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25 Nov 2020 21:59:25 UTC
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Why We Suck: A Feel Good Guide to Staying Fat, Loud, Lazy and Stupid
Author: Denis Leary
File Type: mobi
From Publishers WeeklyAccording to Leary, his first book is not for the faint of heart, by which he means Americans I am here to debunk and declassify and otherwise hold up a brutally honest mirror to our fat, ugly, lazy American selves. Now, a good many comedians make a career out of daring to speak the ugly, gasping truths that few others would. Leary brings a particularly acid-tinged tone to his rantings about annoying children, why cats are satanic spawn, what an ugly racket the Catholic Church is and (more surprisingly) why he loves Oprah. The book will most likely appeal to fans of Leary, and while the material might have been better delivered as a live performance (some of these hate-laced monologues are just begging to be read aloud), Leary himself wildly entertains. (Nov.) br Reed Business Information, a division of Reed Elsevier Inc. The New York Times bestseller One of Americas most original and biting comic satirists, Denis Leary takes on all the poseurs, politicians, and pop culture icons who have sucked in public for far too long. Sparing no one, Leary zeroes in on the ridiculous wherever he finds it-his Irish Catholic upbringing, the folly of celebrity, the pressures of family life, and the great hypocrisy of politics-with the same bright, savage, and profane insight he brought to his critically acclaimed one-man shows No Cure for Cancer and Lock n Load. Proudly Irish-American, defiantly working class, with a reserve of compassion for the underdog and the overlooked, Leary delivers blistering diatribes that are both penetrating social commentary with no holds barred and laugh-out-loud funny. As always, Learys impassioned comic perspective in Why We Suck is right on target. **A hilarious blast of scathing irreverence from the award-winning actor and comedian**. A pissed off Leary is the best Leary, says one critic of the writer and comic. In *Why We Suck*, Dr. Denis Leary uses his common sense, and his biting and hilarious take on the world, to attack the politically correct, the hypocritical, the obese, the thin--basically everyone who takes themselves too seriously. He does so with the extra oomph of a doctorate bestowed upon him by his alma mater Emerson College. Sure its just a celebrity type of thing--they only gave it to me because Im famous. Leary explains. But its legal and it means I get to say Im a doctor--just like Dr. Phil. In *Why We Suck*, Learys famously smart style and sardonic wit have found their fullest and fiercest expression yet. Zeroing in on the ridiculous wherever he finds it, Leary unravels his Irish Catholic upbringing, the folly of celebrity, the pressures of family life, and the great hypocrisy of politics with the same bright, savage, and profane insight he brought to his critically acclaimed one-man shows *No Cure for Cancer* and *Lock n Load*, and his platinum-selling song, Asshole. Proudly Irish American, defiantly working class, with a reserve of compassion for the underdog and the overlooked, Leary delivers blistering diatribes that are penetrating social commentary with no holds barred. Learys book will find wide appeal among people who want to laugh out loud or find a guide who matches their view of whats wrong in America and the world-at-large and fans of his one-man shows, his many movies, and *Rescue Me*, Learys Golden Globe and Emmynominated television show. *Why We Suck* is the latest salvo from one of Americas most original and biting comic satirists.
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138531
Author: Margaret Atwood
File Type: pdf
Margaret Atwoods The Robber Bride is inspired by The Robber Bridegroom, a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends, Tony,Charis, and Roz. All three have lost men, spirit, money, and time to their old college acquaintance, Zenia. At various times, and in various emotional disguises, Zenia has insinuated her way into their lives and practically demolished them. To Tony, who almost lost her husband and jeopardized her academic career, Zenia is a lurking enemycommando. To Roz, who did lose her husband and almost her magazine, Zenia is a cold and treacherous bitch. To Charis, who lost a boyfriend, quarts of vegetable juice and some pet chickens, Zenia is a kind of zombie, maybe soulless (Lorrie Moore, New York Times BookReview). In love and war, illusion and deceit, Zenias subterranean malevolence takes us deep into her enemies pasts.From Publishers WeeklyThe author of Cats Eye depicts a femme fatales malevolent role in the lives of three women a seven-week PW bestseller. 1995 Reed Business Information, Inc. From Library JournalPetite Tony teaches the agressively male subject of military history and has a talent for speaking backwards actually, shes Ynot. Charis eats only vegetarian fare and consults crystals. Boisterous, stylish Roz runs her own company and drives a BMW. These three women would seem to have little in common, but theyre held together by a single thread Zenia, a lying, charismatic femme fatale who at one time or other stole the men in their lives. But Zenia is dead, blown to bits in Beirut, and can hurt them no more. Or so they think until the day a still-seductive Zenia walks into the restaurant where they are having lunch. As in Cats Eye ( LJ 2189), Atwood takes feminism one step further, showing women as victims not only of society but of themselves. Her book is daring, richly detailed, and compulsively readable. Indeed, some readers might find it too readable at times it feels a bit trashier than something you would expect from Atwood. In addition, while Zenia is a fascinating absence at the novels center, she seems too bad to be true. Nevertheless, Atwood is always good reading. For most collections. Previewed in Prepub Alert, LJ 793.- Barbara Hoffert, Library Journal 1993 Reed Business Information, Inc. Exploring the paradox of female villainy, this tale of three fascinating women is another peerless display of literary virtuosity by the supremely gifted author of Cats Eye and The Handmaids Tale. Roz, Charis and Tony all share a wound, and her name is Zenia. Beautiful, smart and hungry, by turns manipulative and vulnerable, needy and ruthless, Zenia is the turbulent center of her own perpetual saga. She entered their lives in the sixties, when they were in college. Over the three decades since, she has damaged each of them badly, ensnaring their sympathy, betraying their trust, and treating their men as loot. Then Zenia dies, or at any rate the three women with much relief attend her funeral. But as The Robber Bride begins, Roz, Charis and Tony have come together at a trendy restaraunt for their monthly lunch when in walks the seemingly resurrected Zenia...In this consistently entertaining and profound new novel, Margaret Atwood reports from the farthest reaches of the war between the sexes with her characteristic well-crafted prose, rich and devious humor, and compassion.
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16612
Author: David Macey
File Type: epub
Born in Martinique, Frantz Fanon (192561) trained as a psychiatrist in Lyon before taking up a post in colonial Algeria. He had already experienced racism as a volunteer in the Free French Army, in which he saw combat at the end of the Second World War. In Algeria, Fanon came into contact with the Front de Liberation Nationale, whose ruthless struggle for independence was met with exceptional violence from the French forces. He identified closely with the liberation movement, and his political sympathies eventually forced him out the country, whereupon he became a propagandist and ambassador for the FLN, as well as a seminal anticolonial theorist. David Maceys eloquent life of Fanon provides a comprehensive account of a complex individuals personal, intellectual and political development. It is also a richly detailed depiction of postwar French culture. Fanon is revealed as a flawed and passionate humanist deeply committed to eradicating colonialism. Now updated with new historical material, Frantz Fanon remains the definitive biography of a truly revolutionary thinker.**From Publishers WeeklyMacey (Lacan in Context), British translator, biographer and critic, is one of the foremost English-language chroniclers of the distinctive postwar French hybrids of psychological, political and historical thought. His Lives of Michel Foucault is so far the definitive biographical study of the prodigious thinker, and this biography of a fervent anti-colonialist revolutionary may be even more important for the role it could play in bringing Fanons writings out of the American academy and back into common discussion. Fanon (1925-1961) was a native of Martinique, more than 10 years the junior of the radical negritude poet (and current mayor of Fort-de-France) Aim Csaire, who was one of his high school teachers. By the time Fanons brilliant, blistering diatribe Black Skin, White Masks appeared from a Paris publisher in 1952, Fanon was a psychiatrist he had been part of a Moroccan-based resistance unit during the war, and had found the white left irredeemably bigoted. (Fanon described the book as a study in language and aggressivity.) Fanons colossal shifts of registers (political, medical, poetic, sociological) in the books phenomenology of racism are well explicated by Macey, who gives nuanced accounts of the African nationalist essays and books that followed (primarily concerning Algeria, where Fanon practiced), and complicates Fanons advocacy of violence-as-catharsis one of the facets of his work that attracted the radical American left of the 60s. Macey does a terrific job throughout reconstructing the contexts in which Fanon conceived and wrote his works, and the terms with which one might best approach them. The book will be invaluable to scholars, but those looking for an entre into postwar Francophone literature and its political militancy will find this book an excellent guide to notoriously thorny works, and to their author, who died of cancer soon after his illness was discovered. 2001 Cahners Business Information, Inc.From Library Journal In the first biography in some time, Macey (The Lives of Michel Foucault) offers a sensitive and powerful account of Frantz Fanon, the revolutionary, psychiatrist, Third World theorist, and author (The Wretched of the Earth). Fanons call for violent revolution, as a means of countering colonialisms institutional and psychological effects on colonized peoples, fueled the Algerian Independence movement and set the stage for decolonization in the rest of colonial Africa and the Caribbean. Macey combines original research and other peoples scholarship to reveal Fanons interwoven theories on African decolonization, the War of Algerian Independence, and the lived experience of blacks. Inextricably linked to Fanons theories and skillfully intertwined is the history of French colonialism and racism in France. Maceys writing and research is rich with historical context and personal information that both Fanon loyalists and general readers will appreciate. Macey details Fanons Martinique childhood, military service, educational and professional experiences, activism, and writing life. Recommended for academic libraries as well as African history and black studies collections. Sherri Barnes, Univ. of California, Santa Barbara 2001 Reed Business Information, Inc.
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