast of puppets.
The story involves three brothers, Ned, Fred and Red, who run a successful business in New York City that falls on hard times due to the failure of a recent venture, leaving unpaid debts to a local mafia boss named “Mr. Big”. They are given twenty-four hours to settle up or face dire consequences. The brothers try to think of a way out of their predicament and land on the idea of shooting a pornographic movie. They brainstorm ideas for a plot and begin making phone calls. Their grandfather, “Gramps”, reaches out to a director named Frederico Gepetto for technical assistance. Gepetto makes new puppets to perform in the movie and later that day filming begins. What follows is a madcap day of shooting musical numbers and various sex scenes racing against the clock to finish the picture and make their fortune as filmmakers.
Let My Puppets Come is a musical comedy featuring a cast of puppets performing sexual acts on each other and then singing show tunes. There are a few human characters that do not participate in the sex scenes, including adult industry names Al Goldstein, Penny Nichols and Viju Krem. Writer/director Gerard Damiano loads the picture with jokes, puns, fake commercials and sight-gags that expand the wacky premise and keep things moving at a brisk pace. The puppets themselves are a little creepy in appearance, particularly the Pinocchio character who becomes a real boy in a truly terrifying dance number.In a weird case of fluke timing, Let My Puppets Come was released the same year Jim Henson’s The Muppet Show debuted on television. Obviously aimed at vastly different audiences, it is just strange that 1976 would bring such a puppet renaissance to viewers. Years later, Peter Jackson (The Lord of the Rings trilogy) would revisit the idea with his mainstream feature Meet the Feebles (1989), a film that shows the harsh realities of life behind the scenes of a successful variety show in a world of puppets. Jumping ahead another few decades, Brian Henson (Muppet Treasure Island) made The Happytime Murders (2018) in which puppets and humans co-exist in Los Angeles and it explores the idea of someone targeting puppets for murder.Let My Puppets Come is the first puppet porno musical and it remains highly entertaining. The film received a theatrical release and later turned up on VHS in a highly edited version with a running time of only forty minutes. Vinegar Syndrome has restored the original camera negative and presents the film uncut for the first time with a release aimed to introduce the picture to a new audience. The picture had disappeared into obscurity for years but returns with renewed energy. Fans of quirky underground cinema will definitely want to check this one out as it is pretty creative and entertaining.
Evil Toons is a 1992 adult live-action/animated comedy-horror B-movie written and directed by Fred Olen Ray. The film is a light spoof of traditional haunted-house films.Plot
A group of teenage girls spend the night in an old house. On the night of their arrival, a strange man arrives at the house, delivering an old book. Once he is gone, the girls examine the book, where they find a sketch of a cartoon monster.
As time passes, the drawing emerges from the book and becomes a living cartoon who possesses one of the girls after raping her. The monster begins slaying the occupants of the house, including her boyfriend, the owner of the house, and two of the girls. Megan (the only surviving girl) and Gideon Fisk (owner of the book) burn the book, destroying the demon. The film ends as Gideon leaves, and everyone comes back to life, Megan screams in terror when Mr. Hinchlow (the neighbor) comes by and brings a portable television so that the group of girls can watch Saturday morning cartoons.Cast
David Carradine as Gideon Fisk
Monique Gabrielle as Megan
Madison Stone as Roxanne
Barbara Dare (credited as Stacey Nix) as Jan
Arte Johnson as Mr. Hinchlow
Dick Miller as Burt
Suzanne Ager as Terry
Don Dowe as Biff
Michelle Bauer as Mrs. Burt
Fred Olen Ray (credited as The Creature) as Cartoon Monster.Directed by Fred Olen Ray
Produced by Fred Olen Ray
Victoria Till
Written by Fred Olen Ray
Starring David Carradine
Monique Gabrielle
Madison Stone
Stacey Nix
Dick Miller
Music by Chuck Cirino
Cinematography Gary Graver
Edited by Greg Shorer
Production
company
American Independent Productions
Curb/Esquire Films
Distributed by Prism Entertainment Corporation
Release date
October 21, 1991 (American Film Market)
January 8, 1992
Running time 90 minutes
Country United States
Language English
Budget $140,000
Director: Roger Watkins
Cast: Samantha Fox, Robin Byrd, Christine DeShaffer, Kandi Barbour, Vanessa Del Rio, Robert Kerman, Ron Jeremy
Year: 1979
Directed by the late Roger Watkins (credited as Richard Mahler) in 1979, The Pink Ladies opens with a scene where Lori (Samantha Fox), Kay (Kandi Barbour), Jane (Robin Byrd) and Leslie (Christine De Shaffer) are at the gym playing racquetball, watched by a voyeuristic man (Rob Hudd) who imagines three of them servicing him. It’s a playful introduction, clearly done with a very intentional sense of humor.
From here, the film lets us get to know these four housewives a little better and it soon becomes obvious that Leslie is going to be the butt of most of the film’s jokes. The others poke playful fun at her, and she might not be the sharpest knife in the drawer. It never feels mean-spirited, however, and the film remains genuinely fun throughout its duration.
The film deals mainly in fantasies, we know that from the opening scene. From there, we meet a man named Bert (Robert Bolla) who, after he finishes watching baseball and eating pizza, heads outside to masturbate while he watches his niece (Marica Minor) get it on with her boyfriend. That leads into a scene where Jane gives enthusiastic blowjobs to four guys (one of whom is Ron Jeremy, who does his trademark ‘I’m gonna blow myself’ move in this scene). After that, Kay gets all aroused by reading a sexy book, which leads to her imaging herself involved in a lesbian tryst with Marlene Willoughby and Barbara Daniels. After that we get a quick bondage fantasy and that leads into a scene where four men sitting on a bench at a train station - Michael Gaunt, Jesse Adams, Robert Kerman and Alan Adrian – spot a beautiful woman (Vanessa Del Rio) and each imagine themselves getting involved with her. The film’s big finish is an orgy at a gym where our four housewives get involved with a few of the male stars introduced earlier in the film – with all of the participants wearing colored body paint!
If this isn’t Watkins’ most memorable adult picture (both Corruption and Her Name Was Lisa show far more creativity both in narrative and direction style), The Pink Ladies is, if nothing else, a whole lot of XXX fun. The whole thing is put together very playfully, devoid of the nihilism inherent in some of the director’s darker films which makes it easy to watch and enjoy. The performances are quite good all around, and all of the participants appear to be enjoying themselves. Samantha Fox could have used more screen time but is quite good here, and the lovely Kandi Barbour looks as good here as she ever has. De Shaffer plays the stereotypical airhead character quite well and Robin Byrd is nothing if not enthusiastic. Maybe not so surprisingly, Ms. Del Rio owns the latter half of the film, but the bondage scene is also quite well done, involving both genuine humor and legitimate kink.
The film is well-shot and it features solid production values for an NYC-lensed adult film of the era. It’s reasonably glossy, makes good use of varied and interesting locations and the use of music in the picture is inventive and quirky enough to work.
The Re-Invention World Tour (also billed as Re-Invention World Tour 2004) was the sixth concert tour by American singer-songwriter Madonna, in support of her ninth studio album American Life. The tour began on May 24 in Inglewood and ended on September 14 of the same year in Lisbon. Additionally, it marked Madonna's first concerts in Portugal and Ireland.
Madonna was inspired to create the tour after taking part in an art installation called X-STaTIC PRo=CeSS, directed by photographer Steven Klein. She incorporated the images from the installation in the tour, whose name was in reality a dig at Madonna's critics. A number of songs were rehearsed for the tour, with twenty-one of them making the final setlist.
The tour was divided into five segments: French Baroque–Marie Antoinette Revival, Military–Army, Circus–Cabaret, Acoustic and Scottish-Tribal. The costumes were developed by designer Arianne Phillips based on the concept of re-invention. The opening segment displayed performances with dance in general. Military segment displayed performances with the theme of warfare. Circus displayed light-hearted performances while the Acoustic segment performances were melancholy. The final Scottish segment had Madonna and her performers display energetic dance routines. The tour garnered positive reception from contemporary critics. However, fellow singer Elton John accused Madonna of lip-synching during the tour. Madonna's representatives denied the allegations and John later apologized.
Re-Invention Tour was a commercial success with total sell-outs and multiple extra dates being added. It became the highest-grossing concert tour of 2004, earning over $125 million from 56 shows, and an audience of over 900,000. The tour was awarded with the Top Tour trophy at the 2004 Billboard Touring Awards. Madonna released a documentary titled I'm Going to Tell You a Secret, which chronicled the tour and contained performances from the last show in Lisbon.
Background
Madonna and her dancers opening the concert with "Vogue"
The Re-Invention World Tour was Madonna's sixth concert tour in support of her ninth studio album American Life. In 2003, Madonna collaborated with photographer Steven Klein for an art installation project called X-STaTIC Pro=CeSS. The installation portrayed Madonna in different incarnations of her spiritual practices – from yogi, prophet, queen to freak and pole dancer. The publication was a worldwide success, leading to a number of exhibitions in New York, London, Paris, Düsseldorf, Berlin and Florence.[2] After the exhibition was over, Madonna was inspired by the images from the exhibitions and decided to incorporate them into her then unplanned tour and asked Klein to help her with the task. The poster released for the tour used one of the images from the installation project. It featured Madonna in a seventeenth century style dress, crawling on all fours towards the camera.[2] Klein later commented that,
"The thing is, I always saw Madonna as a performance artist. And I think what I wanted to portray was the process about how a performer arrives at their work. And the thing is, what she had talked about as well, is that before a concert, what she finds very interesting is the rehearsals and the straining and maybe she would like to injure. [...] And she said that the process of making the concert became more intriguing than the final result."[3]
The main intention of the tour was to transform Madonna's old hits musically and display her capacity for transformation and self-reflection.[4] The tour was initially known as the Whore of Babylon World Tour,[5] although Madonna later denied using this name.[6] The idea was to portray Madonna as the Whore of Babylon, an evil figure from the Book of Revelation. However it was later changed to the Re-Invention World Tour, a self-confident dig at all the critics and people who have expressed their views about Madonna re-inventing her image over the years.[7] Air-conditioning was turned off during the tour on Madonna's request as she claimed it dried up her throat during singing.