"Ode to Joy" (German: "An die Freude" [an diː ˈfʁɔʏdə]), is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in Thalia. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza.
"Ode to Joy" is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Ninth Symphony, completed in 1824. Beethoven's text is not based entirely on Schiller's poem, and introduces a few new sections. His tune[1] (but not Schiller's words) was adopted as the Anthem of Europe by the Council of Europe in 1972 and subsequently by the European Union.
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●▬▬▬▬▬▬▬▬▬♬❈ LYRICS❈ ♬▬▬▬▬▬▬▬▬▬▬●
Freude, schöner Götterfunken,
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum!
Deine Zauber binden wieder
Was die Mode streng geteilt*;
Alle Menschen werden Brüder*
Wo dein sanfter Flügel weilt.
Wem der große Wurf gelungen
Eines Freundes Freund zu sein;
Wer ein holdes Weib errungen
Mische seinen Jubel ein!
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer's nie gekonnt, der stehle
Weinend sich aus diesem Bund!
Freude trinken alle Wesen
An den Brüsten der Natur;
Alle Guten, alle Bösen
Folgen ihrer Rosenspur.
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod;
Wollust ward dem Wurm gegeben
und der Cherub steht vor Gott.
Froh, wie seine Sonnen fliegen
Durch des Himmels prächt'gen Plan
Laufet, Brüder, eure Bahn,
Freudig, wie ein Held zum siegen.
Seid umschlungen, Millionen!
Diesen Kuß der ganzen Welt!
Brüder, über'm Sternenzelt
Muß ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
Ahnest du den Schöpfer, Welt?
Such' ihn über'm Sternenzelt!
Über Sternen muss er wohnen.
#odeandiefreude #odetojoy #beethoven #anthem #europe #europa #germany #song #history #drludwig
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https://www.youtube.com/watch?v=pckLAGL0yjQ
Let's celebrate the German unification that took place exactly 150 years ago, where the first modern German nationstate has been founded! For this great anniversary I made a compilation of the most important Prussian events in history and tried to find some good footage. Please note, that the province of Prussia came to the duchy of Brandenburg only in 1525, but it had such a big impact on the development of the Prussian identity, that I also included the Teutonic knights, whose symbols became part of Prussia. I ended the video with the year 1871 where the foundation happened, but if you like a compilation of the German Empire from 1871 to 1918 you can check out my other video:
https://www.youtube.com/watch?v=DQZYwL6rKk0
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#Reichsgründung #Bismarck #Preußen #Prussia #DeutschesReich #GermanEmpire #Tribute #150JahreVaterland #Jubiläum #anniversary
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https://www.youtube.com/watch?v=xxD4SDSyxm4
Written and composed in 1926 by Herman Grote (He got the rights on it in 1934). At that time, "Niedersachsen" (Lower Saxony) was nothing more than the historical name of a landscape in the Prussian province of Hanover (former Kingdom of Hanover), between the rivers Weser and Elbe. The text of the song refers to the defeat of the Roman legions under Publius Quinctilius Varus by a Cheruskian host under Arminius (Herman the Cheruskian) in the year 9 A.D close to the modern City of Osnabrück and to the revolt of Saxonian tribes under Duke Widukind in 785 A.D against the Franconian ruler (later Emperor) Charlemagne.
The sentence "eine feste Burg und Wehr" (one solid fortress and guard) in the first verse obviously is a reference to Martin Luther's famous protestant hymn "Ein' feste Burg ist unser Gott" (A mighty fortress is our God), see thread http://www.nationalanthems.us/cgi-bin/yabb/YaBB.cgi?board=songs;action=display;n...
After World War II, "Lower Saxony" became the name of a new state which was established in Northwestern Germany, including the former Prussian province of Hanover and the former states of Oldenburg, Braunschweig (Brunswik) and Schaumburg-Lippe.
Already named "Niedersachsenlied" (Song of Lower Saxony), the song by Herman Grote became the unofficial state anthem of the new state, although it has never officially been adopted (as most German state anthems). It is freqently performed at public occasions, although the text is rarely used.
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1. Von der Weser bis zur Elbe,
von dem Harz bis an das Meer,
stehen Niedersachsens Söhne,
eine feste Burg und Wehr.
Fest wie unsere Eichen
halten alle Zeit wir stand,
wenn Stürme brausen
übers Deutsche Vaterland.
|: Wir sind die Niedersachsen,
sturmfest und erdverwachsen,
Heil Herzog Widukinds Stamm! :|
2. Wo fielen die römischen Schergen?
Wo versank die welsche Brut?
In Niedersachsens Bergen,
an Niedersachsens Wut.
Wer warf den röm'schen Adler
nieder in den Sand?
Wer hielt die Freiheit hoch
im Deutschen Vaterland?
|: Das war'n die Niedersachsen,
sturmfest und erdverwachsen,
Heil Herzog Widukinds Stamm! :|
3. Auf blühend roter Heide
starben einst vieltausend Mann,
für Niedersachsens Treue
traf sie der Franken Bann.
Vieltausend Brüder
fielen von des Henkers Hand,
vieltausend Brüder
für ihr Niedersachsenland.
|: Das war'n die Niedersachsen,
sturmfest und erdverwachsen,
Heil Herzog Widukinds Stamm! :|
4. Aus der Väter Blut und Wunden
wächst der Söhne Heldenmut.
Niedersa
...
https://www.youtube.com/watch?v=m54aR-evRaM
"Land der Berge, Land am Strome"; Land of mountains, land by the river [Danube]) is the national anthem of Austria.
Nineteen days before his death on 5 December 1791, Wolfgang Amadeus Mozart composed his last complete work, the Freimaurerkantate, K. 623. In parts of the printed edition of this cantata there appeared the song K. 623a "Lasst uns mit geschlungnen Händen" ("Let us with joined hands"). To this melody the Austrian national anthem is sung. Today, Mozart's authorship is regarded as dubious and the song is attributed to Johann Holzer (de) (1753–1818).[1] The lyrics were written by Paula von Preradović, one of the few women to have written lyrics for a national anthem.[2] On 22 October 1946, the song was declared Austria's official national anthem. On 1 January 2012, parts of the lyrics were changed to make the anthem gender-neutral.
Before the World War II Anschluss, Austria's anthem was "Sei gesegnet ohne Ende", to the tune of Haydn's "Gott erhalte Franz den Kaiser", the anthem of imperial Austria since 1797. The Lied der Deutschen uses the same tune, but with different words, and was also the anthem of the Third Reich. To avoid the association, and because singing it was banned for a time after the war, a new anthem was created.
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(1) Land der Berge, Land am Strome,
Land der Äcker, Land der Dome,
Land der Hämmer, zukunftsreich!
Heimat bist du großer Söhne,
Volk, begnadet für das Schöne,
vielgerühmtes Österreich.
Vielgerühmtes Österreich.
(2) Heiß umfehdet, wild umstritten,
liegst dem Erdteil du inmitten
einem starken Herzen gleich.
Hast seit frühen Ahnentagen
hoher Sendung Last getragen,
vielgeprüftes Österreich.
Vielgeprüftes Österreich.
(3) Mutig in die neuen Zeiten,
frei und gläubig sieh uns schreiten,
arbeitsfroh und hoffnungsreich.
Einig laß in Brüderchören,
Vaterland, dir Treue schwören,
vielgeliebtes Österreich.
Vielgeliebtes Österreich.
...
https://www.youtube.com/watch?v=fVA-Nyqguxo
The Monk of Salzburg is one of the leading artists and poets of the period following the Golden era of Minnesang during the reign of the Hohenstaufen dynasty around 1150-1300.
He was part of the entourage of Pilgrim II. von Puchheim (~1330 to 1396), the Archbishop of Salzburg.
That also is the only hint we have when it comes to his biographical data.
Pilgrim was a very influential person, even for an Archbishop; he was a diplomat and a friend of the arts, greatly increasing Salzburg's fame as a hub for arts of all kinds.
Not much is known about the Monk these days, not even his first name,
although some sources say his name was Hermann while others say it was Hans or Johann.
In the past, some scholars assumed multiple people wrote under this alias,
some also believed the Monk to be Archbishop Pilgrim himself.
In fact, he seemingly admits to it in one piece, but other evidence points against this being true, leading most experts to reject this theory.
He probably was a Benedictine monk, maybe a Dominican monk - but some scholars disagree with both of these theories.
As you can see, he remains a very mysterious figure, which is a bit surprising giving that his works were covered in over 100 manuscripts,
making him the arguably most popular poet of the Late Middle Age, ahead of greats like Oswald von Wolkenstein.
The most important manuscript covering him is the Mondsee-Vienna Manuscript, named after the Mondsee Abbey in Austria.
Interestingly, the Monk wrote not only clerical pieces, but also worldly ones: It's more or less 50/50 (~110 songs in total),
which probably is surprising for a man of faith. In fact, the very nature of his worldly songs might have been quite outrageous at the time,
as adherence to the monks' oath of rejecting worldly pleasures was not only expected, but the absolute social norm.
Most of the Monk's love songs seem to be inspired by the classic greats of Minnesang tradition, like Walther von der Vogelweide or Heinrich von Morungen, when it comes to content and themes.
But he probably was the first German artist to use complex polyphony, thereby bringing plenty of fresh wind into the genre.
The Monk was active in the earliest period of Early Modern High German, a language development stage lasting from 1350 to 1650.
This worldly song might be his most well-known: "The night horn", a horn that is blown at the beginning of night.
Personally, I find it to be one of the best medieval pieces ever written.
There are two other "horn"-themed songs written by the monk: The Taghorn (day horn) and the Kuhhorn (cow horn).
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Zart libste frau in liber acht
Wünsch mir ain liblich frölich nacht
Wann so mein hercz dein trëu betracht
Das freüet all mein kraft und macht
Auf stäten syn so ich nu pin dahin
Ellend und ain und nymand main
Zu trösten mich wenn dich
Mit senen ich den slaf bekrenk
Daz ich dy nacht gar vil an dich gedenk
Süzz trëum dy machent mich so gail
Daz ich mir wünsch das hail
Daz ich slaffen solt an straffen
In sölcher liber sach an end
Dich lät nicht ain meins herczen gir
Dar umb so wünsch ich me wenn zwir
Daz dir sol traumen auch von mir
Wy ich gar frölich sey bey dir
Und doch in gut nach deinem mut
Behut an hercz gesmukt und schon gedrukt
In ärmlin weiz mit fleiz
Und daz du mynnikliche dirn
In süzzen slaf dy herczen libsten pirn
Umbvingest nach dem willen mein
Als ich da selb solt sein
In den sachen sold entwachen
Mein hercz sold frölich sein behend
Enczuket wird ich oft so hart
Daz ich wën an der selben vart
Ich seh dich libstez frëulin zart
Vor mir gepildet schon von art
Gar weiblich stan daz ich denn han
Den wan ym sey also und pin gar fro
In herczen grund zu stund
So mir entwischet dein figur
Das wirdt dem armen herczen vil ze sur
Ez mant mich an dy libsten zeit
Y herter ez ym leit
Wann dein belangen hat gevangen
Mich bis du tröstest mein ellend
...
https://www.youtube.com/watch?v=RhOvUcZA5JA
The Prussian military musician Gottfried Piefke composed in 1864 during the German-Danish War on the occasion of the storm of the Prussian troops on the Düppel hills, where Danish troops had set up for defense, two military marches: One is the Düppeler Sturmmarsch (Army March II, 185), the other, much more famous of the Düppeler Schanzen-Sturmmarsch (army march II, 186), which today is almost exclusivelyknown only as Düppeler Schanzen Marsch.
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...
https://www.youtube.com/watch?v=QOk5SQZkNPk
Melody & Text: Wilhelm Kutschbach
Choir: Botho Lucas
https://en.wikipedia.org/wiki/Georg_von_Frundsberg
Edit: Heissa wie schneit der Tod probably means Heissa how much the death cuts, not snows.
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●▬▬▬▬▬▬▬▬▬♬❈ LYRICS❈ ♬▬▬▬▬▬▬▬▬▬▬●
Jörg von Frundsberg, führt uns an,
Tra la la la la la la,
Der die Schlacht gewann,
Lerman vor Pavia.
Kaiser Franz von Frankenland,
Tra la la la la la la,
Fiel in des Frundsbergs Hand,
Lerman vor Pavia.
Alle Blümlein standen rot,
Tra la la la la la la,
Heißa, wie schneit der Tod,
Lerman vor Pavia.
Als die Nacht am Himmel stund,
Tra la la la la la la,
Trommel und Pfeif' ward kund,
Lerman vor Pavia.
Und der euch dies Liedlein sang,
Tra la la la la la la,
Ward ein Landsknecht genannt,
Lerman vor Pavia.
...
https://www.youtube.com/watch?v=dw4fJgqncfw
The song Auf der Lüneburger Heide ("On the Lüneburg Heath") was composed in 1912 by Ludwig Rahlfs based on a poem from the collection Der kleine Rosengarten ("The Little Rose Garden") by Hermann Löns.
It is often played at folk festivals in this region of north Germany and is also frequently part of the repertoire of local choral societies.
It gained fame outside the Lüneburg Heath as a result of the 1951 film Grün ist die Heide ("Green is the Heath") with Kurt Reimann as the singer and the 1972 film of the same name in which Roy Black sings the heathland song. Various musicians have publicised their own interpretations of the song, for example the tenor Rudolf Schock on his CD Stimme für Millionen ("Voice for Millions"). The Slovenian industrial band Laibach used the song in 1988 on their cover version of the Beatles album Let it be, where under the title Maggie Mae, instead of the folk song used by the Beatles an unfamiliar version of Auf der Lüneburger Heide (first and third verses) may be heard.
Disclaimer: All videos are apolitical and this channel is against any form of extremism or hatespeech!
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●▬▬▬▬▬▬▬▬▬♬❈ LYRICS ❈♬▬▬▬▬▬▬▬▬▬▬●
1. Auf der Lüneburger Heide
In dem wunderschönen Land
Ging ich auf und ging ich unter
Allerlei am Weg ich fand
Valleri Vallera ha ha ha
Und Juheirassa :|
Bester Schatz :|
Denn du weißt :| es ja
2. Brüder lasst die Gläser klingen
Denn der Muskateller Wein
Wird vom langen Stehen sauer
Ausgetrunken muß er sein
Valleri . . .
3. Und die Bracken und die bellen
Und die Büchse und die knallt
Rote Hirsche woll'n wir jagen
In dem grünen, grünen Wald
Valleri . . .
4. Ei du Hübsche, ei du Feine
Ei du Bild wie Milch und Blut
Unsere Herzen woll'n wir tauschen
Denn du glaubst nicht wie das tut
Valleri . . .
...
https://www.youtube.com/watch?v=ktS4obIb-h0
Of unknown origin.
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|: Das ist die Garde,
die immer vorneweg marschiert,
ja, das ist die Garde,
die den Mädels so gut gefällt! :|
#garde #germany #drludwig
...
https://www.youtube.com/watch?v=RAobvcNLjao