a criação dos mundos Srishti, sthiti, and laya According to Advaita Vedanta, there is a beginning-less and endless cycle of creation, maintenance and dissolution or resolution, called ‘srishti’, ‘sthiti’, and ‘laya’. This is indeed fascinating as it strongly complies with the concept of matter converting into energy and back. energy converting into matter is called sristhi. In each srishti, or creation, the variety and pattern of objects, the attributes of the bodies and minds and the events and situations have to be fashioned to suit the energy it carries. This is also related to the concept of karma. Matter in various modes of motion is sthiti. This is the mode of existence that human beings normally refer to. This is the stage of maintenance. The third stage of this cycle is laya or the stage of resolution. Laya is matter converting into energy. This conversion can be at any level. In-fact, on a large-scale, laya can even attain the form of ‘pralaya’. Pralaya should not be confused with doomsday. Doomsday means the end. Pralaya, on the other hand, is just a part of a never-ending cycle of creation (srishti), maintenance (sthiti) and resolution (laya), which is endless and has no beginning either. Srishti, sthiti e laya De acordo com Advaita Vedanta, existe um ciclo sem começo e interminável de criação, manutenção e dissolução ou resolução, chamado 'srishti', 'sthiti' e 'laya'. Isso é realmente fascinante, pois cumpre fortemente o conceito de matéria que se converte em energia e vice-versa. a energia que se converte em matéria é chamada sristhi. Em cada srishti, ou criação, a variedade e o padrão de objetos, os atributos dos corpos e mentes e os eventos e situações devem ser modelados para se adequar à energia que ele carrega. Isso também está relacionado ao conceito de karma. A matéria em vários modos de movimento é sthiti. Este é o modo de existência a que os seres humanos normalmente se referem. Este é o estágio de manutenção. O terceiro estágio deste ciclo é laya ou o estágio de resolução. Laya é matéria que se converte em energia. Essa conversão pode estar em qualquer nível. De fato, em larga escala, o laya pode até atingir a forma de 'pralaya'. Pralaya não deve ser confundido com o dia do juízo final. Doomsday significa o fim. Pralaya, por outro lado, é apenas parte de um ciclo interminável de criação (srishti), manutenção (sthiti) e resolução (laya), que é interminável e também não tem começo. ... https://www.youtube.com/watch?v=8XlJibHcsw0

TO HELP THE CHANNEL,PARA AJUDAR O CANAL, thanks qualquer valor em PIX: 55 41 99280 4201 Emerson Berlanda any amount doação em bitcoin Bitcoin (satoshis) donations, BTC: bc1q9r087ap9ut69yfn4xy6fwk0gt5w9gdfcv4aqvr ... https://www.youtube.com/watch?v=RaJ0yD8agWw

O Rig Veda é a escritura mais antiga da humanidade O Rigveda é de longe mais arcaico que qualquer outro texto indo-ariano. Por essa razão, foi o centro de atenção da sabedoria ocidental dos tempos de Max Müller. Aceita-se que o núcleo do Rigveda' date da Idade do Bronze, fazendo dele o único exemplo de literatura da Idade do Bronze com uma tradição irrompida. Sua composição é geralmente datada entre 10 700 a.C ... https://www.youtube.com/watch?v=aMVK5ptF-sc

Tangerine Dream: Tangerine Tree, Vol. 81 Brighton 1976 ================================== Vol. 52 - Cologne 1972 1. Klangwald 1 37:22 2. Klangwald 2 40:40 Total running time 78:02 Details Recording date November 25th, 1972 (?) Recording site(s) WDR Sendesaal (Cologne) (?) Composer(s) Edgar Froese, Chris Franke, Peter Baumann Musician(s) Edgar Froese, Chris Franke, Peter Baumann Notes Tangerine Tree Volume 52: Cologne 1972 is another highlight of this fan project, presenting a totally unknown recording from 1972. Originally a mono recording, the music has nothing to do with the already known Cologne 25 Nov 1972 show (an FM recording with announcer; this one was planned to be released in a later volume of this series), although it is certainly from the same period considering the instruments used. It contains two long tracks, and it's not really sure if it has been really recorded during that show. In 2011, the main Tangerine Tree organiser reported about the recording: "I received this a few years ago from a Belgian collector. I can't even recall his name, or if he was/is part of the tadream list. I got an email in which he offered me a tape from the 'Klangwald' show, and of course I said 'great!', hoping that he had a superior copy of the show than what was in circulation at that time. As some of you may know I even contacted radio and TV stations and bought pricey master copies for the Tangerine Tree series [...], but the 'Klangwald' show was unobtainable. You can imagine my surprise when I first heard the cassette (an old one which had 'Klangwald' written on it). Despite an awful amount of tape hiss it was clear that this was a different recording. I then passed it on to [...] who did the usual excellent remastering job. How the Belgian fan got hold of it I guess we'll never know. Musically it fits right into the late '72/early '73 kind of music TD was playing, and although I wasn't quite convinced I labelled the TT52 disc as 'Klangwald', knowing that it must have been a pretty long show if you'd combine it with what we already knew before!" Thus, it is quite likely that the origin of this recording is one of those 1972 shows no recording is known of. Anyway, the music is brillant, an improvised cosmic classic which perfectly fits into the Zeit and Atem period. The sound quality is very good, given the age of the recording which seems to be taken directly from a studio session or a live soundboard. Tangerine Tree Volume 59: Essen 1968 & Ossiach 1971 1. Essen 68, Part One 16:36 2. Essen 68, Part Two 18:20 3. Oszillator Planet Concert 8:05 Total running time 43:01 Details Recording date September 29th, 1968 (?) & June 29, 1971 Recording site(s) Grugahalle (Essen) & Ossiach Notes Tangerine Tree Volume 59: Essen 1968 is a quite strange recording: the date of origin is not confirmed, it is even unsure whether it is really a Tangerine Dream performance! It seems to be an FM or soundboard recording, and the music is hard to describe -- no psychedelic rock music, but very dissonant, experimental sound collages. The second track is just voices, but it is very effective and interesting. As a bonus the disc contains the Oszillator Planet Concert track from the 1971 Ossiach Live LP, sourced and denoised from Electronic Orgy. Tangerine Tree Volume 50: Assorted Secrets 2 1. Silver Scale / Horns Of Doom 7:10 2. Strange Behavior 2:16 3. Sobornost 8:27 4. Soldier On The Beach 4:14 5. Unicorn Theme (Long Version) 7:04 6. Zoning I 2:51 7. Zoning II 4:10 8. Canyon Carver 4:24 9. Hermit's Rest 5:44 10. Canyon Voices 4:43 11. Brother Or Stranger 4:51 12. Metropole Berlin 12:48 13. Dies Martis (TransMercury) [Alternate Version] 4:01 14. Ruling The Waves 6:03 Total running time 78:46 Recording date 1981-1999 Composer(s) Edgar Froese, Chris Franke, Johannes Schmoelling, Paul Haslinger, Jerome Froese Musician(s) Edgar Froese, Chris Franke, Johannes Schmoelling, Paul Haslinger, Jerome Froese, Susanne Pawlitzki Notes Tangerine Tree Volume 50: Assorted Secrets 2 is a successor of Tangerine Tree Volume 36: Assorted Secrets, another compilation of rare tracks, mostly taken from videos or soundtracks, or from TV. Sound quality varies, but is generally very good. ================================== Vol. 76 - Seattle 1992