John Field's Piano Sonata in A Major, Op.1 No.2 second movement.
first movement - https://youtu.be/KFSfW4IIsqc
piano - Benjamin Frith
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https://www.youtube.com/watch?v=pn8te4wnJlM
For Cornelius / Alvin Curran (1981-94)
“For Cornelius was written in December 1981 just after my hearing the news of the accidental and tragic death of the English composer Cornelius Cardew. Cornelius was a visionary and his humane, prophetic powers affected everyone around him. Since my first meeting with him in Rome in 1965 and later through the many collaborations of MEV (Musica Elettronica Viva) and Cardew’s AMM group, his subtle influence has remained with me. For Cornelius is structured simply in three sections—a song, a thundering study on slowly changing harmonies, and a chorale. Though not intentionally made so, this piece may be seen as a tribute to Cardew’s own utopian dreams of making “elitist” music popular.”
– Alvin Curran
From the CD thethingsinbetween by Eve Egoyan released released 10th October, 1999
https://eveegoyan.com/
https://eveegoyan.bandcamp.com/album/thethingsinbetween-works-by-alvin-curran-michael-finnissy-michael-longton-stephen-parkinson-and-linda-catlin-smith
Executive Producer: Eve Egoyan
Producer: David Jaeger
Editor: David Rokeby
Sound Engineer: David Quinney
CD Mastering: Clive Allen
Recorded at Glenn Gould Studio, Toronto
Artifact Music Producer: Henry Kucharzyk
Cover Photograph: Johnnie Eisen
CD Design: Tom Chaggaris for Crush Design
Liner Note Editing: Lauren Pratt
...
https://www.youtube.com/watch?v=JwPKH0dbtbU
Folklore, Section 2, for Sir Michael Tippett (1993-1994) by Michael Finnissy
"Folklore. Gramsci's imperative to compile an inventory of the 'infinity of traces' that historical processes leave on 'the self'. Folklore - a distant memory, an assemblage, a critical elaboration, an opposition of conjunctions, an open-ended investigation, a palimpsest, a self-portrait.
Folklore. Inherent attitudes. Pretension - the piano (a 'respectable' Victorian mantleshelf, spineless and domesticated) - Grieg (from childhood), another vision of Arcadia (cowherds, and peasants dancing); Grieg's influence on Percy Grainger (dismissed by some as a wayward amateur dishing up folk-tunes for the parlour), Grieg's harmonic innovations (impact on Debussy), John Cage (Grieg was more interesting than the others). What else do I remember?
Folklore. England: insular and conservative, institutionalized - de-spiritualized, tawdry and corrupt. Transforming 'angry young men' into embittered, cynical "couch-potatoes'. Rendering artists impotent through mockery and stereotyping (what is there to be afraid of?). Politics: Capitalism. A free country in which censorship is universally rife. Hypocrisy. Bigotry. The cheap laugh. Cardew, Orton, Jarman. 'Deep (Tippett) River'. Heads fall and are swept under the carpet. Nothing behind the eyes. Imperialism is served.
Folklore. Travel broadens the mind. (Food broadens the stomach). White men belittle Aboriginals (a member of the music-faculty at Melbourne Uni. asked why I was interested in 'primitive trash'. Do I declare an interest in 'symbols of oppression'?) Power. The Archaeology of Knowledge. Levi-Strauss, Foucault. Diversity - or the world-culture (e.g. modernism)? Folklore. Untidy - insufficiently selective. Art/editing/Experience (skill, in itself, potentially obscures icon/essence). A simulacrum. Evocation becomes Provocation." — Michael Finnissy
Live performance recording
Piano: Eve Egoyan
Producer: David Jaeger
Glenn Gould Studio, Toronto, Canada
https://eveegoyan.bandcamp.com/track/folklore-ii-by-michael-finnissy-performed-by-eve-egoyan-live-concert-recording
http://eveegoyan.com/
...
https://www.youtube.com/watch?v=zp0VvjxJc0M
Waves for Eve, wave upon wave, little waves on bigger waves, et cetera, but precisely calibrated to peak at the phi-point of the golden ratio. To weave: a three-voice polyphonic texture in dissonant counterpoint, with a respectful nod in the direction of Carl Ruggles and Ruth Crawford Seeger. And finally, a meditation on the wondrous physicality and inescapable spirituality of all our music-making.
- James Tenney
To Weave was commissioned by Eve Egoyan with the assistance of the Canada Council for the Arts.
From the CD WEAVE by Eve Egoyan released 5th May, 2006
https://eveegoyan.bandcamp.com/album/weave-works-by-martin-arnold-michael-finnissy-jo-kondo-and-james-tenney
http://eveegoyan.com/
Executive Producer: Eve Egoyan
Studio Producer: David Jaeger
Sound Engineer: David Quinney
Assistant Engineers: Dennis Patterson, Charles Katchebaw
Digital Editing and Mastering: Clive Allen
Recorded at Glenn Gould Studio, Toronto
Introduction: Elissa Poole
Notes Editor: Lauren Pratt
Translation: Dominique Denis
Graphic Design: Lisa Kiss Design
Photography: David Rokeby, Patricia Rozema
...
https://www.youtube.com/watch?v=_hjfrr8NSSM