Author: Vanessa Roveto File Type: pdf Vanessa Rovetos debut collection, bodys, is a work of stunning strangeness, force, and audacity, generated byand degenerating towardthe unanswerable question at the heart of poetic speech What does it mean to be a person? A dizzying hybrid of poetry and prose, post-human analytics and ribaldry, spiritual autobiography, and grim satire, Roveto lends exacting voice to a most complicated vocabulary of feeling-your-feelings. Viscerally drawn to forbidden states and suspicious of its own desires, bodys is literature as high-risk, low-tech radiology, mapping the dim edges of identity and identification Brain scans indicated the moral center and the disgust center overlap on the mind field. Rovetos sentences hurtle forward with withering disjunctive energy, laying down traps of wordplay, tacking toward and veering away from syntactical targets, trying-on and sloughing-off pronoun positions with abandon. Yet for all its postmodern bravadoand irreverence, and frequent scary hilaritybodys remains abidingly attached to exploring the problem of a human speaker addressing itself to another, and colliding with its own otherness along the way. It is the same problemarticulation as disarticulationthat animates the great Renaissance sonnet sequences, from which bodys is affectionately, and perversely, descended. What is bodyswhat are bodysanyway? A dysfunction in the bodys ability to multiply itself? A dysmorphic take on the bodys sense of its reality? A dystopian vision of a world in which boundaries between selves and others have been overwhelmed by commerce, surveillance, medical technology, nihilistic agitprop? Last night one of the girls asked about the relationship between a body and nobody, Roveto writes. It was the beautiful question. **Review bodys is disturbed. Somewhere in its passage from cozy, imaginary singularity--a self-sufficient body, a body politic, a somebody--to the reality of its plural self, Rovetos body of work lands in an in-between, stateless state in language, free and delirious, bound and undisciplined. I asked to be taken to a rough place, Roveto writes. What else does she ask? For gods sake, pussy, when did you become conscious? bodys is a staggeringly audacious wake-up call to the numb soul. Not quite poetry or prose, cultural theory or pseudo-psychoanalytic case study or memoir, not merely a savagely funny satire of Im Scared culture or an erotically desolate musing on the possibility of love or rapture, bodys is a dystopian, dyscombobulating, sonorously dyscordant anatomy of shared dysaster. Its sensibility is ancient and futuristic. There isnt a boring or innocent sentence in the book. It is work of originating genius that puts the verse back in subversive, and bites the reader in the ass like no book I know.Mark Levine About the Author Vanessa Roveto is a writer living in the San Fernando Valley. This is her first book.
Author: Kazuo Ishiguro
File Type: epub
British writer Kazuo Ishiguro won the 1989 Booker Prize for The Remains of the Day, which sold over a million copies in English alone and was the basis of a film starring Anthony Hopkins. Now When We Were Orphans, his extraordinary fifth novel, has been called his fullest achievement yet (The New York Times Book Review) and placed him again on the Booker shortlist. A complex, intelligent, subtle and restrained psychological novel built along the lines of a detective story, it confirms Ishiguro as one of the most important writers in English today. Londons Sunday Times said You seldom read a novel that so convinces you it is extending the possibilities of fiction. The novel takes us to Shanghai in the late 1930s, with English detective Christopher Banks bent on solving the mystery that has plagued him all his life the disappearance of his parents when he was eight. By his own account, he is now a celebrated gentleman sleuth, the toast of London society. But as we learn, he is also a solitary figure, his career built on an obsession. Believing his parents may still be held captive, he longs to put right as an adult what he was powerless to change as a child, when he played at being Sherlock Holmes before both his parents vanished and he was sent to England to be raised by an aunt. Banks father was involved in the importation of opium, and solving the mystery means finding that his boyhood was not the innocent, enchanted world he has cherished in memory. The Shanghai he revisits is in the throes of the SinoJapanese war, an apocalyptic nightmare he sees the horror of the slums surrounding the international community in a dreamscape worthy of Borges (The Independent). We think that if we can only put something right that went a bit awry, then our lives would be healed and the world would be healed, says Ishiguro of the illusion under which his hero suffers. It becomes increasingly clear that Banks is not to be trusted as a narrator. The stiff, elegant voice grows more hysterical, his vision more feverish, as he comes closer to the truth. Like Ryder of The Unconsoled, Ishiguros previous novel, Banks is trapped in his boyhood fantasy, and he follows his obsession at the cost of personal happiness. Other characters appear as projections of his fears and desires. All Ishiguros novels concern themselves with the past, the consequences of denying it and the unreliability of memory. It is from Ishiguros own family history that the novel takes its setting. Though his family is Japanese, Ishiguros father was born in Shanghais international community in 1920 his grandfather was sent there to set up a Chinese branch of Toyota, then a textile company. My father has old pictures of the first Mr. Toyota driving his Rolls-Royce down the Bund. When the Japanese invaded in 1937, the fighting left the international commune a ghetto, and his family moved back to Nagasaki. When We Were Orphans raises the bar for the literary mystery. Though more complex than much of Ishiguros earlier work, which has led to mixed reactions, it was published internationally (his work has been published in 28 languages) and was a New York Times bestseller. **html
Author: Stewart P. Evans
File Type: epub
Bringing together the combined knowledge of two of the foremost experts on Jack the Ripper and the Whitechapel Murders, Jack the Ripper Scotland Yard Investigates is the most authoritative account of the case so far. Making full use of their background as police officers, Stewart P. Evans and Donald Rumbelow re-investigate every aspect of it from the point of view of the contemporary investigator. By so doing, they have been able to uncover links and clues that have remained hidden for more than a century, and to extend the investigation beyond the canonical five victims. Stripping away much of the speculation, guesswork and legend that has built up since 1888, Jack the Ripper Scotland Yard Investigates is a thorough re-investigation of one of historys greatest unsolved crimes, and is essential reading for anyone with an interest in the Ripper murders.**
Author: Minita Sanghvi
File Type: pdf
This book focuses on the unique challenges women in politics face in the United States based on their gender. It also focuses on issues of intersectionality in political marketing, including race, age, weight, sexual orientation, gender identity and gender expression. From a theoretical perspective, this book facilitates an investigation of the interplay of gender dynamics and power structures within political marketing. Focusing on women in the United States of both parties at various levels in politics, it examines both historical data and contemporary examples of female politicians and their campaigns. Using qualitative research methods and taking a feminist approach to data collection and analysis, this book features primary source interviews with 15 politicians, including a Governor, Senator, two Congresswomen, and several state and local legislators. It also incorporates interviews with 19 political consultants, PAC executives, aides, political party officials, and members of Media and Focus. **About the Author Minita Sanghviis Assistant Professor in the Management and Business Department at Skidmore College, USA, where she teaches marketing, gender and politics. Her work has been published in theJournal of Marketing Managementand theAdvances in Consumer Research. hr
Author: Jennie A. Kassanoff
File Type: pdf
Edith Wharton feared that the ill-bred, foreign and poor would overwhelm a native American elite. Drawing on a range of turn-of-the-century social documents, unpublished archival material and all of Whartons novels, Jennie A. Kassanoff argues that a more accurate picture of her appreciation of American culture and democracy develops through less engagement with these controversial views. She pursues her theme by documenting Whartons spirited participation in turn-of-the-century discourses ranging from euthanasia and tourism to pragmatism and Native Americans.ReviewKassanoff not only offers a penetrating look at cultural influences on Wharton and her novels, but also writes with eloquence and conviction. This relevant and unique book has much to offer. Essential. D.D. Knight, SUNY College at Cortland, CHOICEThis relevant and unique book has much to offer. Essential. Choice Book DescriptionEdith Wharton feared that the ill-bred, foreign and poor would overwhelm an American native elite. Drawing on a range of turn-of-the-century social documents, unpublished archival material and all of Whartons novels, Jennie A. Kassanoff argues that a fuller appreciation of American culture and democracy becomes available through a sustained engagement with these controversial views. She pursues her theme via Whartons spirited participation in a variety of turn-of-the-century discourses--from euthanasia and tourism to pragmatism and Native Americans--to produce a truly interdisciplinary study of this major American writer.
Author: Kevin Hillstrom
File Type: pdf
Europe, one of six titles in The Worlds Environments series, tackles the tough issues, the complex problems, and the political controversies surrounding the continents environmental past, its complicated present, and its uncertain future.Europe looks at the catastrophesin January 2000, a massive spill of cyanide and heavy metals from a gold mining operation in Romania destroyed all biological life in the Tisza, Hungarys second biggest river. The poisons traveled 1,000 kilometers through Hungary and Yugoslavia, where they wreaked havoc on the Danube. It also examines the progressEuropean society has shown a greater interest in renewable energy technologies than most other industrialized regions in the last 30 years. Serving as both a blueprint for the future, as well as a roadmap of the past, this book offers a gripping look at Europes ecological history.ReviewRecommended for large public libraries and academic libraries.ullulAmerican Reference Books Annualexcellent source for students needing materials for in-depth research.ullulSchool Library JournalBook DescriptionWhen it comes to the environment, Europe is a land of contrasts. The countries of the West have some of the most vigorous antipollution laws in the world while the countries of the East host some of the most ecologically devastated landscapes on the planet. What does the future hold for this ancient continents environment?
Author: Catherine Driscoll
File Type: pdf
A timely reassessment of the fraught relationship cultural studies has had with the term modernism amounting to a reevaluation of the place that both can occupy in discussions of cultural modernity, resting on a commonality or refrain of innovation, relativity, contingency, critique, and a pluralistic disciplinary methodology.--Peter Childs, University of Gloucestershire For many scholars, cultural studies is viewed as a product of postmodern criticism and as the antithesis of modernism. In this brilliant work, Catherine Driscoll argues persuasively that we must view what we call cultural studies as a direct continuation of the innovations and concerns of modernism and the modernists. In making her case, Driscoll provides a fresh take on arguments--some seemingly unresolvable--that pivot on modernisms desire for novelty. Defining modernity as a critical attitude rather than a time period, she describes the many things these ostensibly different fields of inquiry have in common and reveals why cultural studies must be viewed as a fundamentally modernist project. Casting a wide net across the shared interests of modernism and cultural studies, including cinema, fiction, fashion, art, and popular music, Driscoll explores such themes as love and work, adolescence and everyday life, the significance of the everyday, the popular as a field of power, and the importance of representation to identity and experience in modernity. Catherine Driscoll is chair of gender and cultural studies at the University of Sydney.
Author: Monica Gisolfi
File Type: pdf
Economists have described the upcountry Georgia poultry industry as the quintessential agribusiness. Following a trajectory from Reconstruction through the Great Depression to the present day, Monica R. Gisolfi shows how the poultry farming model of semivertical integration perfected a number of practices that had first underpinned the cotton-growing crop-lien system, ultimately transforming the poultry industry in ways that drove tens of thousands of farmers off the land and rendered those who remained dependent on large agribusiness firms. Gisolfi argues that the inequalities inherent in the structure of modern poultry farming have led to steep human and environmental costs. Agribusiness firmsmany of them descended from the cotton-era Souths furnishing merchantsbrought farmers into a system of feed-conversion contracts that placed all production decisions in the hands of the poultry corporations but at least half of the capital risks on the farmers. Along the way, the federal government aided and abettedsometimes unwittinglythe consolidation of power by poultry firms through direct and indirect subsidies and favorable policies. Drawing on USDA files, oral history, congressional records, and poultry publications, Gisolfi puts a local face on one of the twentieth centurys silent agribusiness revolutions. **