Message To Your Future Self - Burning Man 2013 Through Google Glass
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This week’s episode features returning guest JF Martel, film-maker, culture critic, and author of Reclaiming Art in the Age of Artifice. In his first appearance on Future Fossils, we discussed art as an opening to the transcendent and his awesome three-part essay on the philosophy of Netflix’s Stranger Things, “Reality Is Analog”…so it only made sense to have him back to weigh in on Stranger Things 2 and the extremely artful Blade Runner 2049, both of which speak directly to the evolution of the soul and “the human tragedy” in an increasingly digital age.
It’s ultimately a discussion of The Sequel, and how what distinguishes good simulacra from bad is all in the label, “Made With Love”…
JF’s book and blog:
http://reclaimingart.com
JF’s podcast:
http://weirdstudies.com
We Discuss:
- The humanization of replicants (and the “animalization” of a previously monstrous demogorgon) as empathetic characters in these stories, and how that provides a vital contrast to our future-shocked insistence on hard categorical divisions between made and born, human and non-human;
- Carl Jung and Jungian therapist James Hillman, The Velveteen Rabbit, and “earning one’s soul” through individuation of the self (soul as connection to the imaginal contrasted with soul as individuality);
- Where does order come from in the evolutionary process?;
- The theological angle on the soul as digital because it is the soul as the absolute appearance of a singular (non-evolutionary) form;
- Do things need to happen for a reason?;
- Is it better to act as if you’ll die tomorrow or to act as if you’ll live forever? (And does thinking “only now exists” make you a lousier person?);
- Balancing the two poles of “soul” in philosophy: that which exists beyond cause and effect, and that which is made through tribulation;
- Looking at our lives from the perspective of Nietzsche’s Eternal Return and Alan Watts’ notion of the life as a symphony, comprehensible only from the outside;
- The genius horror writing of Thomas Lugatti (sp?);
- Why it’s so important not to spoon-feed your audience the plot points of a film, to invite them into an interactive process with the narrative;
- Donna Haraway, John David Ebert, body hacking…and the shadow form of posthuman philosophy in the peril of ironic hipster detachment to human incarnation;
- Rachel Nagelberg’s book The Fifth Wall and how she figures our postmodern dissociation from self through a matrix of surveillance technologies and the out-of-body experiences they induce (see also Erik Davis and Technobuddhism);
- The difference between a good sequel and a bad one is “Made With Love” – and how the character of “Luv” in Blade Runner 2049 can be read as a statemen
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Visual Art: "Finally, Release"
painted live at Whole Earth Festival, May 7 - 8, 2010
http://bit.ly/aGdPTK
Music: "Conglomerate"
improvised live in Arcata, California 28 July 2010
http://bit.ly/c1bqLj
Lecture: clips from "Self As City, City As Self"
given at Entheon Village, Burning Man 2010
http://bit.ly/cs6DCV
Everything in one place:
http://michaelgarfield.blogspot.com/2010/09/finally-whole-earth-fest-timelapse.html
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https://www.youtube.com/watch?v=V3t80mM2858
Follow my adventures:
http://michaelgarfield.blogspot.com
Buy a print of this painting:
http://michaelgarfieldart.com
A timelapse video of me at work on a commissioned painting for the Jeff Hansen of Colorado State University's Chromatin Research Lab. In my voiceover, I discuss the scientific basis for and artistic techniques work in this piece. This video was filmed at Cervantes Masterpiece Ballroom in Denver, CO on 28 November 2009 for the Mile High Sound Throwdown (myspace.com/projectaspect) on a Canon SD1100 IS.
You can subscribe to my newsletter or offer your feedback at michaelgarfield@gmail.com.
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Listen to the full episode here
https://www.patreon.com/posts/34506608/
This week’s guest is Tanya Harrison, a Mars geologist, author, and infectious banner-waving space enthusiast. We talk about For All Humankind, her new book with Danny Bednar on the legacy of the Apollo missionsm, as both a planetwide accomplishment and also a high bar against which we have since not seemed to measure up...as well as:
What it’s like to drive a mars rover and extend yourself technologically through space.
What will have to change for us to attune to the plural temporalities of life on multiple worlds.
How the tone of science fiction and space fantasy has changed over the course of our lives, for better or worse.
The cultural differences between national space programs and commercial “jobs in space” exploration.
The tragedy of how light pollution cuts us off from crucial perspective and our tangible belongingness in the starry cosmos.
Using space-based imagining to understand our own planet as the unique and wonderful place it is.
Tanya's Website & Twitter .
Tanya Works for Planet Labs .
Here’s another great (short) conversation with her about Martian geology.
Grab the books we mention in this episode and I get a tiny kickback.
Support this show on Patreon for secret episodes, the Future Fossils book club, and more awesome stuff than you probably have time for.
People Mentioned:
Jessa Gamble , Barry Vacker , Divya Persaud , Stewart Brand, Carl Sagan, Sara Imari Walker, Rusty Schweickert, Biosphere II
Media Mentioned:
For All Humankind, Kim Stanley Robinson’s Mars Trilogy, Ad Astra, The Expanse
Theme Music: “God Detector” by Evan “Skytree” Snyder (feat. Michael Garfield)
Additional Intro Music: “Lambent” by Michael Garfield
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https://www.youtube.com/watch?v=QHwwsxsy0fI
This week we're joined by robotics engineer, electronic music producer, and Future Fossils co-founder Evan “Skytree” Snyder — who has recently been asked to help design the sounds made by the next wave of Amazon warehouse robots. In this first part of our discussion, we explore the evolutionary and psychological considerations for designing human-compatible robot sounds, talk brilliant birds and their mimicry of people and machines, and riff on the manipulative utility of cuteness for both good and evil.
In part two, available to Patreon supporters later this week, we talk about Evan’s work to reconstruct the soundscapes of The Age of Dinosaurs, his experiments with using radioactive mineral samples to control modular synthesizers, and his reflections on the use of sound for deep-time communication with future humans and/or extraterrestrials…
✨ Go Deeper• If you value this show and would like to see it thrive, support Future Fossils on Patreon and please leave a good review on Apple Podcasts! As a patron you get extra episodes each month, invites to our book club, and new writing, art, and music.• Meet great people and have equally great conversations in the Discord Server & Facebook Group.• Buy the books we talk about from the Future Fossils shop at Bookshop.org.• For when you’d rather listen to music, follow me and my listening recommendations on Spotify.
✨ Related Reading• Set My Heart To Five by Simon Stephenson• Unfettered Journey by Gary Bengier• Alex & Ada by Jonathan Luna & Sarah Vaughn• The Age of Em: Work, Love, and Life when Robots Rule The Earth by Robin Hanson• “Smooth Operator: Tuning Robot Perception Through Artificial Movement Sound” by Frederic Anthony Robinson, Mari Velonaki, Oliver Bown• “The maintenance of vocal learning by gene–culture interaction: the cultural trap hypothesis” by Robert F. Lachlan and Peter J. B. Slater
✨ Related Listening• FF 13 - Rupert Till on Ancient Audio & Future Ritual• FF 29 - Sara Huntley on Raising Robots Right• FF 53 - Evan Snyder on A Very Xeno Christmas!• FF 73 - Patricia Gray on BioMusic, The New Science of Our Musical Brains & Biosphere• FF 149 - Tada Hozumi, Dare Sohei, Naomi Most on Cultural Somatics & Ritual as Justice• FF 159 - Michael Dowd on Post Doom: Life After Accepting Climate Catastrophe
✨ Music by Evan “Skytree” Snyder• “Telomere,” “Minas Gracia,” and “Sanitas” off Infraplanetary
✨ Support the countless hours of research and production that go into Future Fossils• Venmo: @futurefossils• PayPal.me/mic
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https://www.youtube.com/watch?v=He4hKaxm2-0
This week’s guest is Daniel Schmachtenberger of the Neurohacker Collective – one smart dude! Must be the nootropics. We have an awesome conversation about what it will take for us to thrive through our Age of Transition and into the emergent world that works for all, not just a few of us.
His company: http://neurohacker.com
His blog: http://civilizationemerging.com
Some Topics We Discuss:
• How he got started in complex systems thinking while working in (and watching the failures of) wildlife conservation;
• How he understands his work as participating in the emergence of a planetary renaissance;
• A vision for how to move beyond finite win-lose games with in- and out-groups between warring cultures and into infinite win-win games;
• His critiques of negative interest currency, universal basic income, and other system-wide economic incentives;
• His argument for why giving ecosystems economic value isn’t enough to stand up against a wave of exponential technology;
• How change can come from everywhere at once to vault us into a new era of whole-planet thinking that does not (continue to) collapse “complex” into merely “complicated”;
• The role of automation in worldwide economic transformation;
• How the next evolutionary transformation will emerge from the appearance of new ways to coordinate and align our senses, information processing, and action in the world – closing the loop between what we know and what we can do with it;
• How we can heal the broken information ecology, and what that means for the surveillance conversation;
• What incentives can we use in a totally redesigned global economy that benefits everyone?
Select Daniel Quotes:
“We have a system where structural violence and externality are implicit throughout the system completely, so participation with that at all requires it.”
“It was clear that nothing less than a discrete, nonlinear phase-shift was adequate, so…what are the necessary and sufficient criteria of the post-transition world? And how do we support that emergence?”
“If you’re getting interested in economics as a philosopher, it just means you’re gaining insight into how structural incentive and structural value systems and disposition work. Which means you are NOT being a good philosopher if you are not thinking about those things.”
“We don’t know how to do civilization without war…we’re really talking about getting off win-lose game theory completely. It’s unprecedented. But unprecedented shit is actually the precedent of the universe, if you have a very long view.”
“Economics can be seen as the interface layer between our values and the way we build the world.”
“If we are gaining the power of gods, then without t
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https://www.youtube.com/watch?v=MCM0cE83CmA
The very first "zero" episode of Future Fossils, in which co-hosts Michael Garfield and Evan Snyder set the tone for our new podcast by attempting foolishly to map time's hyperspatial landscape. We wind up absorbed by black holes, puns, and other singularities. What happens when we use the metaphor of geometry and geography to explore time? Does time have a shape – and if so, can we reconcile the perspectives of various cultures who claim time is different shapes? The arrow, circle, and helix might all come together in some vastly complicated, morphing super-thing that our mere primate brains just cannot comprehend. But that won't stop us from trying! More on this hifalutin silliness from Michael at the Metapsychosis Journal: http://www.metapsychosis.com/how-to-live-in-the-future-part-one/
* Support Future Fossils Podcast on Patreon: patreon.com/michaelgarfield *
Take the perspective of future archeologists digging through the digital remains of modern culture. What will our generation's legacy look like to future humans? Explore the nature of time and our place in it through the conversations of the unconventional, bizarre, free-roaming, fun, irreverent, and thoughtful kind...an auditory psychedelic to get you prepared for living in a wilder future than we can imagine.
Provocative, profound discussions at the intersection of art, science, and philosophy with Michael Garfield, Evan Snyder, and a growing list of awesome guests...
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We’re switching it up this week to present my recent talk on psychedelic futurism at the first weekly meeting of the Australian Psychedelic Society (Fitzroy Beer Garden, Melbourne, Victoria).
The Chinese have a curse: “May you live in interesting times.” The Irish have a toast: “May you be alive at the end of the world” I’m more Irish than Chinese, and I know this because even though we’re living through total chaos these days, that means unprecedented opportunity for wonder, creativity, discovery, and growth.
- How to enjoy life in an age of mass extinction and the imminent transformation of the human species through genetic engineering
- CRISPR and evolution “in real time,” within the lifespan of “individual” organisms
- The self as a multitude of distinct neural “motifs” and how each of us is a village (or a bouquet)
- Living through “a trans-technological, trans-nature” renaissance
- The sharing economy, nonmonogamy, global citizenship, access vs. ownership as symptoms of a global transition to more freely exchanged modular selfhood
- How each of us is basically the sexually mature larval form of our ancestors and how staying “childlike” has empowered us with special powers as a species
- The future of work as a world in which there are as many different kinds of work as there are people
- The spiritual and philosophical implications of “teledildonics”
- What replaces “privacy” in an age of universal coveillance and mutual accountability
- Why we shouldn’t judge the world and lives of our software based digital human descendants
- Tim Leary’s “Just Say Know” as a better approach to technologies (since all technologies are psychoactive, and so tech and drugs should merit similar approaches)
Memorable Quotes:
“To the extent that we recognize that who we believe ourselves to be is a story our brain is creating instinctively and automatically, we can be more conscious about that, and we can inhabit different self-concepts as it suits us.”
“What we’re learning about the origins of life is that it wasn’t like suddenly the cell occurred, with a membrane already on it, and credit card debt, and alimony payments. This happened in stages. And the first stage, what we believe the first life form to be…was a soup of self-reproducing molecules that didn’t really have clear self-other division. And even now, bacteria are very promiscuous and free about the exchange of their own genetic information with one another.”
“When everyone has a 3D printer at home, you’re not going to go to a dealer. You’re going to print your own drugs.”
“Each of us is the still point at the intersection of colliding infinities.”
“It’s not so much that we’re coming to ‘T
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https://www.youtube.com/watch?v=pylI9HKKUW0