Joseph Morris: and the Saga of the Morrisites Revisited
Author: C. Leroy Anderson LeRoy Anderson in 1981 first published, under the title For Christ Will Come Tomorrow, his definitive study of a charismatic, millenarian prophet and the Church of Jesus Christ of the Most High. He told there of a Mormon posses 1862 attack on the Morrisite compound, killing Joseph Morris, and of the continuing Morrisite movement, which survived into the mid-twentieth century. In this newly revised edition, Anderson revisits his subject by referring to more recently discovered documents, considering other scholars continuing work on Morriss sect and related subjects, and examining a 1980s messianic sect that claimed a direct connection to the Morrisites. New documentary sources include a holograph History of George Morris, written by Joseph Morriss brother, which Anderson quotes at length. What was once a little-studied subject has since received attention from a number of scholars. Anderson references such current work on Mormon schismatic movements and broader subjects, much of which drew on his work. Perhaps the books most interesting and unintended influence was on that obscure 1980s messianic sect, in Montana, which learned of Morris through Joseph Morris and the Saga of the Morrisites.
Author: Harry W. Pfanz
The second day's fighting at Gettysburg--the assault of the Army of Northern Virginia against the Army of the Potomac on 2 July 1863--was probably the critical engagement of that decisive battle and, therefore, among the most significant actions of the Civil War.
Author: Jesse Adams Stein
Hot Metal focuses on the experience of Australian print-workers between the 1960s and 1980s, concentrating on labour, production, design and culture in the context of deindustrialisation.
Author: Ken Lamberton
I hole up in my own cozy cubicle and write, considering ways to make the approaching Thanksgiving holiday not just another day in this place. In prison, hope faces east; time is measured in wake-ups. Time of Grace is a remarkable book, written with great eloquence by a former science teacher who was incarcerated for twelve years for his sexual liaison with a teenage student. Far more than a prison memoir, it is an intimate and revealing look at relationshipswith fellow humans and with the surprising wildlife of the Sonoran Desert, both inside and beyond prison walls. Throughout, Ken Lamberton reflects on human relations as they mimic and defy those of the natural world, whose rhythms calibrate Lambertons days and years behind bars. He writes with candor about his life, while observing desert flora and fauna with the insight and enthusiasm of a professional naturalist. While he studies a tarantula digging her way out of the packed earth and observes Mexican freetail bats sailing into the evening sky, Lamberton ruminates on his crime and on the wrenching effects it has had on his wife and three daughters. He writes of his connections with his fellow inmatessome of whom he teaches in prison classesand with the guards who control them, sometimes with inexplicable cruelty. And he unflinchingly describes a prison system that has gone horribly wronga system entrapped in a self-created web of secrecy, fear, and lies. This is the final book of Lambertons trilogy about the twelve years he spent in prison. Readers of his earlier books will savor this last volume. Those who are only now discovering Lambertons distinctive voicepart poet, part scientist, part teacher, and always deeply, achingly humanwill feel as if they are making a new friend. Gripping, sobering, and beautifully written, Lambertons memoir is an unforgettable exploration of crime, punishment, and the power of the human spirit.
Author: John Hewitt
Charles Horton Cooley Award of the Society for the Study of Symbolic Interaction, 1990 According to Hewitt, the essence of modernity is tension between community and society. This ambitious, sophisticated, and well-written book is a tonic for those who weary of simplistic sermons on the condition of American culture. aChoice This book explores stability and change in American social character and identity, and offers a theory about what it means to be an individual within contemporary American society. Skeptical of the widely-accepted thesis that the self, at least in America, has drastically changed, John P. Hewitt assumes that there is more historical continuity and that the culture is filled with internal contradictions. Combining the insights of social psychology, with those of writers who have offered critiques of the larger society and its influences on the individual, he revises our understanding of the person in American society. Hewitt examines the theories of such authors as David Riesman, Allen Wheelis, Christopher Lasch, Erving Goffman, Carl Rogers, Ralph Turner, and others. He treats their emphasis on the decline of transformation of the self not as social theory to be tested, but as cultural text that reveals some of the main historical and contemporary features and fault lines of American culture. American culture is best characterized not as relentlessly individualistic or as lacking in the capacity to conceive of or discuss community, but as torn between individualism and communitarianism, thus creating serious felt difficulties of social adjustment and personal meaning. Proposing a symbolic interactionist theory of culture, Hewitt emphasizes inherent polarities of meaning and dilemmas of conduct that shape the experience of self: conformity versus rebellion, staying versus leaving, and dependence versus independence. He constructs a theory of identity that views personal identity and social identity as contending means for securing the continuity and integration of the self, and applies the theory to American society by depicting autonomous, exclusivist, and pragmatic strategies of self-construction. This theoretically sophisticated work is very ably organized and marked by superior scholarly and expository craftsmanship. It will be hailed, I believe, as an important contribution to symbolic interactionism and the sociology and social psychology of everyday life. Hewitt's treatment of self, identity, conformity, differentiation, community, and modernity is a fine example of creative scholarship. aCharles H. Page, University of Massachusetts (Emeritus) Hewitt has set himself the ambitious task of providing a symbolic interactionist analysis of culture, society, and self, and has succeeded admirably in the effort. I found his rich description of cultural types to be especially insightful. It is no exaggeration to characterize this book as a landmark work in the development of symbolic interactions. aMorris Rosenberg, University of Maryland-College Park
Author: Sau-ling Cynthia Wong
A recent explosion of publishing activity by a wide range of talented writers has placed Asian American literature in the limelight. As the field of Asian American literary studies gains increasing recognition, however, questions of misreading and appropriation inevitably arise. How is the growing body of Asian American works to be read? What holds them together to constitute a tradition? What distinguishes this tradition from the mainstream canon and other minority literatures? In the first comprehensive book on Asian American literature since Elaine Kim's ground-breaking 1982 volume, Sau-ling Wong addresses these issues and explores their implications for the multiculturalist agenda. Wong does so by establishing the intertextuality of Asian American literature through the study of four motifs--food and eating, the Doppelg,nger figure, mobility, and play--in their multiple sociohistorical contexts. Occurring across ethnic subgroup, gender, class, generational, and historical boundaries, these motifs resonate with each other in distinctly Asian American patterns that universalistic theories cannot uncover. Two rhetorical figures from Maxine Hong Kingston's The Woman Warrior, Necessity and Extravagance, further unify this original, wide-ranging investigation. Authors studied include Carlos Bulosan, Frank Chin, Ashley Sheun Dunn, David Henry Hwang, Lonny Kaneko, Maxine Hong Kingston, Joy Kogawa, David Wong Louie, Darrell Lum, Wing Tek Lum, Toshio Mori, Bharati Mukherjee, Fae Myenne Ng, Bienvenido Santos, Monica Sone, Amy Tan, Yoshiko Uchida, Shawn Wong, Hisaye Yamamoto, and Wakako Yamauchi.
Author: Marc Trachtenberg
What makes for war or for a stable international system? Are there general principles that should govern foreign policy? In The Cold War and After, Marc Trachtenberg, a leading historian of international relations, explores how historical work can throw light on these questions. The essays in this book deal with specific problems--with such matters as nuclear strategy and U.S.-European relations. But Trachtenberg's main goal is to show how in practice a certain type of scholarly work can be done. He demonstrates how, in studying international politics, the conceptual and empirical sides of the analysis can be made to connect with each other, and how historical, theoretical, and even policy issues can be tied together in an intellectually respectable way. These essays address a wide variety of topics, from theoretical and policy issues, such as the question of preventive war and the problem of international order, to more historical subjects--for example, American policy on Eastern Europe in 1945 and Franco-American relations during the Nixon-Pompidou period. But in each case the aim is to show how a theoretical perspective can be brought to bear on the analysis of historical issues, and how historical analysis can shed light on basic conceptual problems.
Author: M. Eleanor Nevins
Published through the Recovering Languages and Literacies of the Americas initiative, supported by the Andrew W. Mellon Foundation World-Making Stories is a collection of Maidu creation stories that will help readers appreciate Californias rich cultural tapestry. At the beginning of the twentieth century, renowned storyteller Hancibyjim (Tom Young) performed Maidu and Atsugewi stories for anthropologist Ronald B. Dixon, who published these stories in 1912.The resultingMaidu Texts presented the stories in numbered block texts that, while serving as a source of linguistic decoding, also reflect the state of anthropological linguistics of the era by not conveying a sense of rhetorical or poetic composition.Sixty years later, noted linguist William Shipley engaged the texts as oral literature and composed a free verse literary translation, which he paired with the artwork of Daniel Stolpe and published in a limited-edition four-volume set that circulated primarily to libraries and private collectors. Here M. Eleanor Nevins and theWeje-ebis (Keep Speaking) Jamani Maidu Language Revitalization Project team illuminate these important tales in a new way by restoring Maidu elements omitted by William Shipley and by bending the translation to more closely correspond in poetic form to the Maidu original.The beautifully told stories by Hancibyjim are accompanied by Stolpes intricate illustrations and by personal and pedagogical essays from scholars and Maidu leaders working to revitalize the language.The resulting World-Making Stories is a necessity for language revitalization programs and an excellentmodel of indigenous community-university collaboration.