Devotions and Desires: Histories of Sexuality and Religion in the Twentieth-Century United States
Author: Gillian Frank File Type: pdf At a moment when freedom of religion rhetoric fuels public debate, it is easy to assume that sex and religion have faced each other in pitched battle throughout modern U.S. history. Yet, by tracking the nations changing religious and sexual landscapes over the twentieth century, this book challenges that zero-sum account of sexuality locked in a struggle with religion. It shows that religion played a central role in the history of sexuality in the United States, shaping sexual politics, communities, and identities. At the same time, sexuality has left lipstick traces on American religious history. From polyamory to pornography, from birth control to the AIDS epidemic, this book follows religious faiths and practices across a range of sacred spaces rabbinical seminaries, African American missions, Catholic schools, pagan communes, the YWCA, and much more. What emerges is the shared story of religion and sexuality and how both became wedded to American culture and politics. The volume, framed by a provocative introduction by Gillian Frank, Bethany Moreton, and Heather R. White and a compelling afterword by John DEmilio, features essays by Rebecca T. Alpert and Jacob J. Staub, Rebecca L. Davis, Lynne Gerber, Andrea R. Jain, Kathi Kern, Rachel Kranson, James P. McCartin, Samira K. Mehta, Daniel Rivers, Whitney Strub, Aiko Takeuchi-Demirci, Judith Weisenfeld, and Neil J. Young.
Author: Jacob Neusner
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Jacob Neusner describes, analyzes, and interprets the transformation of one system of the Israelite social order by a connected but autonomous successor-system. He characterizes the successive systems classifying the one as philosophical and the other as religious. He explains the categorical account of each and sets forth the outcome of a number of topical studies on the category-formations of Rabbinic Judaism with special attention to the social order politics, philosophy, and economics. These systems emerged as [1] autonomous when viewed synchronically, [2] connected when seen diachronically, and [3] as a continuous construction when seen at the end of their formative age. In their successive stages of categorical autonomy, connection, and finally continuity, the three distinct systems may be classified, respectively, as philosophical, religious, and theological, each one taking over and revising the definitive categories of the former and framing its own fresh, generative categories as well. The formative history of Judaism is the story of the presentations and re-presentations of categorical structures. In method, it is the exegesis of taxonomy and taxic systems. Now, after more than two decades, Neusner has decided to review the initial statement. Since the book summarizes ten years of work, from 1980 to 1990, on the Rabbinic category formations of social science politics, philosophy, and economics in the setting of the law and theology of Rabbinic Judaism from the Mishnah through the Bavli, 200-600 C.E., it seemed well worth the effort to recapitulate the original work. The revised introduction explains the omission of theology in his category-formation philosophy-religion-theology Neusners account of the Bavli produced the decade after this title was completed did not make possible the continuous description of the unfolding of the Rabbinic system. The pattern that appealed to Neusner from philosophy to religion to theology has not yet come to a satisfactory account. In the twenty years
Author: Elizabeth Marshall
File Type: pdf
Drawing on a dynamic set of graphic texts of girlhood, Elizabeth Marshall identifies the locations, cultural practices, and representational strategies through which schoolgirls experience real and metaphorical violence. How is the schoolgirl made legible through violence in graphic texts of girlhood? What knowledge about girlhood and violence are under erasure within mainstream images and scripts about the schoolgirl? In what ways has the schoolgirl been pictured in graphic narratives to communicate feminist knowledge, represent trauma, andor testify about social violence? Graphic Girlhoods focuses on these questions to make visible and ultimately question how sexism, racism and other forms of structural violence inform education and girlhood. From picture books about mean girls The Recess Queen or graphic novels like Jane, The Fox and Me to Ronald Searles ghastly pupils in the St. Trinians cartoons to graphic memoirs about schooling by adult women, such as Ruby Bridgess Through My Eyes and Lynda Barrys One Hundred Demons texts for and about the schoolgirl stake a claim in ongoing debates about gender and education.**ReviewElizabeth Marshalls Graphic Girlhoods Visualizing Education and Violence is a highly pertinent study of the contemporary depiction of violence in graphic texts such as picture books, comics, memoirs and other visual works that demonstrate how oppression and violence are key factors in the upbringing of girls in America. In fact, given recent developments in America, Marshalls thoughtful if not provocative book should be required reading for students, teachers, and parents of all ages and genders because she grasps how educational and other institutions in America continue to foster racism and sexism by violently imposing rules of the civilizing process that impede the autonomy of girls. It is through the resistance in the graphic texts she studies, she maintains, that young female, and perhaps male, readers will be able to learn to combat institutional abuse and narrowmindedness. In short, her book is a dynamite pedagogy of the violated. -- Jack Zipes, University of MinnesotaGraphic Girlhoods investigates texts of girlhood from multiple conceptual and methodological frameworks ranging from picturebook theory to comic studies to visual culture studies and autobiography. An assemblage of critical feminisms further complicates Marshalls theoretical treatment. Each of these frameworks allows Marshall to craft a complex argument which gestures towards the danger and disturbing extracurricular activities of education, girlhood and violence. This book is a must read for scholars in childrens literature, childhood and feminist youth studies. -- Lisa Weems, Miami University of OhioAbout the Author Dr. Elizabeth Marshall is an Associate Professor at Simon Fraser University, Canada.
Author: D. H. Lawrence
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This volume collects together the introductions and reviews for which Lawrence was responsible over the whole duration of his writing career, from 1911 to 1930 it includes the book review which was the last thing he ever wrote, in the Ad Astra Sanatorium in Vence. The forty-nine separate items include some of his most compelling literary productions for example, the fascinating Memoir of Maurice Magnus of 1921-22, his only extended piece of biographical writing. The volumes Introduction not only outlines the literary contacts of Lawrences career which led him to doing such work, but gives a fresh account of the life of a literary professional who regularly wrote in support of work in which he personally believed, and who also (rather surprisingly) wrote reviews of nearly thirty books. All the texts, including a number previously unpublished in Britain, have been freshly edited and are supplied with extensive Explanatory notes.ReviewWorthen has played a key role in bringing definitive editions of Lawrences texts before the wider reading public his new biography makes one want to experience these books all over again. Times Literary Supplement... stands as a scholarly and handsome companion to Cambridges Late Essays and Articles .... The Use of English... provides a fascinating outline of Lawrences career as editor, translator and reviewer. The commentary, in particular the impressively full explanatory notes, offer a most generous wealth of miscellaneous information. Dr Dieter Mehl, Universitat BonnTheir editorial efforts also are most impressive ... provides a fascinating outline of Lawrences career as editor, translator and reviewer. Their commentary, in particular the impressively full explanatory notes, offer a most generous wealth of miscellaneous information ... Dieter Mehl, University of Bonn Book DescriptionThis volume collects together for the first time the introductions and reviews which Lawrence wrote between 1911 and 1930, including the magisterial Memoir of Maurice Magnus of 1921-22. The texts, some previously unpublished in Britain in uncensored form, are freshly edited and supplied with an introduction and explanatory notes.
Author: Cary M. Mazer
File Type: pdf
Double Shakespeares examines contemporary performances of Shakespeare plays that employ the emotional realist traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actors body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsalboth fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsalsand how they show us the process by which the actor does or does not become the character. And, finally, it looks at modern performances that frame Shakespeares play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character. **
Author: Justin Beaumont
File Type: pdf
The Routledge Handbook of Postsecularity offers an internationally significant and comprehensive interdisciplinary collection which provides a series of critical reviews of the current state of the art and future trends in philosophical, theoretical, and conceptual terms. The volume likewise presents a range of empirical knowledges and engagements with postsecularity. A critical yet sympathetic dialogue across disciplinary divides in an international context ensures that the volume covers a wide and interrelated intellectual and geographical scope. The editors introduction with Klaus Eder offers a robust foundation for the volume, setting out the central aims and objectives, the rationale for the contributions, and an outline of the structure. Thorny issues of normativity and empirical challenges are highlighted for the reader. The handbook comprises four interrelated sections. Part I Philosophical meditations discusses postsecularity from philosophical standpoints, and Part II Theological perspectives presents contributions from a variety of theological viewpoints. Part III Theory, space, social relations contains pieces from geography, planning, sociology, and religious studies that delve into theoretically informed empirical implications of postsecularity. Part IV Political and social engagement offers chapters that emphasize the political and social implications of the debate. In the Afterword, Eduardo Mendieta joins the editor to reflect on the notion of reflexive secularization across the volume as a whole, alluding to new lines of inquiry. The handbook is an invaluable guide for graduate and advanced undergraduate teaching, and a key reference for students and scholars of human geography, sociology, political science, applied philosophy, urban and public theology, planning, and urban studies. **
Author: Duane H. Davis
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Philosophers and artists consider the relevance of Maurice Merleau-Pontys philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Pontys aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosophers writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining. Duane H. Davis is Professor of Philosophy at the University of North Carolina at Asheville and the editor of Merleau-Pontys Later Works and Their Practical Implications The Dehiscence of Responsibility. William S. Hamrick is Professor Emeritus of Philosophy at Southern Illinois University Edwardsville. He is the coauthor (with Jan Van der Veken) of Nature and Logos A Whiteheadian Key to Merleau-Pontys Fundamental Thought author of Kindness and the Good Society Connections of the Heart and the coeditor (with Suzanne L. Cataldi) of Merleau-Ponty and Environmental Philosophy Dwelling on the Landscapes of Thought, all published by SUNY Press. **About the Author Duane H. Davis is Professor of Philosophy at the University of North Carolina at Asheville and the editor of Merleau-Ponty s Later Works and Their Practical Implications The Dehiscence of Responsibility. William S. Hamrick is Professor Emeritus of Philosophy at Southern Illinois University Edwardsville. He is the coauthor (with Jan Van der Veken) of Nature and Logos A Whiteheadian Key to Merleau-Ponty s Fundamental Thought author of Kindness and the Good Society Connections of the Heart and the coeditor (with Suzanne L. Cataldi) of Merleau-Ponty and Environmental Philosophy Dwelling on the Landscapes of Thought, all published by SUNY Press.
Author: Peter Ladefoged
File Type: pdf
This superb introduction to phonetics, with an accompanying CD, is perfect for anyone who wants to learn about the sounds of language. Peter Ladefoged, one of the worlds leading phoneticians, descibes how languages use a variety of different sounds, many of them quite unlike any that occur in well-known languages.ReviewThis is a fascinating, accessible, and reader-friendly book by a master phonetician, about how speech sounds are made, and how they can be analyzed. Being able to hear the sounds under discussion, on the accompanying CD, is really useful. I warmly recommend the book to everyone with an interest, professional or otherwise, in spoken language. John Laver, University of EdinburghThis is a radically new introduction to phonetics. The use of examples is imaginative and the book is written with infectious enthusiasm. It will change the way we introduce students to phonetics. Peter J. Roach, University of ReadingOnly Peter Ladefoged, the worlds leading phonetician, could produce a work like this an authoritative and thorough introduction to phonetics written in a style that can be understood by a reader with no prior background in linguistics. John Ohala, University of California, Berkeley[This book] lucidly discusses issues that are not commonly covered in introductions to phonetics, including computerised speech synthesis and recognition, which ties in with a major focus on acoustics from the first chapter onwards. Times Higher Education SupplementBook DescriptionThis superb introduction to phonetics is perfect for anyone who wants to learn about the sounds of languages. Peter Ladefoged, one of the worlds leading phoneticians, describes how languages use a variety of different sounds, many of them quite unlike any that occur in well-known languages. Several of these unusual sounds are reproduced on the accompanying CD. The book opens with a brief introduction to the main forces affecting the sounds of languages. Using basic terms, it outlines the acoustic components of speech and demonstrates speech synthesis. Subsequent chapters on computers and speech describe text-to-speech systems, and show how speech recognition systems work. The last part of the book describes the sounds of a wide variety of languages, introducing them to readers largely by means of the CD and by reference to the symbols of the International Phonetic Alphabet. The contents of the CD are available on Peter Ladefogeds phonetics site (www.linguistics.ucla.edupeopleladefoge), which includes an online version of the CD as well as other useful phonetics links. This revised second edition includes a new chapter on how we listen to speech and an updated CD that contains data on 100 languages.