Author: Suping Lu File Type: pdf On December 13, 1937, Japanese troops captured Chinas former capital, Nanjing. The events that followed became known as the Rape of Nanking, or the Nanjing Massacre, which, with its magnitude and brutality, shocked the civilized world. Mass executions, rampant raping, wholesale looting, and widespread burning went on for weeks. After the worst of the atrocities was over, three American diplomats were allowed to return to the fallen city on January 6, 1938. Three days later, British Consul Humphrey Ingelram Prideaux-Brune, Military Attache William Alexander Lovat-Fraser, and Air Attache J. S. Walser, along with German diplomats, arrived in Nanjing on the HMS Cricket to reopen the British Embassy. The British diplomats continuously sent out dispatches reporting local conditions before and after their arrival. These documents form a consistent and reliable record of the massacre, its aftermath, and the general social conditions in the months that followed. This book contains a collection of British diplomatic documents, Royal Navy reports of proceedings, and US naval intelligence reports. A Dark Page in History examines these newly unearthed documents that enhance our knowledge and understanding of the scope and depth of the tragedy in Nanjing. **Review Lusprimary documents are a treasure trove for researchers. Furthermore, he is right to argue that the Japanese committed their worst massacres outside the walled city, beyond the view of Westerners. (Chinese Review International) About the Author Suping Lu is a professor at the University of Nebraska-Lincoln. He is the author of They Were in Nanjing The Nanjing Massacre Witnessed by American and British Nationals (2004), and the editor of Terror in Minnie Vautrins Nanjing Diaries and Correspondence, 1937-38 (2008), and A Mission under Duress The Nanjing Massacre and Post-Massacre Social Conditions Documented by American Diplomats (2010).

Author: Yassir Morsi File Type: pdf Radical Skin, Moderate Masks explores a voice trapped by the War on Terror. How can a Muslim speak about politics? And, in what tone can they argue? In todays climate can they talk back without being defined as a moderate or radical? And, what do the conditions put on their political choices reveal about liberalism and its deep and historical relationship with racism? This timely work looks at ongoing debates and how they call for Muslims to engage in a de-radicalisation of their voice and identities. The author takes his lessons from Fanon and uses them to make sense of his many readings of Saids Orientalism. He reflects on the personal and scholarly difficulty of writing this very book. An autoethnography follows. It shows (rather than tells of) the felt demand to use a pleasing Apollonian liberalism. This approved language, however, erases a Muslims ability to talk about the Dionysian more Asiatic parts of their faith and politics.**Review Look, a Muslim! Thus Yassir Morsi brilliantly recasts Franz Fanon (and Edward Said), offering in Radical Skin, Moderate Masks a dense, searching and daring piece of writing. This remarkable auto-ethnography takes upon itself the impossible task of correcting the ugly image of a violent Islam. Without illusions and without cynicism, Morsi confronts the image. He scrutinizes the voices and faces, the gestures and the dress, the masks and the contortions of those called upon to speak, respond, reassure and assuage, disprove, condemn, apologize, vanish, affirm, confirm, defend, figure and disfigure themselves and others in the media or in the museum, in public or in private, in books and in performances. This is an urgent and welcoming book, a powerful and exemplary iteration of the imperative to know thyself. (Gil Anidjar, Professor in the Departments of Religion, the Department of Middle Eastern, South Asian, and African Studies (MESAAS), and the Institute for Comparative Literature and Society (ICLS), Columbia University) Morsi brings a unique voice to contemporary international debates around Islamophobia and politics. In a refreshing approach, Radical Skin, Moderate Masks traces at the core of Western society two opposing forces (Apollonian and Dionysian) that guide how Islamophobia shapes the political present and Muslim subjectivity. Through a series of fragmentary reflections, Morsi assembles cultural scenes, events and texts into a powerful meditation on how the post-racial is intimately tied to the present condition of Muslims. (Gilbert Caluya, Lecturer in Cultural Studies, University of Melbourne) Radical Skin, Moderate Masks is an incisive analysis of how the War on Terror produces the Muslim as radical Other, then summons Muslims in the West to prove themselves otherwise an impossible demand. It is equally an unflinching portrayal of the moderates who must live in that trap. Sparing no-one, not even himself, Morsis book is a ferocious, lyrical, no-holds-barred auto-ethnography in the finest Fanonian tradition. (Mayanthi L. Fernando, Associate Professor of Anthropology, University of California, Santa Cruz) Whilst my journey to remove my moderate mask and reveal my radical skin to liberate myself from the claws of structural racism, Islamophobia, and whiteness only began properly in mid-2015, what Morsis book has done is empowered and inspired me to increase the speed with which I travel. This sense of empowerment and inspiration it therefore gives the reader makes Radical Skin, Moderate Masks a book that will remain relevant and relatable for Muslims and people of colour for many years to come. ( Ethnic and Racial Studies ) About the Author Yassir Morsi lectures in Politics and Philosophy at La Trobe University, Australia. He is a regular contributor to The Guardian.