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10 Apr 2021 20:56:42 UTC
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Marking the Jews in Renaissance Italy: Politics, Religion, and the Power of Symbols
Author: Flora Cassen
File Type: pdf
It is a little known fact that as early as the thirteenth century, Europes political and religious powers tried to physically mark and distinguish the Jews from the rest of society. During the Renaissance, Italian Jews first had to wear a yellow round badge on their chest, and then later, a yellow beret. The discriminatory marks were a widespread phenomenon with serious consequences for Jewish communities and their relations with Christians. Beginning with a sartorial study - how the Jews were marked on their clothing and what these marks meant - the book offers an in-depth analysis of anti-Jewish discrimination across three Italian city-states Milan, Genoa, and Piedmont. Moving beyond Italy, it also examines the place of Jews and Jewry law in the increasingly interconnected world of Early Modern European politics. **Review In this fascinating study, instead of focusing on the better-known Venice, Rome, and Florence and their ghettos, Flora Cassen has chosen to concentrate on northern Italy in the fifteenth and sixteenth centuries, and the under-studied areas of Piedmont, the Duchy of Milan, and Genoa, where Jewish communities were small. ... a stimulating and informative contribution to Jewish-Christian studies. Christopher F. Black, Renaissance and Reformation Book Description Beginning with a sartorial study - how the Jews were marked on their clothing and what these marks meant - the book offers an in-depth analysis of anti-Jewish discrimination across three Italian city-states Milan, Genoa, and Piedmont. It also examines the place of Jews and Jewry law in Early Modern European politics.
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English
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