The New Mind Readers: What Neuroimaging Can and Cannot Reveal About Our Thoughts
Author: Russell A. Poldrack File Type: pdf A revealing insiders account of the powerand limitationsof functional MRI The ability to read minds has long been a fascination of science fiction, but revolutionary new brain-imaging methods are bringing it closer to scientific reality. The New Mind Readers provides a compelling look at the origins, development, and future of these extraordinary tools, revealing how they are increasingly being used to decode our thoughts and experiencesand how this raises sometimes troubling questions about their application in domains such as marketing, politics, and the law. Russell Poldrack takes readers on a journey of scientific discovery, telling the stories of the visionaries behind these breakthroughs. Along the way, he gives an insiders perspective on what is perhaps the single most important technology in cognitive neuroscience todayfunctional magnetic resonance imaging, or fMRI, which is providing astonishing new insights into the contents and workings of the mind. He highlights both the amazing power and major limitations of these techniques and describes how applications outside the lab often exceed the bounds of responsible science. Poldrack also details the unique and sometimes disorienting experience of having his own brain scanned more than a hundred times as part of a landmark study of how human brain function changes over time. Written by one of the worlds leading pioneers in the field, The New Mind Readers cuts through the hype and misperceptions surrounding these emerging new methods, offering needed perspective on what they can and cannot doand demonstrating how they can provide new answers to age-old questions about the nature of consciousness and what it means to be human. **Review In his book The New Mind Readers, Russell Poldrack . . . present[s] a clear and engaging overview of what neuroimaging can and cannot tell us about a persons thoughts, perceptions, and intentions. Going beyond basic mechanisms, Poldrack tackles a number of fundamental questions about the research process, data interpretation, and applications for everyday life.---Daphne A. Robinson, *Science* Poldrack is an ideal guide [to fMRI methods]. . . . His enthusiasm for them is clear, as is his frustration at how their data have been misinterpreted and abused.---Chris Baker, *Nature* With both broad and deep expertise, Poldrack has written a page-turner about the sense and nonsense of modern brain imaging research. Thirty years of studies are made comprehensible and downright inspiring. A fantastic book for both the novice and the professional!Michael S. Gazzaniga, author of *The Consciousness Instinct Unraveling the Mystery of How the Brain Makes the Mind* Poldrack has written a clear and informative road map for understanding how scientists use functional magnetic resonance imaging to peer into thinking and feeling brains. He sketches the fault lines of several major debates in the field and equips readers to decide for themselves. This book is a must-read for lawyers, economists, educators, and anyone interested in translating this exciting research into real-world uses.Lisa Feldman Barrett, author of *How Emotions Are Made The Secret Life of the Brain* This book is fantastic. Its concise and detailed at the same time, and easily understandable for all. It will serve as a great resource for student researchers, for established scientists who are outside the field, and for the interested layperson.Daniel J. Levitin, author of *Weaponized Lies How to Think Critically in the Post-Truth Era* Poldrack takes us on an electrifying journey, giving us the insiders skinny on how brain scans work, what they can reveal when used skillfully, and their limitations both now and in the future. All this makes for a compelling and easy read even for the neuro-novice. The New Mind Readers is bound to be a classic.Patricia S. Churchland, author of *Braintrust What Neuroscience Tells Us about Morality* Poldrack tells a highly accessible and engaging story about the modern history of fMRI and how it has revolutionized how we think about human brains and their relation to behavior. He leaves the reader with a very balanced perspective on the strengthsbut also the limitationsof the methodology. The New Mind Readers is a pleasure to read.Joseph T. Devlin, University College London The New Mind Readers is going to do more to shape the general publics view of brain imaging than anything that has come before it. This is an important book.Kenneth Norman, Princeton University About the Author Russell A. Poldrack is the Albert Ray Lang Professor of Psychology at Stanford University. He is the coauthor of the Handbook of Functional MRI Data Analysis. He lives in San Francisco.
Author: Glenn Peers
File Type: pdf
Throughout the course of Byzantine history, Christian doctrine taught that angels have a powerful place in cosmology. It also taught that angels were immaterial, bodiless, invisible beings. But if that were the case, how could they be visualized and depicted in icons and other works of art? This book describes the strategies used by Byzantine artists to represent the incorporeal forms of angels and the rationalizations in defense of their representations mustered by theologians in the face of iconoclastic opposition. Glenn Peers demonstrates that these problems of representation provide a unique window on Late Antique thought in general. **Review A most welcome book. . . . Peerss excellent study . . . provid[es] the reader with a satisfying account of the very real complexities of the Christian work of art.--Charles Barber, greekworks.com review From the Inside Flap Peers insightful and wide-ranging study supplies a clear and comprehensive history of the angelic image in cosmology and cult during the formative period prior to Iconoclasm. The paradoxes of the angelic body provide the proving ground for fiercely contested and incompatible claims for text and image as authoritative representations of the holy.Jeffrey F. Hamburger, author of Nuns as Artists The Visual Culture of a Medieval Convent [Peers takes] the angelic experience as an instance of the problems inherent in Christian representation. But both astutely and elegantly, he treats angels not simply as an example but as the most enlightening case if we wish to understand these problems.Anthony Cutler, author of Imagery and Ideology in Byzantine Art
Author: Günter Grass
File Type: epub
In his first full-length play, Gunter Grass takes Bertolt Brecht, the foremost modern German dramatist, as his key figure. On 17 June, 1953, the workers in East Germany rise in rebellion against oppressive measures, but their revolt lacks a voice and a leader. In the East German theatre of which he is the director, the famed Communist poet and playwright, Bertolt Brecht (named the boss in the play), is shown rehearsing his adaption of Shakespeares Coriolanus. The revolution spills over into the stage happenings as a workers delegation requests that the Boss lend the authority of his voice and fame to their demands for justice and freedom. The intellectual is shown in a tragic dilemma reasoning keeps him from active commitment until it is too late. He becomes guilty of betraying the workers and his own self.
Author: Eugene Webb
File Type: pdf
PIn The Plays of Samuel Beckett Eugene Webb first summarizes the western philosophical tradition which has culminated in the voidthe centuries of attempts to impose form and meaning on existence, the failure of which has left experience in fragments and man a stranger in an unintelligible universe. Succeeding chapters take up the plays work by work, interpreting each individually and tracing recurrent motifs, themes, and images to show the continuity in the underlying tendencies of Becketts mind and art.P**ReviewA thematic study of Becketts dramatic outputplays, mimes, and filmdone with clarity and sensitivity.Sensitive, well-ordered, and fascinating study of Becketts plays. . . . Webbs ability to evaluate, to synthesize, and to probe Becketts thought in the light of universal and eternal philosophies makes his volumes essential for libraries and for those haunted by Becketts work.Library JournalAbout the AuthorEugene Webb is Professor Emeritus of the Henry M. Jackson School of International Studies at the University of Washington and is the author of six books, including The Self Between From Freud to the New Social Psychology of France.
Author: Morton D. Paley
File Type: pdf
There has never been a book about Blakes last period, from his meeting with John Linnell in 1818 to his death in 1827, although it includes some of his greatest works. In The Traveller in the Evening, Morton Paley argues that this late phase involves attitudes, themes, and ideas that are either distinctively new or different in emphasis from what preceded them.After an introduction on Blake and his milieu during this period, Paley begins with a chapter on Blakes illustrations to Thorntons edition of Virgil. Paley relates these to Blakes complex view of pastoral, before proceeding to a history of the project, its near-abortion, and its fulfillment as Blakes one of greatest accomplishments as an illustrator. In Yah and His Two Sons the presentation of the divine, except where it is associated with art, is ambiguous where it is notnegative. Paley takes up this separate plate in the context of artistss representations of the Laocoon that would have been known to Blake, and also of what Blake would have known of its history from classical antiquity to his own time. Blakes Dante water colours and engravings are the most ambitious accomplishmentof the last years of his life, and Paley shows that the problematic nature of some of these pictures, with Beatrice Addressing Dante from the Car as a main example, arises from Blakes own divided and sharply polarized attitude toward Dantes Comedy.The closing chapter, called Blakes Bible, is on the Bible-related designs and writings of Blakes last years. Paley discusses The Death of Abel (addressed to Lord Byron in the Wilderness) as a response to its literary forerunners, especially Gessners Death of Abel and Byrons Cain. For the Job engravings Paley shows how the border designs and the marginal texts set up a dialogue with the main illustrations unlike anything in Blakes Job watercolours on the same subjects. Also included here are Blakes last pictorial work on a Biblical subject, The Genesis manuscript, and Blakes last writing on a Biblical text, his vitriolic comments on Thorntons translations of the Lords Prayer.
Author: Saverio Tomaiuolo
File Type: pdf
This book argues that deviance represents a central issue in neo-Victorian culture, and that the very concept of neo-Victorianism is based upon the idea of diverging from accepted notions regarding the nineteenth-century frame of mind. However, the study of the ways in which the Victorian age has been revised by contemporary authors does not only entail analogies with the present but proves by introducing what is perhaps a more pertinent description of the nineteenth century that it was much more deviant than it is usually depicted and perceived. Deviance in Neo-Victorian Culture Canon, Transgression, Innovation explores a wide variety of textual forms, from novels to TV series, from movies and graphic novels to visual art. The scholarly and educational purpose of this study is to stimulate readers to approach neo-Victorianism as a complex cultural phenomenon. **About the Author Saverio Tomaiuolo is Associate Professor of English at Cassino University, Italy. He has published In Lady Audleys Shadow. Mary Elizabeth Braddon and Victorian Literary Genres (2010), Victorian Unfinished Novels. The Imperfect Page (2012) and a critical introduction to Joseph Conrads Heart of Darkness (2014). His entry on neo-Victorianism is included in the Blackwell Encyclopedia of Victorian Literature (2015).
Author: Hanne Veber
File Type: epub
Creating Dialoguesdiscusses contemporary forms of leadership in a variety of Amazonian indigenous groups. Examining the creation of indigenous leaders as political subjects in the context of contemporary state policies of democratization and exploitation of natural resources, the book addresses issues of resilience and adaptation at the level of local community politics in lowland South America. Contributors investigate how indigenous peoples perceive themselves as incorporated into the structures of states and how they tend to see the states as accomplices of the private companies and non-indigenous settlers who colonize or devastate indigenous lands. Adapting to the impacts of changing political and economic environments, leaders adopt new organizational forms, participate in electoral processes, become adept in the use of social media, experiment with cultural revitalization and new forms of performance designed to reach non-indigenous publics, and find allies in support of indigenous and human rights claims to secure indigenous territories and conditions for survival. Through these multiple transformations, the new styles and manners of leadership are embedded in indigenous notions of power and authority whose shifting trajectories predate contemporary political conjunctures. Despite the democratization of many Latin American countries and international attention to human rights efforts, indigenous participation in political arenas is still peripheral.Creating Dialoguessheds light on dramatic, ongoing social and political changes within Amazonian indigenous groups. The volume will be of interest to students and scholars of anthropology, ethnology, Latin American studies, and indigenous studies, as well as governmental and nongovernmental organizations working with Amazonian groups. ContributorsJean-Pierre Chaumeil, Gerard Collomb, Luiz Costa, Oscar Espinosa, Esther Lopez, Valeria Macedo, Jose Pimenta, Juan Pablo Sarmiento Barletti, Terence Turner, Hanne Veber, Pirjo Kristiina Virtanen **
Author: Jennifer Ulrich
File Type: epub
The first collection of Timothy Learys (19201996) selected papers and correspondence opens a window on the ideas that inspired the counterculture of the 1960s and the fascination with LSD that continues to the present. The man who coined the phrase turn on, tune in, drop out, Leary cultivated interests that ranged across experimentation with hallucinogens, social change and legal reform, and mysticism and spirituality, with a passion to determine what lies beyond our consciousness. Through Learys papers, the reader meets such key figures as Allen Ginsberg, William S. Burroughs, Ken Kesey, Marshall McLuhan, Aldous Huxley, John Lennon and Yoko Ono, and Carl Sagan. Author Jennifer Ulrich organizes this rich material into an annotated narrative of Learys adventurous life, an epic quest that had a lasting impact on American culture. **
Author: Alaina Lemon
File Type: pdf
Since tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirdsin each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of Gypsies, exalting their songs on stage but scorning them on the streets as liars and cheats. Alaina Lemons Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances. Lemons ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as natural performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between stage art and real life contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces. **
Author: Jane Stevenson
File Type: pdf
Women Latin Poets addresses womens relationship to culture between the first century B.C. and the eighteenth century A.D. by studying womens poetry in Latin. Based entirely on original archival research in twelve countries, Stevenson recovers an aspect of history often deemed not to exist women who achieved public recognition in their own time, sometimes to a startling extent. Presenting, often for the first time, the work of more than three hundred women Latin poets, all translated and included in a comprehensive finding guide, Women Latin Poets substantially revises received opinion on womens participation in, and relation to, elite culture. The sheer number of female Latin poets will require womens historians to completely re-evaluate the idea that all women had no access to education before the nineteenth century.