Ramcharitmanas (Devanāgarī: श्रीरामचरितमानस, IAST: ŚrīRāmacaritamānasa), is an epic poem in Awadhi language, composed by the 16th-century Indian bhakti poet Goswami Tulsidas (c. 1532–1623). The word Ramcharitmanas literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people". Tulsidas (the Sanskrit name of Tulsidas can be transliterated in two ways. Using the IAST transliteration scheme, the name is written as Tulasīdāsa, as pronounced in Sanskrit. Using the Hunterian transliteration scheme, it is written as Tulsidas or Tulsīdās, as pronounced in Hindi). Tulsidas was a great scholar of Sanskrit. However, he wanted the story of Rama to be accessible to the general public, as many Apabhramsa languages had evolved from Sanskrit and at that time few people could understand Sanskrit. In order to make the story of Rama as accessible to the layman as to the scholar, Tulsidas chose to write in Hindi which was the language of general parlance in large parts of north India at the time. Tradition has it that Tulsidas had to face a lot of criticism from the Sanskrit scholars of Varanasi for being a bhasha (vernacular) poet. However, Tulsidas remained steadfast in his resolve to simplify the knowledge contained in the Vedas, the Upanishads and the Puranas to the common people. Subsequently, his work was accepted by all. Ramcharitmanas, made available the story of Rama to the common man to sing, meditate and perform on. The writing of Ramcharitmanas also heralded many a cultural tradition, most significantly that of the tradition of Ramlila, the dramatic enactment of the text. Ramcharitmanas is considered by many as a work belonging to the Saguna school of the Bhakti movement in Hindi literature. Religion Hinduism Author Tulsidas Language Awadhi Verses 10,902 Structure Scene Ramayana, Gupta art Ramcharitmanas consists of seven Kānds (literally "books" or "episodes", cognate with cantos). Tulsidas compared the seven Kāndas of the epic to seven steps leading into the holy waters of Lake Manasarovar "which purifies the body and the soul at once". The first two parts, Bāl Kāṇḍ (Childhood Episode) and Ayodhyā Kāṇḍ (Ayodhya Episode), make up more than half of the work. The other parts are Araṇya Kāṇḍ (Forest Episode), Kiśkindhā Kāṇḍ (Kishkindha Episode), Sundar Kāṇḍ (Pleasant Episode), Laṅkā Kāṇḍ (Lanka Episode), and Uttar Kāṇḍ (Later Episode). The work is primarily composed in the Chaupai metre (four-line quatrains), separated by the Doha metre (two-line couplets), with occasional Soratha and various Chhand metres. A Ramlila actor playing Ravana in traditional attire. Invocations At Beginning of Each Episode Every chapter of the Ramcharitmanas begins with an invocation or Mangalācharaņ. It is customary of the Indian tradition of writing that the author begins a new book with invocation to the Gods to ensure that the sankalpa is finished unhindered. The first three or four verses of each Kānd are typically in the form of invocations. Bāl Kāṇḍ begins with a hymn honouring the goddess Saraswati and the god Ganesha, the deities related to knowledge, wisdom, speech and auspiciousness.

Ramcharitmanas (Devanāgarī: श्रीरामचरितमानस, IAST: ŚrīRāmacaritamānasa), is an epic poem in Awadhi language, composed by the 16th-century Indian bhakti poet Goswami Tulsidas (c. 1532–1623). The word Ramcharitmanas literally means "Lake of the deeds of Rama". It is considered one of the greatest works of Hindu literature. The work has variously been acclaimed as "the living sum of Indian culture", "the tallest tree in the magic garden of medieval Indian poetry", "the greatest book of all devotional literature" and "the best and most trustworthy guide to the popular living faith of the Indian people". Tulsidas (the Sanskrit name of Tulsidas can be transliterated in two ways. Using the IAST transliteration scheme, the name is written as Tulasīdāsa, as pronounced in Sanskrit. Using the Hunterian transliteration scheme, it is written as Tulsidas or Tulsīdās, as pronounced in Hindi). Tulsidas was a great scholar of Sanskrit. However, he wanted the story of Rama to be accessible to the general public, as many Apabhramsa languages had evolved from Sanskrit and at that time few people could understand Sanskrit. In order to make the story of Rama as accessible to the layman as to the scholar, Tulsidas chose to write in Hindi which was the language of general parlance in large parts of north India at the time. Tradition has it that Tulsidas had to face a lot of criticism from the Sanskrit scholars of Varanasi for being a bhasha (vernacular) poet. However, Tulsidas remained steadfast in his resolve to simplify the knowledge contained in the Vedas, the Upanishads and the Puranas to the common people. Subsequently, his work was accepted by all. Ramcharitmanas, made available the story of Rama to the common man to sing, meditate and perform on. The writing of Ramcharitmanas also heralded many a cultural tradition, most significantly that of the tradition of Ramlila, the dramatic enactment of the text. Ramcharitmanas is considered by many as a work belonging to the Saguna school of the Bhakti movement in Hindi literature. Religion Hinduism Author Tulsidas Language Awadhi Verses 10,902 Structure Scene Ramayana, Gupta art Ramcharitmanas consists of seven Kānds (literally "books" or "episodes", cognate with cantos). Tulsidas compared the seven Kāndas of the epic to seven steps leading into the holy waters of Lake Manasarovar "which purifies the body and the soul at once". The first two parts, Bāl Kāṇḍ (Childhood Episode) and Ayodhyā Kāṇḍ (Ayodhya Episode), make up more than half of the work. The other parts are Araṇya Kāṇḍ (Forest Episode), Kiśkindhā Kāṇḍ (Kishkindha Episode), Sundar Kāṇḍ (Pleasant Episode), Laṅkā Kāṇḍ (Lanka Episode), and Uttar Kāṇḍ (Later Episode). The work is primarily composed in the Chaupai metre (four-line quatrains), separated by the Doha metre (two-line couplets), with occasional Soratha and various Chhand metres. A Ramlila actor playing Ravana in traditional attire. Invocations At Beginning of Each Episode Every chapter of the Ramcharitmanas begins with an invocation or Mangalācharaņ. It is customary of the Indian tradition of writing that the author begins a new book with invocation to the Gods to ensure that the sankalpa is finished unhindered. The first three or four verses of each Kānd are typically in the form of invocations. Bāl Kāṇḍ begins with a hymn honouring the goddess Saraswati and the god Ganesha, the deities related to knowledge, wisdom, speech and auspiciousness.

Moving the Chakras part 2