Activist WPA, The: Changing Stories About Writing and Writers
Author: Linda Adler-Kassner One wonders if there is any academic field that doesnt suffer from the way it is portrayed by the media, by politicians, by pundits and other publics. How well scholars in a discipline articulate their own definition can influence not only issues of image but the very success of the discipline in serving students and its other constituencies. The Activist WPA is an effort to address this range of issues for the field of English composition in the age of the Spellings Commission and the No Child Left Behind Act. Drawing on recent developments in framing theory and the resurgent traditions of progressive organizers, Linda Adler-Kassner calls upon composition teachers and administrators to develop strategic programs of collective action that do justice to compositions best principles. Adler-Kassner argues that the story of college composition can be changed only when writing scholars bring the wonders down, to articulate a theory framework that is pragmatic and intelligible to those outside the field--and then create messages that reference that framework. In The Activist WPA, she makes a case for developing a more integrated vision of outreach, English education, and writing program administration.
Author: Merritt Moseley
In Understanding Jonathan Coe, the first full-length study of the British novelist, Merritt Moseley surveys a writer whose experimental technique has become increasingly well received and critically admired. Coe is the recipient of the John Llewellyn Rhys Prize, the Prix Medicis, the Priz du Meilleur Livre Entranger, the Bollinger Everyman Wodehouse Prizes for Fiction, and the Samuel Johnson Prize for Nonfiction. His oeuvre includes eleven novels and three biographiestwo of famous Hollywood actors Humphrey Bogart and Jimmy Stewart and one of English modernist novelist B. S. Johnson. Following an introductory overview of Coes life and career, Moseley examines Coes complex engagement with popular culture, his experimental technique, his political satire, and his broad-canvased depictions of British society. Though his first three books, An Accidental Woman, A Touch of Love, and The Dwarves of Death, received little notice upon publication, Moseley shows their strengths as literary works and as precursors. In 1994 Coe gained visibility with What a Carve Up!, which has remained his most admired and discussed novel. He has since published a postmodern take on sleep disorders and university students, The House of Sleep; a two-volume roman-fleuve consisting of The Rotters Club and The Closed Circle; a touching account of a lonely womans life, The Rain before It Falls; a satiric vision of a misguided life, The Terrible Privacy of Maxwell Sim; and a domestic comedy thriller set at the 1958 worlds fair in Brussels, Expo 58. Moseley explicates these works and discusses the recurring features of Coes fiction: political consciousness, a deep artistic concern with the form of fiction, and comedy.
Author: Robert W. Lurz
A comprehensive examination of a hotly debated question proposes a new model for mindreading in animals and a new experimental approach.
Author: Stanley Rothman
As Derek Jeter strolls toward the plate, the announcer tosses out a smattering of statisticsfrom hitting streaks to batting averages. But what do the numbers mean? And how can Americas favorite pastime be a model for learning about statistics? Sandlot Stats is an innovative textbook that explains the mathematical underpinnings of baseball so that students can understand the world of statistics and probability. Carefully illustrated and filled with exercises and examples, this book teaches the fundamentals of probability and statistics through the feats of baseball legends such as Hank Aaron, Joe DiMaggio, and Ted Williamsand more recent players such as Barry Bonds, Albert Pujols, and Alex Rodriguez. Exercises require only pen-and-paper or Microsoft Excel to perform the analyses. Sandlot Stats covers all the bases, including
Author: James Horn
Often compared unfavorably with colonial New England, the early Chesapeake has been portrayed as irreligious, unstable, and violent. In this important new study, James Horn challenges this conventional view and looks across the Atlantic to assess the enduring influence of English attitudes, values, and behavior on the social and cultural evolution of the early Chesapeake. Using detailed local and regional studies to compare everyday life in English provincial society and the emergent societies of the Chesapeake Bay, Horn provides a richly textured picture of the immigrants' Old World backgrounds and their adjustment to life in America. Until the end of the seventeenth century, most settlers in Virginia and Maryland were born and raised in England, a factor of enormous consequence for social development in the two colonies. By stressing the vital social and cultural connections between England and the Chesapeake during this period, Horn places the development of early America in the context of a vibrant Anglophone transatlantic world and suggests a fundamental reinterpretation of New World society.
Author: Paolo Ruffino
This book is not about the future of video games. It is not an attempt to predict the moods of the market, the changing profile of gamers, the benevolence or malevolence of the medium. This book is about those predictions. It is about the ways in which the past, present, and future notions of games are narrated and negotiated by a small group of producers, journalists, and gamers, and about how invested these narrators are in telling the story of tomorrow.This new title from Goldsmiths Press by Paolo Ruffino suggests the story could be told another way. Considering game culture, from the gamification of self-improvement to GamerGate's sexism and violence, Ruffino lays out an alternative, creative mode of thinking about the medium: a sophisticated critical take that blurs the distinctions among studying, playing, making, and living with video games. Offering a series of stories that provide alternative narratives of digital gaming, Ruffino aims to encourage all of us who study and play (with) games to raise ethical questions, both about our own role in shaping the objects of research, and about our involvement in the discourses we produce as gamers and scholars. For researchers and students seeking a fresh approach to game studies, and for anyone with an interest in breaking open the current locked-box discourse, Future Gaming offers a radical lens with which to view the future.
Author: Valérie Loichot
Water Graves considers representations of lives lost to water in contemporary poetry, fiction, theory, mixed media art, video production, and underwater sculptures. From sunken slave ships to the devastation of Hurricane Katrina, Valerie Loichot investigates the lack of official funeral rites in the Atlantic, the Caribbean Sea, and the Gulf of Mexico, waters that constitute both early and contemporary sites of loss for the enslaved, the migrant, the refugee, and the destitute. Unritual, or the privation of ritual, Loichot argues, is a state more absolute than desecration. Desecration implies a previous sacred observance--a temple, a grave, a ceremony. Unritual, by contrast, denies the sacred from the beginning.In coastal Louisiana, Mississippi, Georgia, Miami, Haiti, Martinique, Cancun, and Trinidad and Tobago, the artists and writers featured in Water Gravesan eclectic cast that includes Beyonce, Radcliffe Bailey, Edwidge Danticat, Edouard Glissant, M. NourbeSe Philip, Jason deCaires Taylor, Edouard Duval-Carrie, Natasha Trethewey, and Kara Walker, among othersare an archipelago connected by a history of the slave trade and environmental vulnerability. In addition to figuring death by drowning in the unritualwhether in the context of the aftermath of slavery or of ecological and human-made catastrophestheir aesthetic creations serve as memorials, dirges, tombstones, and even material supports for the regrowth of life underwater.
Author: William Freedman
Few if any writers in the English language have been cited, praised, chided, or marveled at more routinely than Joseph Conrad for the perplexing evasiveness, contradictoriness, and indeterminacy of their fiction. William Freedman argues that the explanations typically offered for these identifying characteristics of much of Conrads work are inadequate if not mistaken. Freedmans claim is that the illusiveness of a coherent interpretation of Conrads novels and shorter fictions is owed not primarily to the inherent slipperiness or inadequacy of language or the consequence of a willful self-deconstruction. Nor is it a product of the writer's philosophical nihilism or a realized aesthetic of suggestive vagueness. Rather, Freedman argues that the perplexing elusiveness of Conrads fiction is the consequence of a pervasive ambivalence toward threatening knowledge, a protective reluctance and recoil that are not only inscribed in Conrads tales and novels, but repeatedly declared, defended, and explained in his letters and essays. Conrads narrators and protagonists often set out on an apparent quest for hidden knowledge or are drawn into one. But repelled or intimidated by the looming consequences of their own curiosity and fervor, they protectively obscure what they have barely glimpsed or else retreat to an armory of practiced distractions. The result is a confusingly choreographed dance of approach and withdrawal, fascination and revulsion, revelation and concealment. The riddling contradictions of these fictions are thus in large measure the result of this ambivalence, their evasiveness the mark of intimidation's triumph over fascination. The idea of dangerous and forbidden knowledge is at least as old as Genesis, and Freedman provides a background for Conrads recoil from full exposure in the rich admonitory history of such knowledge in theology, myth, philosophy, and literature. He traces Conrad's impassioned, at times pleading case for protective avoidance in the writer's letters, essays and prefaces, and elucidates its enactment and its connection to Conrad's signature evasiveness in a number of short stories and novels, with special attention to The Secret Agent, Heart of Darkness, Lord Jim, Under Western Eyes and The Rescue.
Author: By Edward Relph
Extending a hundred miles across south-central Ontario, Toronto is the fifth largest metropolitan area in North America, with the highest population density and the busiest expressway. At its core old Toronto consists of walkable neighborhoods and a financial district deeply connected to the global economy. Newer parts of the region have downtown centers linked by networks of arterial roads and expressways, employment districts with most of the region's jobs, and ethnically diverse suburbs where English is a minority language. About half the population is foreign-bornthe highest proportion in the developed world. Population growth because of immigrationalmost three million in thirty yearsshows few signs of abating, but recently implemented regional strategies aim to contain future urban expansion within a greenbelt and to accommodate growth by increasing densities in designated urban centers served by public transit.Toronto: Transformations in a City and Its Region traces the city's development from a British colonial outpost established in 1793 to the multicultural, polycentric metropolitan region of today. Though the original grid survey and much of the streetcar city created a century ago have endured, they have been supplemented by remarkable changes over the past fifty years in the context of economic and social globalization. Geographer Edward Relph's broad-stroke portrait of the urban region draws on the ideas of two renowned TorontoniansJane Jacobs and Marshall McLuhanto provide an interpretation of how its current forms and landscapes came to be as they are, the values they embody, and how they may change once again.