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Powers of Darkness: The Lost Version of Dracula
Author: Bram Stoker
File Type: epub
The first-ever translation into English of a newly discovered Icelandic adaptation of Bram Stokers classic gothic novel, DraculaWith the discovery of its vast differences from Dracula, [Powers of Darkness] will have a lasting effect on the world of vampire studies. John Williams,The New York Times Book Review Powers of Darkness is an incredible literary discovery In 1900, Icelandic publisher and writer Valdimar Asmundsson set out to translate Bram Stokers world-famous 1897 novel Dracula. Called Makt Myrkranna (literally, Powers of Darkness), this Icelandic edition included an original preface written by Stoker himself. Makt Myrkranna was published in Iceland in 1901 but remained undiscovered outside of the country until 1986, when Dracula scholarship was astonished by the discovery of Stokers preface to the book. However, no one looked beyond the preface and deeper into Asmundssons story.In 2014, literary researcher Hans de Roos dove into the full text of Makt Myrkranna, only to discover that Asmundsson hadnt merely translated Dracula but had penned an entirely new version of the story, with all new characters and a totally re-worked plot. The resulting narrative is one that is shorter, punchier, more erotic, and perhaps even more suspenseful than Stokers Dracula. Incredibly, Makt Myrkranna has never been translated or even read outside of Iceland until now.Powers of Darkness presents the first ever translation into English of Stoker and Asmundssons Makt Myrkranna. With marginal annotations by de Roos providing readers with fascinating historical, cultural, and literary context a foreword by Dacre Stoker, Bram Stokers great-grandnephew and bestselling author and an afterword by Dracula scholar John Edgar Browning, Powers of Darkness will amaze and entertain legions of fans of Gothic literature, horror, and vampire fiction.**ReviewWith the discovery of its vast differences fromDracula, [Powers of Darkness] will have a lasting effect on the world of vampire studies. - John Williams, *The New York Times Book Review* Our familiar, beloved count has a wintry doppelganger, thanks to this strange, pleasing curiosity of a book. - The Guardian This early translation of Bram Stokers landmark novel, translated into English for the first time, provides an illuminating look at an act of literary interpretation . . . De Rooss abundant annotations are insightful, and the translation, although pulpier than Stokers original, is a fascinating gloss on a literary classic. - Publishers Weekly Powers of Darknessis an incredible discovery that serves as a return to form for the vampire story, giving the Count and his famous Transylvanian castle centre stage once more, and scaring us all senseless in the process. - The National Post Powers of Darknessis an entertaining story and during the read, it is easy to forget what its supposed to bea translationand think of it as an entirely new novel . . . to quote from the original There are mysteries men can only guess at, which age by age they may solve only in part.Powers of Darknessdoes exactly that, while offering new mysteries in their place. - Toni V. Sweeney, *The New York Journal of Books* A completely new look at this classic text that fans of the book and genre wont want to miss. - San Francisco Book Review This thoroughly documented work is recommended forDraculascholars, and general readers of horror will also enjoy the story. - Library JournalAbout the Author Abraham Bram Stoker (1847-1912) was an Irish novelist and short-story writer best known for his vampire novel, Dracula. His other works include The Mystery of the Sea, The Jewel of the Seven Stars, The Man, and The Lair of the White Worm.
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130739
Author: James Gleick
File Type: pdf
div user_annotationsJames Gleick, the author of the best sellers Chaos and Genius, now brings us a work just as astonishing and masterly a revelatory chronicle and meditation that shows how information has become the modern eras defining qualitythe blood, the fuel, the vital principle of our world. The story of information begins in a time profoundly unlike our own, when every thought and utterance vanishes as soon as it is born. From the invention of scripts and alphabets to the long-misunderstood talking drums of Africa, Gleick tells the story of information technologies that changed the very nature of human consciousness. He provides portraits of the key figures contributing to the inexorable development of our modern understanding of information Charles Babbage, the idiosyncratic inventor of the first great mechanical computer Ada Byron, the brilliant and doomed daughter of the poet, who became the first true programmer pivotal figures like Samuel Morse and Alan Turing and Claude Shannon, the creator of information theory itself.And then the information age arrives. Citizens of this world become experts willy-nilly aficionados of bits and bytes. And we sometimes feel we are drowning, swept by a deluge of signs and signals, news and images, blogs and tweets. The Information is the story of how we got here and where we are heading.From the Hardcover edition.Amazon.com ReviewAmazon Best Books of the Month, March 2011 In a sense, The Information is a book about everything, from words themselves to talking drums, writing and lexicography, early attempts at an analytical engine, the telegraph and telephone, ENIAC, and the ubiquitous computers that followed. But thats just the History. The Theory focuses on such 20th-century notables as Claude Shannon, Norbert Wiener, Alan Turing, and others who worked on coding, decoding, and re-coding both the meaning and the myriad messages transmitted via the media of their times. In the Flood, Gleick explains genetics as biologys mechanism for informational exchange--Is a chicken just an eggs way of making another egg?--and discusses self-replicating memes (ideas as different as earworms and racism) as informations own evolving meta-life forms. Along the way, readers learn about music and quantum mechanics, why forgetting takes work, the meaning of an interesting number, and why [t]he bit is the ultimate unsplittable particle. What results is a visceral sense of informations contemporary precedence as a way of understanding the world, a physicalsymbolic palimpsest of self-propelled exchange, the universe itself as the ultimate analytical engine. If Borgess Library of Babel is literatures iconic cautionary tale about the extreme of informational overload, Gleick sees the opposite, the world as an endlessly unfolding opportunity in which creatures of the information may just recognize themselves. --Jason KirkFrom Publishers WeeklyStarred Review. In 1948, Bell Laboratories announced the invention of the electronic semiconductor and its revolutionary ability to do anything a vacuum tube could do but more efficiently. While the revolution in communications was taking these steps, Bell Labs scientist Claude Shannon helped to write a monograph for them, A Mathematical Theory of Communication, in which he coined the word bit to name a fundamental unit of computer information. As bestselling author Gleick (Chaos) astutely argues, Shannons neologism profoundly changed our view of the world his brilliant work introduced us to the notion that a tiny piece of hardware could transmit messages that contained meaning and that a physical unit, a bit, could measure a quality as elusive as information. Shannons story is only one of many in this sprawling history of information. With his brilliant ability to synthesize mounds of details and to tell rich stories, Gleick leads us on a journey from one form of communicating information to another, beginning with African tribes use of drums and including along the way scientists like Samuel B. Morse, who invented the telegraph Norbert Wiener, who developed cybernetics and Ada Byron, the great Romantic poets daughter, who collaborated with Charles Babbage in developing the first mechanical computer. Gleicks exceptional history of culture concludes that information is indeed the blood, the fuel, and the vital principle on which our world runs.
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