Fuguette No. 3 for 3 Voices in D Major, "Waltzing in the Clouds"
The follow-up and brighter counterpart to Fuguette No. 2, also featuring three digitally-produced voices though quite distinct in every other aspect besides the form and related keys. Credit to Denilson Ardon for the audio production.
Unlike the previous fuguette's video, this one was automatically generated using MuseScore, though I did have to edit in the external audio and outro. If you liked the video style, please let me know. Or, if you didn't, let me know also. Thanks!
After nearly a year I decided to actually go through with recording my arrangement of Tyler J. Wetherbee's exceptional "Little Piece in G Major" which he was kind enough to share with me. His original recording can be found here: https://www.youtube.com/watch?v=1EOClCbl5gk which I most certainly recommend over my own.
Despite the nearly year-long time period I had to practice and properly refine my performance of this beautiful piece, I cannot say I am satisfied by the end result. I suppose I must have squandered most of it, and the technical deficiencies present both in my equipment and editing skills certainly did not help. But alas, as I've said before, this channel is an archive meant to document my progress-- and that includes the many mistakes made along the way. I definitely hope to return to and rerecord this piece at some later date, possessing perhaps finer equipment and skill.
I suppose I should mention the guitar audio is not a single continuous performance but was instead stitched together from multiple recordings, hence some of the peculiarities of it. Being it the case that I do not play guitar regularly, I am not at all proficient at it, and though I did learn the composition all the way through some months back, I did not want to delay this recording any longer repeating that process.
Originally, this was arranged to be played at a quicker tempo, but, partially due to skill issues, as well as an acquired liking for this mellower pace, I opted for a slower performance. A second guitar was also meant to play at certain parts and an additional few notes were written for it, but I ultimately decided against adding even more chaos to this terrible mix. However, if anyone'd like to have a go at that, the arrangement is available here: https://musescore.com/user/39010415/scores/8050836. The distorted effect indicated for the second guitar may come across as odd and out of place at first, but it was inspired in part by Virgil Fox's rendition of "Sleepers Wake" which features the harsher timbre of the reeds as a contrast to the rest of the organ's registers.
At any rate, thank you all for listening, and many, many thanks to Tyler J. Wetherbee in particular for allowing me to butcher his fine composition!
I've been told that once a guitar's headstock is rent from the neck, the guitar is effectively dead-- or at least the entire neck is. I've also heard that screws oughtn't be used in acoustic string instruments. So I decided to test both those claims with this little experiment.
The guitar is my brother's (who plays it at the end). This is not the first time the instrument has been damaged-- it's been through a lot, actually-- but it is the first time the headstock came completely free. It had previously snapped partially, warranting a simple-enough repair using nothing more than wood glue. This time, however, I realized it'd need some sort of structural reinforcement. And though I've heard screws should not be used on acoustic string instruments and had my own concerns regarding both aesthetics and ergonomics, I figured it was worth a shot lest the instrument be rendered no more than a useless hunk of wood. It's also not a particularly expensive instrument, but, again, I saw this as a good opportunity to experiment even if my brother argues "sometimes dead is better".
The background music during the first half of the video is another MIDI rendition of a snippet I was actually planning to record using this same guitar. So, when it broke, I naturally felt even more so obligated to repair it. Thus far, it's not demonstrated any problems: timbre and ergonomics have actually not been affected to any noticeable degree. So, I consider this a success thus far-- the resurrection of a decapitated guitar!
But, what do you guys think? Should it have gone to the guitar cemetery instead?
At any rate, thanks for watching!
Credits:
Viola da Gamba: Carmel Hilali Abramovitch
https://www.youtube.com/@Carmelious
https://www.fiverr.com/carmelious
https://open.spotify.com/artist/1IA42D6a9aFf6qWqtfQwGT
Composer: Christopher A. Ardon
Producer: Christopher A. Ardon
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Full music: https://odysee.com/@chrisardon:5/empty:da
Project files: https://drive.google.com/file/d/1b2ONCndifBu2kR901x-8MUJTEOJNAsYj/view?usp=share_link
All unprocessed viola da gamba takes are found under assets/vdg.
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An improvisation recorded on my new "microphone" (a Google Pixel 4)-- with minor editing, of course-- though nevertheless complete with mistakes and a general sense of aimlessness. It mostly dances around G Dorian though somehow ultimately winds up at C Major, with a useless note added at the end.
I think I came up with some interesting ideas, though obviously poorly executed since they were made up on the spot.
Clipped from the GQ interview at https://www.youtube.com/watch?v=TRGHIN2PGIA
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In total, I think I recorded upwards of 2 hours' worth of inane rambling. TL;DR: I have a hard time driving and leaving my house alone because of insecurity. Should I go to counseling or just try the exposure therapy route and manning up? Answer if you want, or just mock me. I don't really care about the latter.
I apologize for the mumbly talking (wanted to keep it out of anyone's earshot) and bad recording quality. I also noticed looking back through the recording that my favorite filler word/sound seems to be "right." Sorry about that. It annoyed me in editing too.
Thanks for watching!
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Credits:
Viola da Gamba: Carmel Hilali Abramovitch
https://www.youtube.com/@Carmelious
https://www.fiverr.com/carmelious
https://open.spotify.com/artist/1IA42D6a9aFf6qWqtfQwGT
Composer: Christopher A. Ardon
Producer: Christopher A. Ardon
---
Full music: https://odysee.com/@chrisardon:5/empty:da
Project files: https://drive.google.com/file/d/1b2ONCndifBu2kR901x-8MUJTEOJNAsYj/view?usp=share_link
All unprocessed viola da gamba takes are found under assets/vdg.
---
Support the channel:
XMR: 8BCBQPLV5fFD4QZeM668HAgU9gkai5tdhZUDmNc8FpnQ71EgboFavjDg7NBcrXkJcX2jd6RkKrb2CE19iUYnP9FTV2TVBoJ
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As I stated in the previous upload, I've decided to simply upload the MIDI renditions of some of the compositions which I do not think I'll be able to play anytime soon. Looking back at this one specifically, I do think a proper harpsichordist could play this-- it's not as difficult a piece as I thought it was when I wrote it between one and two years ago. That said, I certainly cannot, so here it is.
This also happens to be the piece featured on the channel banner, by the way.
Thank you for listening!
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Link to the sheet music: https://musescore.com/user/39010415/scores/8253482?share=copy_link
Credits:
Drums: Denilson Ardon
Composer: Christopher A. Ardon
Producer: Christopher A. Ardon
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This was supposed to be released last year, but, again, delays and whatnot from working with my cousin, Denilson. This was actually my first attempt at a "normal" song as opposed to the weird pseudoclassical compositions I'd been releasing up to that point. Ultimately, as Denilson was quick to point out, this did end up with quite a few classical characteristics, however-- the small fugal harpsichord part being a huge indicator. But I like it. I think it serves as a very nice fusion in that sense.
The title and poem which accompany this song were an afterthought. In that sense, this song was written procedurally, with me simply writing whatever I thought sounded good and the themes coming later as I played it back.
Even though it may sound nothing like it, the song was mostly inspired by Led Zeppelin. In particular, I sought to capture the timbre of the synths used in the last two songs of In Through the Out Door, which I am really fond of. The drums were even supposed to imitate Bonham in "I'm Gonna Crawl" as per the notes on the score, though Denilson went in a completely different direction, ultimately. I liked the final drum parts he produced however, so I decided to keep them.
The production may not be perfectly professional, but I do think I'm getting better. Let me know what you think! And, as always, thanks for listening!
The score and project files: https://drive.google.com/drive/folder...
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The poem which is very loosely based on the lead melody:
There is a great feeling in the air right now.
With summer's last breath, autumn leaves brown.
What was old once now is new.
Congregate together oldest of friends,
who have helped when I was blue.
Let our merriment never to end.
But as smell we candy scents,
let not the unpleasant times be forgot.
Lessons serve us to repent
of our wrongdoings and sins when we fought.
Friends, reminisce, but do not sour
through memory this our October's sweet hour.
What we have is magical.
Let it be cherished throughout all of Fall.
Where have we been all this time?
Where have adventures led us through the years?
Sometimes we fall without reason or rhyme.
On other occasions, we confront our fears.
And though through all this, some of us are lost or grow cold,
we'll always gain back our friends of new and old.
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