Night of the Living Dead (1968) | George A. Romero | Judith O'Dea, Duane Jones, Marilyn Eastman, Karl Hardman, Judith Ridley, Keith Wayne
Night of the Living Dead is a 1968 American independent horror film written, directed, photographed and edited by George A. Romero, co-written by John Russo, and starring Duane Jones and Judith O'Dea. The story follows seven people who are trapped in a rural farmhouse in western Pennsylvania, which is under assault by an enlarging group of cannibalistic, undead ghouls.
Having gained experience through directing television commercials and industrial films for their Pittsburgh-based production company The Latent Image, Romero and his friends Russo and Russell Streiner decided to fulfill their ambitions to make a feature film. Electing to make a horror film that would capitalize on contemporary commercial interest in the genre, they formed a partnership with Karl Hardman and Marilyn Eastman of Hardman Associates called Image Ten. After evolving through multiple drafts, Russo and Romero's final script primarily drew influence from Richard Matheson's 1954 novel I Am Legend. Principal photography took place between June and December 1967, primarily on location in Evans City; aside from the Image Ten team themselves, the cast and crew consisted of their friends and relatives, local stage and amateur actors, and residents from the area. Although the film was his directorial debut, Romero utilized many of the guerrilla filmmaking techniques he had honed in his commercial and industrial work to complete the film on a budget of US$114,000.
The Cabinet of Dr. Caligari (German: Das Cabinet des Dr. Caligari) is a 1920 German silent horror film, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. Considered the quintessential work of German Expressionist cinema, it tells the story of an insane hypnotist (Werner Krauss) who uses a somnambulist (Conrad Veidt) to commit murders. The film features a dark and twisted visual style, with sharp-pointed forms, oblique and curving lines, structures and landscapes that lean and twist in unusual angles, and shadows and streaks of light painted directly onto the sets.
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Werner Krauss as Dr. Caligari
Conrad Veidt as Cesare
Friedrich Fehér as Francis
Lil Dagover as Jane
Hans Heinz v. Twardowski as Alan
Rudolf Lettinger as Dr. Olsen
Reefer Madness (originally made as Tell Your Children and sometimes titled as The Burning Question, Dope Addict, Doped Youth, and Love Madness) is a 1936 American propaganda film about drugs revolving around the melodramatic events that ensue when high school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, conspiracy to murder, attempted rape, hallucinations, and descent into madness from marijuana addiction. The film was directed by Louis J. Gasnier and featured a cast of mainly little-known actors.
Originally financed by a church group under the title Tell Your Children, the film was intended to be shown to parents as a morality tale attempting to teach them about the dangers of cannabis use. It is notable for being one of the few times in Hollywood where the generation gap between the Lost Generation and the Greatest Generation is portrayed. Soon after the film was shot, it was purchased by producer Dwain Esper, who re-cut the film for distribution on the exploitation film circuit, exploiting vulgar interest while escaping censorship under the guise of moral guidance, beginning in 1938–1939 through the 1940s and 1950s.
The film was "rediscovered" in the early 1970s and gained new life as an unintentional satire among advocates of cannabis policy reform. Critics have called it one of the worst films ever made. Today, it is in the public domain in the United States.
The Immigrant is a 1917 American silent romantic comedy short. The film stars Charlie Chaplin's Tramp character as an immigrant coming to the United States who is accused of theft on the voyage across the Atlantic Ocean and falls in love with a beautiful young woman along the way. It also stars Edna Purviance and Eric Campbell. The movie was written and directed by Chaplin.
According to Kevin Brownlow and David Gill's documentary series Unknown Chaplin, the first scenes to be written and filmed take place in what became the movie's second half, in which the penniless Tramp finds a coin and goes for a meal in a restaurant, not realizing that the coin has fallen out of his pocket. It was not until later that Chaplin's Tramp was penniless because he had just arrived on a boat from Europe and used this notion as the basis for the first half. Purviance reportedly was required to eat so many plates of beans during the many takes to complete the restaurant sequence (in character as another immigrant who falls in love with Charlie) that she became physically ill.
The scene in which Chaplin's character kicks an immigration officer was cited later as evidence of his anti-Americanism when he was forced to leave the United States in 1952. In 1998, The Immigrant was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."
The Boy is the hedonistic son of wealthy eastern parents. One night when he returns home at 2 a.m. from a night of carousing at a dance hall, The Boy's strait-laced father sends him packing to his uncle's ranch in a small western community called Piute Pass. Upon arriving there, The Boy becomes smitten with a local girl. She and her father are seeking work from the villainous Tiger Lip Tompkins who owns half the town and terrorizes its people. He has lecherous plans for The Girl. When she rejects Tompkins' advances, Tompkins holds The Girl's father hostage in an upstairs room in a local saloon. The Boy frees The Girl's father and is hotly pursued by a large posse of Tompkins' white-hood clad hirelings who intend to run him out of the state. Using a number of evasive ploys, The Boy eludes the posse and escapes with The Girl. The film ends with The Boy drawing an engagement ring on The Girl's finger to signify his romantic intentions.
Voyage to the Planet of Prehistoric Women is a 1968 American science fiction film, one of two which were adapted from the 1962 Soviet SF film Planeta Bur (Planet of Storms) for Roger Corman. The original film was scripted by Alexander Kazantsev from his novel and directed by Pavel Klushantsev; the adaptation was made by Peter Bogdanovich, who chose not to have his name credited on the film prints, and included American-made principal scenes starring Mamie Van Doren. The film apparently had at least a limited American release through American-International Pictures Inc., but is best known from subsequent cable TV showings and home video sales.
The Outlaw and His Wife (Swedish: Berg-Ejvind och hans hustru) is a 1918 Swedish silent film directed by Victor Sjöström, based on a play from 1911 by Jóhann Sigurjónsson. It tells the story of Eyvind of the Hills, an 18th-century Icelandic outlaw. The film was groundbreaking for its portrayal of wild nature. It was shot in two sessions in the spring and late summer 1917, with Åre and Abisko in northern Sweden acting as the highlands of Iceland.
A stranger who calls himself Kári comes to a farm in the north country. He hires on as a laborer, and the widowed farm owner Halla becomes infatuated with him. The local bailiff, who wants to marry Halla, becomes jealous of Kári. Another man tells the bailiff that Kári is in fact a thief and fugitive escapee named Eyvind. Kári at first denies being Eyvind and then defeats the bailiff in a wrestling contest as measure of his sincerity. However, when Halla proposes marriage, he confesses the truth of what happened in his earlier impoverished life as Eyvind.
The Little Shop of Horrors is a 1960 American horror comedy film directed by Roger Corman. Written by Charles B. Griffith, the film is a farce about an inadequate florist's assistant who cultivates a plant that feeds on human blood. The film's concept is thought to be based on "Green Thoughts," a 1932 story by John Collier about a man-eating plant. Dennis McDougal suggests that Griffith may have been influenced by Arthur C. Clarke's 1956 sci-fi short story "The Reluctant Orchid" (which was in turn inspired by the 1905 H. G. Wells story "The Flowering of the Strange Orchid").
The film stars Jonathan Haze, Jackie Joseph, Mel Welles, and Dick Miller, who had all worked for Corman on previous films. Produced under the title The Passionate People Eater, the film employs an original style of humor, combining black comedy with farce and incorporating Jewish humor and elements of spoof. The Little Shop of Horrors was shot on a budget of $28,000 (about $240,000 in 2019), with interiors being shot in two days utilizing sets that had been left standing from A Bucket of Blood.
The film slowly gained a cult following through word of mouth when it was distributed as the B movie in a double feature with Mario Bava's Black Sunday and later with Last Woman on Earth. The film's popularity increased with local television broadcasts, and the presence of a young Jack Nicholson, whose small role in the film has been prominently promoted on home video releases of the film. The film was the basis for an Off-Broadway musical, Little Shop of Horrors, which was notably made into a 1986 feature film and enjoyed a 2003 Broadway revival, all of which have attracted attention to the 1960 film.
The Cook is a 1918 American two-reel silent comedy film written by, directed by, and starring Roscoe "Fatty" Arbuckle and featuring Buster Keaton and Al St. John. The movie is a slapstick comedy and focuses on goings-on at a high-end restaurant with Arbuckle as the Cook and Keaton as the Waiter.
The film is notable for a scene spoofing the 1918 Theda Bara film Salomé, with Arbuckle dancing around with a length of sausage links and pots and pans. It also contains many of Arbuckle's favorite food gags and some well-received work by Keaton. It was filmed at The Pike and the Balboa Amusement Producing Company.
Gulliver's Travels is a 1939 American cel-animated Technicolor musical feature film produced by Max Fleischer and directed by Dave Fleischer for Fleischer Studios. Released to cinemas in the United States on December 22, 1939 by Paramount Pictures, the story is a very loose adaptation of Jonathan Swift's 1726 novel of the same name, specifically the first part which tells the story of Lilliput and Blefuscu, and centers around an explorer who helps a small kingdom who declared war after an argument over a wedding song. The film was the Fleischer Studios' first feature-length animated film, as well as the second animated feature film produced by an American studio after Walt Disney Productions' Snow White and the Seven Dwarfs, as Paramount had commissioned the feature in response to the success of that film. The sequences for the film were directed by Seymour Kneitel, Willard Bowsky, Tom Palmer, Grim Natwick, William Henning, Roland Crandall, Thomas Johnson, Robert Leffingwell, Frank Kelling, Winfield Hoskins, and Orestes Calpini.