How the West Was Drawn: Mapping, Indians, and the Construction of the Trans-Mississippi West
Author: David Bernstein File Type: pdf How the West Was Drawn explores the geographic and historical experiences of the Pawnees, the Iowas, and the Lakotas during the European and American contest for imperial control of the Great Plains during the eighteenth and nineteenth centuries. David Bernstein argues that the American West was a collaborative construction between Native peoples and Euro-American empires that developed cartographic processes and culturally specific maps, which in turn reflected encounter and conflict between settler states and indigenous peoples. Bernstein explores the cartographic creation of the Trans-Mississippi West through an interdisciplinary methodology in geography and history.He shows how the Pawnees and the Iowaswedged between powerful Osages, Sioux, the horse- and captive-rich Comanche Empire, French fur traders, Spanish merchants, and American Indian agents and explorersdevised strategies of survivance and diplomacy to retain autonomy during this era.The Pawnees and the Iowas developed a strategy of cartographic resistance to predations by both Euro-American imperial powers and strong indigenous empires, navigating the volatile and rapidly changing world of the Great Plains by brokering their spatial and territorial knowledge either to stronger indigenous nations or to much weaker and conquerable American and European powers. How the West Was Drawn is a revisionist and interdisciplinary understanding of the global imperial contest for North Americas Great Plains that illuminates in fine detail the strategies of survival of the Pawnees, the Iowas, and the Lakotas amid accommodation to predatory Euro-American and Native empires. **
Author: Bill Anthes
File Type: pdf
For over three decades, contemporary Native American artist Hock E Aye Vi Edgar Heap of Birds has pursued a disciplined practice in multiple media, having shown his paintings, drawings, prints, and text-based conceptual art throughout numerous national and international galleries and public spaces. In the first book-length study of this important artist, Bill Anthes analyzes Heap of Birdss art and politics in relation to the international contemporary art scene, Native American history, and settler colonialism. Foregrounding how Heap of Birds roots his practice in Cheyenne spirituality and an indigenous way of seeing and being in the world, Anthes describes how Heap of Birds likens his art to sharp rocksweapons delivering trenchant critiques of the loss of land, life, and autonomy endured by Native Americans. Whether appearing as interventions in public spaces or in a gallery, Heap of Birdss carefully honed artworks pose questions about time, modernity, identity, power, and the meaning and value of contemporary art in a global culture.**
Author: Gerald Raunig
File Type: pdf
Creativity is astir reborn, re-conjured, re-branded, resurgent. The old myths of creation and creators the hallowed labors and privileged agencies of demiurges and prime movers, of Biblical world-makers and self-fashioning artist-geniuses are back underway, producing effects, circulating appeals. Much as the Catholic Church dresses the old creationism in the new gowns of intelligent design, the Creative Industries sound the clarion call to the Cultural Entrepreneurs. In the hype of the creative class and the high flights of the digital bohemians, the renaissance of the creatives is visibly enacted. The essays collected in this book analyze this complex resurgence of creation myths and formulate a contemporary critique of creativity. **About the Author Gerald Raunig is a philosopher and art theorist. He works at the Zurich University of the Arts, Zurich and the eipcp (European Institute for Progressive Cultural Policies), Vienna. He is coeditor of the multilingual publishing platform Transversal Texts and the Austrian journal Kamion. He is the author of Art and Revolution, A Thousand Machines, and Factories of Knowledge, Industries of Creativity, all published by Semiotext[e]. Wuggenig is a member of the Akademischer Rat at the Universitat Luneburg and one of the artistic directors of the Kunstraum at the Universitat Luneburg. Gerald Raunig is a philosopher and art theorist. He works at the Zurich University of the Arts, Zurich and the eipcp (European Institute for Progressive Cultural Policies), Vienna. He is coeditor of the multilingual publishing platform Transversal Texts and the Austrian journal Kamion. He is the author of Art and Revolution, A Thousand Machines, and Factories of Knowledge, Industries of Creativity, all published by Semiotext[e]. Wuggenig is a member of the Akademischer Rat at the Universitat Luneburg and one of the artistic directors of the Kunstraum at the Universitat Luneburg.
Author: John R. Shook
File Type: pdf
The question of how far Deweys thought is indebted to Hegel has long been a conundrum for philosophers. This book shows that, far from repudiating Hegel, Deweys entire pragmatic philosophy is premised on a philosophy of spiritinspired by Hegels project. Two essays by Shook and Good defending this radical viewpoint are joined by the definitive text of Deweys 1897 Lecture at the University of Chicagoon Hegels Philosophy of Spirit. Previously cited by scholars only from the archival manuscript, this edited Lecture is now available to fully expose the basic concern shared by Hegel and Dewey for the full and free development of the individual in the social context. Deweys and Hegels philosophies are at the center of modern philosophys hopes for advancing human freedom.ReviewDeweys reception of Hegel is the decisive historical event inaugurating the American Pragmatist assimilation of German Idealism, which has become one of the most exciting themes in contemporary American philosophy. With the publication and critical annotation of this archival but important source in which Dewey systematically explores one of Hegels greatest works, American scholars will now have a remarkable new resource in carrying out this momentous adventure in philosophical synthesis.-John H. ZammitoollShook and Good are the pioneers of a new and suggestive interpretation of Hegels deep and enduring influence on Dewey. They show how Deweys preference for a humanistichistoricist reading of Hegel over the usual metaphysicaltheological reading ensconced by the British neo-Hegelians is actually quite compatible with contemporary Hegel scholarship. Combining Deweys remarkable 1897 Lecture on Hegel with two impressive essays helping to interpret the text opens up new territory for scholars.2. This volume offers for the first time a scholarly version of Deweys insightful 1897 lecture on Hegel along with their two essays by Shook and Good that go a long way in furthering our understanding of Hegels influence on Dewey, especially his thinking on religion, art, and the function of philosophy.3. Shook and Good show us that the better er understand that Hegel was a better empiricist than the British Empiricist and that the Absolute Spirit is not supernal (for example, God or logical categories) aslolRepresents an important and original contribution to scholarly research in American philosophy and in Dewey studies. It also provides further evidence of the important role that Hegelian Idealism plays in American heritages of philosophy, and contributes to our understanding of the distinctive use made of Hegel in Deweys thought.An outstanding and useful work.-Theodore GeorgeAbout the AuthorJohn Shook is Research Associate in philosophy at the University at Buffalo and Senior Research Fellow at the Center for Inquiry in Amherst, New York. James A. Good is Professor of History and Chair of the Department of Social Sciences at Lone Star College, North Harris in Houston, Texas.
Author: Courtney Hall Lee
File Type: pdf
The figure of the Virgin Mary comes loaded with baggage and preconceptions. She is usually depicted as the perfect, obedient, and highly esteemed woman, much like the Victorian notion of the angel in the house. For many black women, nothing could be more inaccessible. This book considers the relationship between African American women and Mary of Nazareth. After examining the history of black American motherhood during slavery and beyond, this book then gives an overview of the existing views of Mary in both the church and the academy. Lee then brings African American women and Mary together, creating a womanist Mariology by using womanist biblical and theological interpretation, as well as considering black motherhood during the age of Black Lives Matter.
Author: Erin Maglaque
File Type: pdf
Mining private writings and humanist texts, Erin Maglaque explores the lives and careers of two Venetian noblemen, Giovanni Bembo and Pietro Coppo, who were appointed as colonial administrators and governors. In Venices Intimate Empire, she uses these two men and their families to showcase the relationship between humanism, empire, and family in the Venetian Mediterranean. Maglaque elaborates an intellectual history of Venices Mediterranean empire by examining how Venetian humanist education related to the task of governing. Taking that relationship as her cue, Maglaque unearths an intimate view of the emotions and subjectivities of imperial governors. In their writings, it was the affective relationships between husbands and wives, parents and children, humanist teachers and their students that were the crucible for self-definition and political decision making. Venices Intimate Empire thus illuminates the experience of imperial governance by drawing connections between humanist education and family affairs. From marriage and reproduction to childhood and adolescence, we see how intimate life was central to the Bembo and Coppo families experience of empire. Maglaque skillfully argues that it was within the intimate family that Venetians relationships to empireits politics, its shifting social structures, its metropolitan and colonial cultureswere determined. **
Author: Saskia van Genugten
File Type: pdf
Libya has a short, volatile history. Foreigners played a significant role in shaping Libyas institutions and policies, and this book explores longer term trends in the relations between Libya and the West, placing current developments in their historical context. Throughout history, the globes most powerful actors have regarded Libya as an outlier state of little significance. Libya belonged neither here nor there and never fell under the full protection of any significant global or regional powerhouse. Libyas weak national identity, its weak institutions and its peripheral position have made it vulnerable to external influences and interventions. As a result, Libya repeatedly falls prey to foreign powers wanting to flex their muscles. As this book narrates, this was the case in 1911, in 2011 and several times in between.
Author: Jordan T. Camp
File Type: pdf
The United States currently has the largest prison population on the planet. Over the last four decades, structural unemployment, concentrated urban poverty, and mass homelessness have also become permanent features of the political economy. These developments are without historical precedent, but not without historical explanation. In this searing critique, Jordan T. Camp traces the rise of the neoliberal carceral state through a series of turning points in U.S. history including the Watts insurrection in 1965, the Detroit rebellion in 1967, the Attica uprising in 1971, the Los Angeles revolt in 1992, and events in post-Katrina New Orleans in 2005. Incarcerating the Crisis argues that these dramatic events coincided with the emergence of neoliberal capitalism and the states attempts to crush radical social movements. Through an examination of the poetic visions of social movementsincluding those by James Baldwin, Marvin Gaye, June Jordan, Jose Ramirez, and Sunni Pattersonit also suggests that alternative outcomes have been and continue to be possible.
Author: Miranda Aldhouse-Green
File Type: epub
The remains of prehistoric men, women and children so well preserved that they are often mistaken for victims of modern crime have periodically been revealed in the bogs of northern Europe. In many cases their skin, hair, nails, and marks of injury survive, betraying the violence that surrounded their deaths. Who were these unfortunate people, and why were they killed? The number of known bodies is growing. Lindow Man, the famous Pete Marsh discovered in Cheshire, has been joined by new finds from Ireland and elsewhere. Archaeologists, armed with the latest analytical techniques, are today investigating these cold cases to reveal much about our distant past. Forensic science allows us to deduce the age, physical condition, status, cause and time of death of these ancient victims, helping to answer the fundamental questions that they pose Were these people executed, murdered, or victims of human sacrifice? Who selected them? Who delivered the killing blow, and why? Drawing on the latest evidence and research, Miranda Aldhouse-Green, an acknowledged authority on the period, has written an engrossing detective story, uncovering the hidden truths behind these mysteries. In this book we come face-to-face with our ancestors and can begin to understand their ancient lives and deaths. Miranda Aldhouse-Green whets our appetite with the big picture of where, when and how these bodies began to turn up, and delves under the shroud of mystery that surrounds them, exploring theories and suggesting histories for their lives that make sense of their deaths.--Site web de lediteur.