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Charles Burnett: A Cinema of Symbolic Knowledge
Author: James Naremore
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In the first book devoted to Charles Burnett, a crucial figure in the history of American cinema often regarded as the most influential member of the L.A. Rebellion group of African American filmmakers, James Naremore provides a close critical study of all Burnetts major pictures for movies and television, including Killer of Sheep, To Sleep with Anger, The Glass Shield, Nightjohn, The Wedding, Nat Turner A Troublesome Property, and Warming by the Devils Fire. Having accessed new information and rarely seen material, Naremore shows that Burnetts career has developed against the odds and that his artistry, social criticism, humor, and commitment to what he calls symbolic knowledge have given his work enduring value for American culture. **From the Inside Flap Charles Burnetts (undeservedly) subterranean career as writer-director has long been an unexplored continent, and with insight, information, discernment, and grace, Naremore offers all the contexts we need to discover and appreciate this national treasure.Jonathan Rosenbaum, author ofMovies as Politics Charles Burnett is one of the most significant postwar American directors and with this book James Naremore gives him the sustained treatment he deserves. With masterful attention to his formal style, his use of folkloric traditions, and his engagement with the social and political world around him, Naremore provides an important and insightful account of Burnetts extensive career.Allyson Nadia Field, University of Chicago, coeditor ofL.A. Rebellion Creating a New Black Cinema James Naremore brilliantly delivers in this long overdue extended critical discussion of Charles Burnetts profound body of work. Charles Burnett A Cinema of Symbolic Knowledge offers deeply rewarding close readings of Burnetts films, unfolding their layered social, historical and ethical meanings while never losing sight of their achievements as works of art. Naremores signature patient analyses go far beyond ensconcing Burnett within the pantheon of world-cinema auteurswhere he rightfully belongs. In addition, this book demonstrates the urgent need for Burnetts nuanced cinematic humanism today.Jacqueline Stewart, coeditor of L.A. Rebellion Creating a New Black Cinema and author of Migrating to the Movies Cinema and Black Urban Modernity Naremore has had a distinguished career as a film scholar and academic film critic. I was not at all surprised that with his Burnett study he has produced another major achievement.Robert E. Kapsis, Professor of Sociology and Film Studies, Queens College, CUNY, author ofHitchcockThe Making of a Reputation, andeditor of Charles Burnett Interviews A revelatory and welcome book.Edward Dimendberg, Professor, School of Humanities, University of California, Irvine About the Author James Naremore is Chancellors Professor Emeritus at Indiana University and author of The Magic World of Orson Welles, Acting in the Cinema, More than Night Film Noir in Its Contexts, On Kubrick, and An Invention without a Future Essays on Cinema.
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Author: Richard Morris
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THEY STARTED WITH FOUR earth, air, fire, and water. From these basics, they sought to understand the essential ingredients of the world. Those who could see further, those who understood that the four were just the beginning, were the last sorcerers -- and the worlds first chemists. What we now call chemistry began in the fiery cauldrons of mystics and sorcerers seeking not to make a better world through science, but rather to make themselves richer through magic formulas and con games. Yet among these early magicians, frauds, and con artists were a few far-seeing alchemists who used the trial and error of rigorous experimentation to transform mysticism into science. Scientific historians generally credit the great 18th century French chemist Antoine Lavoisier with modernizing the field of chemistry. Others would follow his lead, carefully examining, measuring, and recording their findings. One hundred years later, another pioneer emerged. Dimitri Mendeleev, an eccentric genius who cut his flowing hair and beard but once a year, finally brought order to the chemical sciences when he constructed the first Periodic Table in the late 1800s. But between and after Lavoisier and Mendeleev were a host of other colorful, brilliant scientists who made their mark on the field of chemistry. Depicting the lively careers of these scientists and their contributions while carefully deconstructing the history and the science, author Richard Morris skillfully brings it all to life. Hailed by Kirkus Reviews as a clear and lively writer with a penchant for down-to-earth examples Morriss gift for explanation -- and pure entertainment -- is abundantly obvious. Taking a cue from the great chemists themselves, Morris has brewed up a potent combination of the alluringly obscure and the historically momentous, spiked with just the right dose of quirky and ribald detail to deliver a magical brew of history, science, and personalities.From Publishers WeeklyThough the stories in this volume have been told before in other books, Morris (The Evolutionists Times Arrow) manages to make the history of the periodic tables conception fresh and quirky one more time. He does this by focusing his narrative on the early alchemists, who were among the first scientists to investigate the composition of metals and who were widely perceived to be near-sorcerous practitioners of mysterious arts. Bernard of Treves, for one, squandered his life and money questing for the secret that would turn ordinary metals into gold. Another alchemist, Paracelsus, was the first to use the word chemistry, though his egomania and his devotion to the truth earned him nothing but trouble. Hennig Brandt collected buckets of human urine trying to make gold and instead ended up producing phosphorus. In Morriss account, even Robert Boyle, generally considered to be the founder of modern chemistry, was an alchemist. It wasnt until the 18th century, Morris writes, that alchemy was supposedly superceded by chemistry. Thus the more familiar legends of chemistry-featuring scientists like Humphrey Davy, Joseph Priestly and Antoine Lavoisier-appear later in this volume, which recounts the formation of our basic ideas about chemical compounds, elements and molecules. Dimitri Mendeleev, the organizer of the periodic table, gets special treatment. Morris finishes up this delightful tale of science history by sweeping through the 20th century chemists whose discoveries were beyond the wildest imaginings of the ancient Greeks, but who still couldnt make gold from lead. 2003 Reed Business Information, Inc. Review...a fascinating read... well-written popular science, and as such deserves to be widely read. -- Nature, January 1, 2004...rife with rich stories and wacky characters. This book puts fun into the fundamentals of chemistry. -- East Oregonian, November 9, 2003A potpourri of eccentric, foolhardy, strange, and even law-breaking geniuses and near-geniuses populate these pages. -- Choice, April 2004In this lively chronology, Morris introduces these scores of others who shaped chemistry. -- Science News, January 24, 2004The book is easy to read even for nonchemists... -- Chemical & Engineering News, October 6, 2003This book is written to present the history of chemistry as a voyage of discovery. It makes excellent reading. -- Books-on-Line[A] lively account of how rigorous experimentation led from mysticism to science... -- Nob Hill Gazette, January 2004
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