➡️ Read the full article here: https://tinyurl.com/45ajnuk8 The Queen's Galleries in London and Edinburgh, established by Queen Elizabeth II, will be renamed as The King's Galleries in honor of King Charles III. This decision by the Royal Collection Trust marks a significant shift from their previous stance of not changing the names. The Trust, which manages these museums within the royal palaces, has not disclosed the reasons for this change, following the Queen's death and King Charles III's coronation. The costs for rebranding will be covered by the Trust, a charity funded by public admissions and commercial activities. The Royal Collection, dating back to the 17th century and including works by Vermeer and Titian, is managed by a team led by director Tim Knox and overseen by a board of trustees. The collection is held in trust for the King and does not receive public funding. ... https://www.youtube.com/watch?v=7pdharn5lI8

➡️ Read More: https://tinyurl.com/5afpxzby Richard Serra, the acclaimed American sculptor renowned for his innovative and monumental steel structures, has passed away at the age of 85 due to pneumonia. His work, characterized by massive, oxidized steel forms that reshape the environments they occupy, has left an indelible mark on the landscape of modern sculpture. Serra's artistic journey was marked by a fascination with the physical and spatial properties of his materials, leading to iconic works such as "The Matter of Time" housed in the Guggenheim Museum Bilbao. Through his art, Serra explored and challenged the viewer's perception of space and form, establishing a unique dialogue between the artwork, its setting, and the observer. His contributions to contemporary art have solidified his position as one of the most significant sculptors of our time, leaving a legacy that continues to influence and inspire. ... https://www.youtube.com/watch?v=enmb53hhbyY

➡️ Read the full article here: https://tinyurl.com/4bh3drbr In honor of the artist's 90th birthday, "Welcome to New York!" opened at the Magazzino Italian Art Museum and Study Center in Cold Spring, New York. After 20 years of waiting for the perfect conditions to meet the concept of the work and the artist's lengthy association with the founders of Magazzino, the museum also showed Terzo paradiso, a permanent piece on earth. Terzo paradiso is a manifesto in the shape of a double-circle infinity symbol. The central sphere signifies renewal and hope, while the outer rings stand for nature and human industry. Olnick and Spanu quickly became supporters of Terzo paradiso once it was first proposed in 2003. Even though Magazzino had joined them in 2017, they hadn't gotten around to formally introducing him until now. The crew unearthed a number of rocks with identical one-meter diameters while excavating the foundation for the soon-to-be-completed building. Magazzino then learned that the location was once used as a mine. After all, "I knew we had to keep the rocks," Spanu admits. They were once employed in road construction, therefore their mission was to pave the way for a brighter future. The idea that we were digging to construct a new edifice resonated with me since it is central to Pistoletto's argument in Terzo paradiso. When they got enough rocks, they constructed the work on the side of a hill overlooking Magazzino so that passersby might take in the view from below. "The stones represent the natural, and the way they were discovered through human intervention and excavation represents the man-made," Spanu says. "Just as our new structure symbolizes a rebirth, so does the third circle of Terzo paradiso. However, the museum exhibits the origin story of how we arrived at this point with Pistoletto, proving that "there is no rebirth without a birth." This narrative runs throughout "Welcome to New York!" ... https://www.youtube.com/watch?v=W3Js2-3HhxQ

➡️ Read the full article here: https://bit.ly/3IhrOML Concern has been expressed over Indiana University's proposed $15 million sale. Funding for a new residence hall is coming from the sale of a painting by Georgia O'Keeffe. Art museum representatives and the university's former art department head have both spoken out against the proposed sale. In order to raise money for much-needed renovations, a small Indiana university has decided to sell some artwork, including a painting by Georgia O'Keeffe. Many in the academic and museum worlds are opposed to this plan. About 3,000 students at Valparaiso University, a private institution located 40 miles southeast of Chicago, announced this week that the university intends to sell Georgia O'Keeffe's 1930 painting Rust Red Hills to fund the renovation of first-year residence halls. According to The Torch, Valparaiso University could get as much as $15 million for the painting. Also up for grabs are Frederic Church's Mountain Landscape (circa 1849) and Childe Hassam's The Silver Vale and the Golden Gate (1914), each of which was estimated to be worth between $2 and $3.5 million before the university decided to sell them. The university's art museum, the Brauer Museum of Art, houses all three paintings. A residential complex would be built out of the current freshman dorms at the university. According to Valparaiso, this project will raise the school's budget and make life better for freshmen. The changes, as reported by The Torch, would bring amenities that students are looking for. We intend to finance this initiative in the same way we fund the rest of our strategic plan. We will examine assets and resources that aren't central to our educational mission and strategic plan and re-allocate them to help with the plan," university president José Padilla wrote in an email to the entire campus this week. Former Valparaiso art department head and museum founder Dick Brauer told the Chicago Tribune that he would remove his name from the building if a sale were to go through. Both he and John Ruff, a Valparaiso University English professor and senior research fellow, told the Tribune that selling the artwork would be illegal because of the trust that was used to acquire it. They also mentioned that the bylaws of the museum association prohibit using deaccession monies for anything other than the acquisition of new works for the collection and the upkeep of existing ones. The Torch reports that in October, Padilla received approval from Valparaiso's board of directors to sell the paintings, and that officials from Christie's and Sotheby's have visited the Brauer to inspect the pieces. In a statement issued on Thursday, February 9, the American Alliance of Museums (AAM), the Association of Art Museum Directors (AAMD), the Association of Academic Museums and Galleries (AAMG), and the Association of Art Museum Curators (AAMC) all condemned Valparaiso's plans to sell the three paintings. University art museums have a history of collecting, curating, and educating in a way that is as financially and ethically responsible as the world's most prestigious institutions, the organisations said in a statement. A university cannot use the fact that a campus museum is a component of the greater ecosystem of its parent educational institution as a justification for behaving unethically or for treating the museum's collections as expendable financial assets, even though they are a part of that ecosystem. In 2020, as museums struggled to maintain financial viability during lockdowns, the AAMD revised its deaccessioning policies in response to the Covid-19 conference. Two years ago, the organization declared it would not penalize museums that used art sale proceeds to "directly care for collections" rather than to fund new acquisitions. However, prominent deaccessions continued to infuriate the public during that time. In order to earn $65 million for things like employee pay rises and diversity programs, the Baltimore Museum of Art plans to auction three works, including an Andy Warhol, in October 2020. The museum's strategy at the time was in accordance with AAMD guidelines, but as the story spread, board members resigned and the industry pushed back. The artworks were pulled from the auction block only hours before it was scheduled to begin. Earlier this year, it was announced that the Museum of Fine Arts in Boston would sell two O'Keeffe paintings to fund future acquisitions. During the May auction at Christie's New York, Abiquiu Trees VII (1953) fetched $504,000 while A Sunflower from Maggie (1937) failed to sell. The Georgia O'Keeffe Museum in Santa Fe sold Jimson Weed/White Flower No. 1 (1932) at Sotheby's in May 2014. The $44.4 million it brought at auction is still a record for any female artist, and it was O'Keeffe's. Crystal Bridges Museum, founded by Walmart billionaire Alice Walton, purchased it. ... https://www.youtube.com/watch?v=DyD38f6X22c