【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Rachmaninoff 10 Preludes Op.23 No.10 23-10 Largo in G flat major 拉哈曼尼諾夫 拉赫曼尼諾夫 10首 前奏曲 作品23 拉哈曼尼诺夫 拉赫曼尼诺夫 10首 前奏曲 作品23 Rajmáninov Los Diez preludios Op.23 ラフマニノフ 10の 前奏曲 作品23 piano 鋼琴 钢琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐 #Rachmaninoff #Prelude #前奏曲 Rachmaninoff 10 Preludes Op.23 No.1 23-1 Largo in F sharp minor No.2 23-2 Maestoso in B flat major No.3 23-3 Tempo di minuetto in D minor No.4 23-4 Andante cantabile in D major No.5 23-5 Alla marcia in G minor No.6 23-6 Andante in E flat major No.7 23-7 Allegro in C minor No.8 23-8 Allegro vivace in A flat major No.9 23-9 Presto in E flat minor No.10 23-10 Largo in G flat major Ten Preludes, Op. 23, is a set of ten preludes for solo piano, composed by Sergei Rachmaninoff in 1901 and 1903. This set includes the famous Prelude in G minor. Together with the minor, Op. 3/2 and the 13 Preludes, Op. 32, this set is part of a full suite of 24 preludes in all the major and minor keys. Op. 23 is composed of ten preludes, ranging from two to five minutes in length. Combined, the pieces take around thirty minutes to perform. Rachmaninoff completed Prelude No. 5 in 1901. The remaining preludes were completed after Rachmaninoff's marriage to his cousin Natalia Satina: Nos. 1, 4, and 10 premiered in Moscow on February 10, 1903, and the remaining seven were completed soon thereafter. 1900–1903 were difficult years for Rachmaninoff and his motivation for writing the Preludes was predominantly financial. Rachmaninoff composed the works in the Hotel America, financially dependent on his cousin Alexander Siloti, to whom the Preludes are dedicated. Rachmaninoff's Ten Preludes abandon the traditional short prelude form delineated by composers such as Bach, Scriabin, and Chopin. Unlike Chopin's set, some half-page musical fragments, Rachmaninoff's Ten Preludes last for several minutes each, expanding into complex polyphonic forms with musically independent sections. The pieces perhaps represent a culmination of the Romantic idiom. The set reflects Rachmaninoff's experience as a virtuoso pianist and master composer, testing the "...technical, tonal, harmonic, rhythmic, lyrical, and percussive capabilities of the piano." The popular minor, Op. 3, No. 2 perhaps unfairly eclipses the Op. 23 Preludes. Rachmaninoff remarked, "...I think the Preludes of Op. 23 are far better music than my first Prelude, but the public has shown no disposition to share in my belief...." The composer never played all of the Preludes in one sitting, preferring to cycle through a rotating mix of his favorites. Nonetheless, certain characteristics of the work, such as the recurrence of stepwise motion, common chords between adjacent preludes, and the bookended relationship between the first and last preludes (both marked Largo, with the latter in the parallel major of the former) suggest that the works could be played as a set. Together with Op. 32 and Op. 3, Rachmaninoff's Preludes represent all twenty-four major and minor keys. From a performance standpoint, the ten Op. 23 Preludes exhibit wide variations in difficulty. Nos. 1, 4, 5, and 10 are conceivably in reach of the "advanced-intermediate" pianist, while the endurance and dexterity demanded by nos. 2, 3, 6, 7, 8, and – above all – 9, require more advanced skill. Nonetheless, even the "easier" preludes present subtle interpretive challenges in counterpoint, dynamic control, and timing, putting true mastery of the pieces out of reach to all but those with virtuosic skill. ... https://www.youtube.com/watch?v=UqHsQ5Re29M

#claviersouris 【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Bach Well-Tempered Clavier BWV846-869 No. 19: Prelude and Fugue in A major, BWV 864 巴哈 十二平均律 鍵盤曲集 巴哈 十二平均律 键盘曲集 Bach El clave bien temperado バッハ 平均律 クラヴィーア曲集 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Bach #Well-Tempered #Clavier 00:00 Prelude 01:12 Fugue Book I No. 1: Prelude and Fugue in C major, BWV 846 No. 2: Prelude and Fugue in C minor, BWV 847 No. 3: Prelude and Fugue in C♯ major, BWV 848 No. 4: Prelude and Fugue in C♯ minor, BWV 849 No. 5: Prelude and Fugue in D major, BWV 850 No. 6: Prelude and Fugue in D minor, BWV 851 No. 7: Prelude and Fugue in E♭ major, BWV 852 No. 8: Prelude in E♭ minor and Fugue in D♯ minor, BWV 853 No. 9: Prelude and Fugue in E major, BWV 854 No. 10: Prelude and Fugue in E minor, BWV 855 No. 11: Prelude and Fugue in F major, BWV 856 No. 12: Prelude and Fugue in F minor, BWV 857 No. 13: Prelude and Fugue in F♯ major, BWV 858 No. 14: Prelude and Fugue in F♯ minor, BWV 859 No. 15: Prelude and Fugue in G major, BWV 860 No. 16: Prelude and Fugue in G minor, BWV 861 No. 17: Prelude and Fugue in A♭ major, BWV 862 No. 18: Prelude and Fugue in G♯ minor, BWV 863 No. 19: Prelude and Fugue in A major, BWV 864 No. 20: Prelude and Fugue in A minor, BWV 865 No. 21: Prelude and Fugue in B♭ major, BWV 866 No. 22: Prelude and Fugue in B♭ minor, BWV 867 No. 23: Prelude and Fugue in B major, BWV 868 No. 24: Prelude and Fugue in B minor, BWV 869 Book II No. 1: Prelude and Fugue in C major, BWV 870 No. 2: Prelude and Fugue in C minor, BWV 871 No. 3: Prelude and Fugue in C♯ major, BWV 872 No. 4: Prelude and Fugue in C♯ minor, BWV 873 No. 5: Prelude and Fugue in D major, BWV 874 No. 6: Prelude and Fugue in D minor, BWV 875 No. 7: Prelude and Fugue in E♭ major, BWV 876 No. 8: Prelude and Fugue in D♯ minor, BWV 877 No. 9: Prelude and Fugue in E major, BWV 878 No. 10: Prelude and Fugue in E minor, BWV 879 No. 11: Prelude and Fugue in F major, BWV 880 No. 12: Prelude and Fugue in F minor, BWV 881 No. 13: Prelude and Fugue in F♯ major, BWV 882 No. 14: Prelude and Fugue in F♯ minor, BWV 883 No. 15: Prelude and Fugue in G major, BWV 884 No. 16: Prelude and Fugue in G minor, BWV 885 No. 17: Prelude and Fugue in A♭ major, BWV 886 No. 18: Prelude and Fugue in G♯ minor, BWV 887 No. 19: Prelude and Fugue in A major, BWV 888 No. 20: Prelude and Fugue in A minor, BWV 889 No. 21: Prelude and Fugue in B♭ major, BWV 890 No. 22: Prelude and Fugue in B♭ minor, BWV 891 No. 23: Prelude and Fugue in B major, BWV 892 No. 24: Prelude and Fugue in B minor, BWV 893 《平均律鍵盤曲集》(Das Wohltemperierte Klavier)，作品號BWV 846–893，是一組由約翰·塞巴斯蒂安·巴赫為鍵盤獨奏樂器而創作的音樂。最初，巴赫於1722年創作了一組在全部二十四個大小調上的前奏曲與賦格，標題上寫著「為使好學的音樂青年從中獲益，特別是供熟悉此類技巧的人消遣」。巴赫後來於1742年又創作了同樣形式的第二組樂曲，但標題僅為「二十四首前奏曲與賦格」。現在，這兩組作品通常作為第一卷和第二卷被合稱作「平均律鍵盤曲集」。《平均律鍵盤曲集》被廣泛看作是西方古典音樂歷史上最具影響力的作品之一。 * Note: 1. There are 24 pieces in both Book I & 2, totaling 48 pieces. (BWV846-893). 2. Each of the 24 pieces is in a different key. 3. Each piece consists of a prelude & a fugue. The Well-Tempered Clavier, BWV 846–893, is two sets of preludes and fugues in all 24 major and minor keys for keyboard by Johann Sebastian Bach. In the composer's time clavier, meaning keyboard, referred to a variety of instruments, most typically the harpsichord or clavichord but not excluding the organ. The modern German spelling for the collection is Das wohltemperierte Klavier . Bach gave the title Das Wohltemperirte Clavier to a book of preludes and fugues in all 24 keys, major and minor, dated 1722, composed "for the profit and use of musical youth desirous of learning, and especially for the pastime of those already skilled in this study". Some 20 years later Bach compiled a second book of the same kind, which became known as The Well-Tempered Clavier, Part Two. Modern editions usually refer to both parts as The Well-Tempered Clavier, Book I (WTC I) and The Well-Tempered Clavier, Book II (WTC II), respectively. Some modern sources regard the collection as being among the most important works in the history of classical music. Each set contains twenty-four pairs of prelude and fugue. The first pair is in C major, the second in C minor, the third in major, the fourth in minor, and so on. The rising chromatic pattern continues until every key has been represented, finishing with a B minor fugue. The first set was compiled in 1722 during Bach's appointment in Köthen; the second followed 20 years later in 1742 while he was in Leipzig. ... https://www.youtube.com/watch?v=wXB6sHneQKk

【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Schubert Winterreise D911 Op.89 No.2 911-2 Die Wetterfahne The Weathervane 風向標 La veleta 風見の旗 舒伯特 冬之旅 作品911 Schubert Viaje de invierno シューマン 冬の旅 Song Cycle 歌曲集 ciclo de lieder 連作歌曲集 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Schubert #Winterreise Winterreise (Winter Journey) is a song cycle for voice and piano by Franz Schubert (D. 911, published as Op. 89 in 1828), a setting of 24 poems by Wilhelm Müller. It is the second of Schubert's two song cycles on Müller's poems, the earlier being Die schöne Müllerin (D. 795, Op. 25, 1823). Both were originally written for tenor voice but are frequently transposed to other vocal ranges, a precedent set by Schubert himself. The two works pose interpretative demands on listeners and performers due to their scale and structural coherence. Although Ludwig van Beethoven's cycle An die ferne Geliebte (To the Distant Beloved) was published earlier, in 1816, Schubert's cycles hold the foremost place in the genre's history. "Die Wetterfahne" ("The Weathervane"): The weathervane on her house creaks in the shifting winds, mocking him and showing the inconstant hearts inside. "What do they care about my suffering? Their child is a wealthy bride!" 24 songs (Op.89): No.1 911-1 Gute Nacht Good Night 晚安 Buenas noches おやすみ No.2 911-2 Die Wetterfahne The Weathervane 風向標 La veleta 風見の旗 No.3 911-3 Gefrorne Tränen Frozen Tears 冰結之淚 Lágrimas heladas 凍った涙 No.4 911-4 Erstarrung Frozen 心死 Entumecimiento 氷結 No.5 911-5 Der Lindenbaum The Linden Tree 菩提樹 El tilo 菩提樹 No.6 911-6 Wasserflut Flood 洪流Torrente 溢れる涙 No.7 911-7 Auf dem Flusse On the Stream 河上 En el arroyo 川の上で No.8 911-8 Rückblick Backwards Glance 回望 Mirada atrás 回想 No.9 911-9 Irrlicht Will o' the Wisp 鬼火 Fuego fatuo 鬼火 No.10 911-10 Rast Rest 休憩 Descanso 休息 No.11 911-11 Frühlingstraum Dream of Spring 春夢 ueño de primavera 春の夢 No.12 911-12 Einsamkeit Loneliness 孤寂 Soledad 孤独 No.13 911-13 Die Post The Post 郵差 La diligencia correo 郵便馬車 No.14 911-14 Der greise Kopf The Gray Head 白首 La cabeza cana 霜おく頭 No.15 911-15 Die Krähe The Crow 烏鴉 La corneja 烏 No.16 911-16 Letzte Hoffnung Last Hope 最後的希望 Última esperanza 最後の希望 No.17 911-17 Im Dorfe In the Village 村中 En el pueblo 村にて No.18 911-18 Der stürmische Morgen The Stormy Morning 風雪之晨 Mañana tormentosa 嵐の朝 No.19 911-19 Täuschung Deception 幻象 Engaño まぼろし No.20 911-20 Der Wegweiser The Signpost 路標 El poste 道しるべ No.21 911-21 Das Wirtshaus The Inn 客棧 La posada 宿屋 No.22 911-22 Mut Have Courage! 勇氣 Valor 勇気 No.23 911-23 Die Nebensonnen The Sun Dogs 幻日 El Parhelio 幻の太陽 No.24 911-24 Der Leiermann The Hurdy-Gurdy Man 風琴奏者 El organillero 辻音楽師 ... https://www.youtube.com/watch?v=Bhv6p4fD_nk

【Kero MyPlay Saxophone】 望你早歸 楊三郎 那卡諾 紀露霞 台語 老歌 台语 望你早归 杨三郎 那卡诺 纪露霞 Saxophone 薩克斯風 サクソフォーン Saxofón Play-Along accompaniment #薩克斯風 #望你早歸 #楊三郎 原曲 https://www.youtube.com/watch?v=silCjEvHPec&ab_channel=%E7%8E%8B%E5%BF%97%E5%B9%B3 ----- 望你早歸 每日思念你一人　未得通相見 親像鴛鴦水鴨不時相隨　無疑會來拆分開 牛郎織女伊兩人　每年有相會 怎樣你若一去全然無回　放棄阮孤單一個 若是黃昏月亮欲出來的時　加添阮心內悲哀 你要和阮離開那一日　也是月要出來的時 阮只好來拜託月亮　替阮講乎伊知 講阮暝日悲傷流目屎　希望你早一日回來 《望你早歸》為臺灣戰後一首十分知名的臺語歌曲，由楊三郎作曲、那卡諾作詞，原唱者為紀露霞。其曲調悲情哀傷，婉轉動人，歌詞是一個女子向月亮祈求心上人由遠方歸來，並以牛郎織女自比，當時為1946年臺灣光復之際，被解讀為是臺灣人期待因二次大戰滯留海外的臺籍日本兵早日卸甲歸田平安回來的心境。 在1980年代美麗島事件後，美麗島政治受難者被捕入獄，家屬紛紛參與選舉，〈望你早歸〉則更因被使用在競選活動中，廣為傳唱。本曲在臺灣戒嚴與白色恐怖時期，與《補破網》、《望春風》、《黃昏的故鄉》、《媽媽請你也保重》並列臺獨及黨外勢力的五大名曲。 臺灣民主化後，依然膾炙人口，諸如鄧麗君、江蕙、江淑娜、鳳飛飛、余天、洪榮宏、孫淑媚、秀蘭瑪雅等知名歌手重新詮釋，是臺語流行歌曲的經典之作，與《補破網》、《杯底不通飼金魚》、《燒肉粽》，被稱為臺灣戰後四大名曲。 《望你早歸》 在不同時期的臺灣被賦予不同意義。創作的1946年，雖然先前日本投降，二次大戰已結束，但還有許多臺籍日本兵還在海外，尚未被遣返，這首歌被視為等待想念的人而唱的歌曲。 白色恐怖時期，許多出身政治受難者家庭的黨外運動人士如蘇治芬等人，時常演唱〈望你早歸〉。 1979年，邱垂貞與呂秀蓮、林二挑選出12首臺灣歌謠於1979年12月8日錄製專輯《臺灣的歌》，其中包含〈望你早歸〉。《臺灣的歌》於兩天後的12月10日高雄「人權之夜」遊行活動現場販賣，蘇治芬也現場演唱〈望你早歸〉。此後《臺灣的歌》演唱者被中華民國政府通緝，邱垂貞向警備總部投案後以「美麗島康樂幹事」的頭銜判刑5年。 美麗島事件之後，許多黨外運動人士被捕入獄。其中周清玉因丈夫姚嘉文身陷囹圄，於隔年競選國大代表，以本曲作為競選的宣傳歌曲。 林宅血案發生後，稚女與婆婆枉死的方素敏參選增額立委，就在自辦政見會上獨唱本曲，期待獄中的夫婿林義雄能平安回家，終獲高票當選，造就了「方素敏旋風」，而這 ... https://www.youtube.com/watch?v=6x2CtNzEAvs