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2 May 2021 08:42:03 UTC
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Rosa Luxemburg, Womens Liberation, and Marxs Philosophy of Revolution
Author: Raya Dunayevskaya, Rosa Luxemburg,
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MONIC
94528
Author: Gillian Clark
File Type: pdf
Rarely did ancient authors write about the lives of women even more rarely did they write about the lives of ordinary women not queens or heroines who influenced war or politics, not sensational examples of virtue or vice, not Christian martyrs or ascetics, but women of moderate status, who experienced everyday joys and sorrows and had everyday merits and failings. Such a woman was Monica--now Saint Monica because of her relationship with her son Augustine, who wrote about her in the Confessions and elsewhere. Despite her rather unremarkable life, Saint Monica has inspired a robust controversy in academia, the Church, and the Augustine-reading public alike some agree with Ambrose, bishop of Milan, who knew Monica, that Augustine was exceptionally blessed in having such a mother, while others think that Monica is a classic example of the manipulative mother who lives through her son, using religion to repress his sexual life and to control him even when he seems to escape. In Monica An Ordinary Saint, Gillian Clark reconciles these competing images of Monicas life and legacy, arriving at a woman who was shrewd and enterprising, but also meek and gentle. Weighing Augustines discussion of his mother against other evidence of womens lives in late antiquity, Clark achieves portraits both of Monica individually, and of the many women like her. Augustine did not claim that his mother was a saint, but he did think that the challenges of everyday life required courage and commitment to Christian principle. Monicas ordinary life, as both he and Clark tell it, showed both. Monica An Ordinary Saint illuminates Monica, wife and mother, in the context of the societal expectations and burdens that shaped her and all ordinary women. **
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MEDUS
21098
Author: Matt Kaplan
File Type: epub
We all know theres no such thing as monsters, but our imaginations tell us otherwise. From the mythical beasts of ancient Greece to the hormonal vampires of the Twilight saga, monsters have captivated us for millennia. Matt Kaplan, a noted science journalist and monster-myth enthusiast, employs an entertaining mix of cutting-edge research and a love of lore to explore the history behind these fantastical fictions and our hardwired obsession with things that go bump in the night. Ranging across history, Medusas Gaze and Vampires Bite tackles the enduring questions that arise on the frontier between fantasy and reality. What caused ancient Minoans to create the tale of the Minotaur and its subterranean maze? Did dragons really exist? What inspired the creation of vampires and werewolves, and why are we so drawn to them? With the eye of a journalist and the voice of a storyteller, Kaplan takes readers to the forefront of science, where our favorite figures of horror may find real-life validation. Does the legendary Kraken, a squid of epic proportions, really roam the deep? Are we close to making Jurassic Park a reality by replicating a dinosaur from fossilized DNA? As our fears evolve, so do our monsters, and Medusas Gaze and Vampires Bite charts the rise of the ultimate beasts, humans themselves.ReviewIn this insightful guide to mythic monsters, Matt Kaplan not only tracks the likely ancient origins of terrifying beasts, but predicts how these nightmarish creatures are evolving today and might manifest themselves in our future.Adrienne Mayor, author of The First Fossil Hunters Dinosaurs, Mammoths, and Myth in Greek and Roman TimesKaplan merges his incisive wit and clever pen into what can only be described as a delightfully seductive little monster.Eli Finkel, Professor of Psychology, Northwestern UniversityA wonderful read for movie and history buffs that will leave you believing monsters are real!John Carls, Producer of Where the Wild Things AreAbout the AuthorMatt Kaplan is a science journalist, regularly contributing to National Geographic, New Scientist, Nature, and The Economist.His writing has also appeared in The New York Times. When not chained to a desk, Kaplan travels the wilds of the world as part of a London expedition team. He lives in London.
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SHAKE
114828
Author: J. F. Bernard
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Argues that Shakespeare transforms philosophies of comedy and melancholy by revising them concomitantly Iconic as Hamletis, Shakespearean comedy showcases an extraordinary reliance on melancholy that ultimately reminds us of the porous demarcation between laughter and sorrow. This richly contextualized study of Shakespeares comic engagement with sadness contends that the playwright rethinks melancholy through comic theatre and conversely, re-theorizes comedy through melancholy. In fashioning his own comic interpretation of the humour, Shakespeare distils an impressive array of philosophical discourses on the matter, from Aristotle to Robert Burton and as a result, transforms the theoretical afterlife of both notions. The book suggests that the deceptively potent sorrow at the core of plays such as The Comedy of Errors, Twelfth Night, or The Winters Taleinfluences modern accounts of melancholia elaborated by Sigmund Freud, Judith Butler, and others. Whats so funny about melancholy in Shakespearean comedy? It might just be its reminder that, behind roaring laughter, one inevitably finds the subtle pangs of melancholy. Key Features Offers new readings of nine Shakespearean comedies centred on their extensive, interconnected treatments of melancholy Underscores Shakespeares significant revisions of philosophical discourses on melancholy, both classical and early modern, while tailoring the concept to specific comic purposes Argues that the particular sense of melancholy that Shakespeare develops throughout his comic canon informs later theorizations of melancholia and related concepts in psychoanalysis, performance studies and affect theory Contributes to the ongoing interdisciplinary critical effort to deepen our understanding of the nature, history and impact of melancholy on Western culture by drawing particular attention to its conflation of emotional and artistic overtones.
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THE M
133211
Author: William Benjamin Carpenter
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1883 Excerpt ...2.--Preparation and Mounting of Objects. 189. Imbedding Procexses.--The preparation of soft Organic sabstances for Section-cutting by. imbedding, may be made in two modes, the choice between which will depend upon the consistence of the substance. If (1) it be compact, like a piece of liver or kidney, it only needs to be surrounded by the imbedding mass, which will afford it ana whole the requisite support. But if (2) it be partly occupied, like a piece of lung, by interstitial cavities, it must bo penetrated by the imbedding substance, so that every part may be duly supported.--For simple imbedding, nothing is so suitable as the firmer fats which must not, however, be so hard as to be brittle. Thus, if white Wax be used, it should be melted with an equal weight of olive oil if Paraffine or Spermaceti, it should be melted with about one-fifth of its weight of lard or soft tallow. The latter is generally to be preferred, as shrinking less in cooling the cylinder formed by the hardened wax being liable to become loose in the well of the Microtone. Either mixture being kept in stock, carefully secluded from dust, a small quantity of it should be melted for use in a porcelain basin floated in a water-bath. To avoid injury to the tissue, its temperature should not be raised more than is requisite for its thorough liquefaction. The substance to be cut, having been previously hardened ( 199), should be taken out of the spirit in which it is preserved and a piece of suitable sizo having been cut off, this should bplaced on blotting-paper, so that the spirit may drain away, and its surface may become dry. It is then to be dipped (as recommended by Dr, Sylvester Marsh), in a very weak solution--20 grains to the ounce--of Gum Arabic, care being taken in d... httpwww.archive.orgdetailscu31924003016734
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EARLY
65224
Author: Istvãn Keul
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Conceived as another chapter in the European history of religions (Europaische Religionsgeschichte), this book deals with the intense dynamics of the overlapping political, ethnic, and denominational constellations in Reformation and post-Reformation Transylvania. Navigating along multiple narrative tracks, and attempting to treat the religious history of an entire region over a limited time period in a differentiated, polyfocal way, the book represents a departure from the master narratives of any singularly oriented religious history. At the same time, the present work seeks to contribute to laying the groundwork at the micro- and meso-contextual level of East-Central European confessionalization processes, and to developing interpretive models for these processes in the region.
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ISRAE
19248
Author: Efraim Karsh
File Type: epub
The Zionist Movement was born in the wake of Jewish emancipation in Western Europe, and at a time of increased persecution in Eastern Europe. This volume addresses the intellectual, social and political ramifications of Jewish settlement in Eretz Israel before the creation of the State of Israel.
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ARMIN
47706
Author: Martin M. Winkler
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Arminius the Liberator Myth and Ideology deals with a particular, although wide-ranging, aspect in the long reception history of Arminius the Cheruscan, commonly called Hermann. Arminius inflicted one of their most devastating defeats on the Romans in the year 9 A.D., when he destroyed three legions under the command of Varus in the Battle in the Teutoburg Forest, as it is generally called. Martin M. Winkler traces the origin and development of the Arminius legend in antiquity and in political and ideological appropriations of Arminius-Hermann since the nineteenth century. The books central theme is the ideological use and abuse of history and of historical myth in Germany Weimar-era nationalism, National Socialism, and the reaction to the ideological taint of the Arminius figure after 1945. The book also examines the various appearances of Arminius in art and media from the 1960s until today. Special emphasis is on the representation of Arminius in the era of visual mass media in Germany, Italy, and the U.S. painting (Anselm Kiefer) and theater (Claus Peymann) but, most extensively, cinema, television, and computer videos--
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35726
Author: Laurie R. King
File Type: mobi
BESTSELLING AUTHORS GO HOLMES--IN AN IRRESISTIBLE NEW COLLECTION edited by award-winning Sherlockians Laurie R. King and Leslie S. KlingerNeil Gaiman. Laura Lippman. Lee Child. These are just three of eighteen superstar authors who provide fascinating, thrilling, and utterly original perspectives on Sherlock Holmes in this one-of-a-kind book. These modern masters place the sleuth in suspenseful new situations, create characters who solve Holmesian mysteries, contemplate Holmes in his later years, fill gaps in the Sherlock Holmes Canon, and reveal their own personal obsessions with the Great Detective.Thomas Perry, for example, has Dr. Watson tell his tale, in a virtuoso work of alternate history that finds President McKinley approaching the sleuth with a disturbing request Lee Child sends an FBI agent to investigate a crime near todays Baker Street--only to get a twenty-first-century shock Jacqueline Winspear spins a story of a plucky boy inspired by the...
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NOX P
98190
Author: Erik Gunderson
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In this strikingly original and playful work, Erik Gunderson examines questions of reading the pastan enterprise extending from antiquity to the present day. This esoteric and original study focuses on the equally singular work of Aulus Gelliusa Roman author and grammarian (ca. 120-180 A.D.), possibly of African origin. Gelliuss only work, the twenty-volume Noctes Atticae,is an exploding, sometimes seemingly random text-cum-diary in which Gellius jotted down everything of interest he heard in conversation or read in contemporary books. Comprising notes on Roman and classical grammar, geometry, philosophy, and history, it is a one-work overview of Latin scholarship, thought, and intellectual culture, a combination condensed library and cabinet of curiosities. Gunderson tackles Gellius with exuberance, placing him in the larger culture of antiquarian literature. Purposely echoing Gelliuss own swooping word-play and digressions, he explores the techniques by which knowledge was produced and consumed in Gelliuss day, as well as in our own time. The resulting book is as much pure creative fun as it is a major work of scholarship informed by the theories of Michel Foucault, Gilles Deleuze, and Jacques Derrida. **Review div aria-live=polite data-a-expander-collapsed-height=300 a-expander-collapsed-height a-row a-expander-container a-expander-partial-collapse-container max-height30 _height30 div aria-expanded=false a-expander-content a-expander-partial-collapse-content Should become one of those cult books loved by bibliophiles of whatever area of expertise.John Henderson, University of Cambridge, editor and translator of Asinaria by PlautusA sustained jeu d esprit of rare verve and panache. It is also perhaps the deepest and most perceptive assault on the complex world of Aulus Gelliuss Noctes Atticae in modern scholarship by turns playful, conversational, difficult, discursive, penetrating.Jas Elsner, University of OxfordAbout the Author div aria-live=polite data-a-expander-collapsed-height=300 a-expander-collapsed-height a-row a-expander-container a-expander-partial-collapse-container max-height30 _height30 div aria-expanded=false a-expander-content a-expander-partial-collapse-content Erik Gunderson is associate professor of classics at the University of Toronto. His other books include Declamation, Paternity and Roman Identity Authority and the Rhetorical Self and Staging Masculinity The Rhetoric of Performance in the Roman World.
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