I review horror films, but not this week! A small, rambling, poorly edited video explaining why no review, what I'm working on, a quick movie haul, and Black Friday plans. Warning: There will be a lot of "ums". Sorry in advance!
0:00 Intro 0:28 Why No Review (Complaining) 1:53 What's Next? 3:58 Unboxing? 6:55 Black Friday 8:10 Watch One of These 10:34 Thanks and Byes ... https://www.youtube.com/watch?v=q4g2Mx9HPGA
Join me as we take a look at my top 31 favorite horror movies. I will do one review for each day in October. This is my personal opinion which may differ from yours. This is a non spoiler review.
Tonight we look at Repulsion. Join me tomorrow as we take a look at another horror film.
Deneuve, C., Furneaux, Y., Polanski, R., & Criterion Collection (Firm). (2014). Repulsion.
"Graveyard Shift" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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https://www.youtube.com/watch?v=WHd6jwsWt9E
Giallo is a subgenre of horror films that gets less praise from the general American audience than it deserves. Gialli are Italian based, deriving from the word yellow, describing the yellow spine of the murder mystery books of the 1920s. Yeah, Gialli eventually became the American slasher film, but Giallo is very different from modern-day slashers. They share similarities such as a killer stalking beautiful people, blood, and sexual themes, but Gialli focuses more on the mystery of the killer and tends to have a bit more style to the look of the film.
I’ve gone to great lengths in other reviews to better break down Gialli. So If you want a more in-depth look at Giallo films, then check out some of my other reviews. I’ve covered films from Dario Argento, Umberto Lenzi, Sergio Martino, and Lucio Fulci, all of whom are some of the best directors of the genre… but I’m forgetting a name, a big name. Mario Bava! The father of the Giallo movement!
Taking cues from the Giallo mystery thrillers as well as being inspired by Hitchcock, Bava cemented himself as a master of this form. He started by making a name for himself in the horror genre with hits like Black Sunday and Black Sabbath before he created the modern Giallo with The Girl Who Knew too Much. The title of which was copied from Alfred Hitchcock's The Man Who Knew too much from 1934 and 1956... And yes Alfred Hitchcock remade his own movie.
Now, this is the embarrassing part. I’ve only seen one Mario Bava film and I saw it when I was around 13. My local dollar tree sold 2 film DVD packs and so I picked up all the horror ones I could find. The packages have seen better days, but these are some of my earliest deep dives into the horror genre. Now even though I didn’t know anything about directors back then, I did know that Hatchet for a Honeymoon was my favorite of these films.
So that’s it. I have seen 1 Mario Bava film about 17 years ago… I think it’s about time I see another. Why not start with the most influential Giallo of all time? Blood and black lace.
Twitter: @Hellbound_HS
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Graveyard Shift" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/
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https://www.youtube.com/watch?v=P41UW8hyNOU
1991’s Slaughter Day is virtually unknown. Getting a very small VHS release where it sold roughly 12 copies, it’s safe to say Slaughter Day is obscure. Luckily Visual Vengence saw the potential and released this packed bluray. This movie is insane and shows how imagination will always trump budget.
When I say early 90s, micro-budget movie made by high school students, it’s a no-brainer to assume this was an SOV, shot on video film. Made by the Cousins, brothers, twins Brent and Blake Cousins made a ton of SOV films growing up in the state of Hawaii. Being like most kids, they were heavily inspired by Sam Raimi and the evil dead. They made slaughter day 1, 2, 3 and 4 growing up among many other short films. When they hit their late teens and early 20s, they decided to go to LA and try to make it big. Well, unfortunately, that trip was a failure. Being a bit down in the dumps about not making it big, they decide to return to the idea that got them started, they were going to remake their beloved Slaughter Day and make it a fast-paced, bombastic feature lengthed remake. And it’s that remake that we are watching today!
Twitter: @Hellbound_HS
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Graveyard Shift" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/
#visualvengence #wildeye #slaughterday #sov #slasher #evildead #homemade
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https://www.youtube.com/watch?v=t3YLfaCU9ns
Join me as we take a look at my top 31 favorite horror movies. I will do one review for each day in October. This is my personal opinion which may differ from yours. This is a non spoiler review.
Tonight we look at Sinister. Join me tomorrow as we take a look at another horror film.
Hawke, E., Rylance, J., Thompson, F., Ransone, J., Foley, C., D'addari, M. H., Derrickson, S., ... Summit Entertainment. (2013). Sinister. Newtown, N.S.W: Icon Film.
"Graveyard Shift" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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https://www.youtube.com/watch?v=SIejuUN0DO8
Beyond the Door (1974) is one part The Exorcist, one part Rosemary's Baby, and two parts crap.
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"Graveyard Shift" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
...
https://www.youtube.com/watch?v=3kdP_5clNq4
Possession has surreal, political, emotional, evil, and human elements all rolled up together with beautifully kinetic cinematography and tight direction. It’s an amazingly deep story that captures the inner workings of our deepest, most depressing thoughts and puts them on the screen.
I don’t think I can do this film justice by putting it into words. It’s a darn near perfect film and the more I watch it, the more I fall in love with it. Possession is my favorite piece of cinema from 1981 and is slowly becoming one of my favorite movies of all time.
Twitter: https://twitter.com/Hellbound_HS
Graveyard Shift" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/
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https://www.youtube.com/watch?v=HXhFxmRqEMQ
Welcome to the Hellbound Horror Show. This year we are reviewing and breaking down the horror films of 1981 for their 40th birthday. Join me as we find out if 1981 is truly the best year in horror.
"Graveyard Shift" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/
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https://www.youtube.com/watch?v=rXpXuH-7Du0
Dark Night of the Scarecrow is the first feature-length film to have a killer scarecrow be the main antagonist. You would think a film about a killer scarecrow murdering people should have at least an R rating, but alas, Dark Night of the Scarecrow is a made for tv horror film. So does it fall into the many pitfalls that made for tv movies fall into, or does it rise above the crop? Let’s go out yer yonder and find out.
Twitter: https://twitter.com/Hellbound_HS
Graveyard Shift" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/
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https://www.youtube.com/watch?v=kyMcLgxbZiE