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Author: Paul Varner
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The Historical Dictionary of Romanticism in Literature provides a large overview of the Romantic Movement that seemed at the time to have swept across Europe from Russia to Germany and France, to Britain, and across the Atlantic to the United States. The Romantics saw themselves as inaugurating a new era. They frequently referred to themselves or their contemporaries as Romantics and their art as Romantic. From the early stirrings in Germany, to the last decade of the eighteenth century in England with the political radicals and the Lake Poets, to the Transcendental Club in Massachusetts, the leaders of the age acknowledged their new Romantic attitudes. This volume takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on the writers and the poems, novels, short stories and essays, plays, and other works they produced the leading trends, techniques, journals, and literary circles and the spirit of the times are also covered. This book is an excellent access point for students, researchers, and anyone wanting to know more romanticism in literature. ReviewVarner, author of several previous historical dictionaries focusing on American literary genres, takes a broad chronological view of and an international approach to his topic of Romanticism in literature. With an informative introduction, a detailed chronology, and an extensive bibliography, Varner whets readers appetites for more detail. The British Romantics receive the most space, but Varner does not neglect German, American, French, Spanish, and Russian writers. His dictionary reflects a wider range of writers than the anthologies of 30 or 40 years ago. Women are well represented and given significant coverage as are some lesser-known Continental and British male writers, making this dictionary a source for discovery as well as reinforcement. Students would do well to have this volume at hand while studying, so it seems fitting that it should circulate rather than be confined to reference shelves. Ample cross-references mean that one can follow a satisfying and informative path through the book without regard for the alphabetical arrangement. In sum, this is an excellent introduction for novices and a handy reference for more experienced scholars. Summing Up Recommended. Undergraduates through researchersfaculty general readers. (CHOICE) The Historical Dictionary of Romanticism in Literature takes a close and comprehensive look at romanticism in literature through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on the writers and the poems, novels, short stories and essays, plays and other works they produced the leading trends, techniques, journals and literary circles, and the spirit of the times are also covered. This book is an excellent access point for students, researchers, and anyone wanting to know more romanticism in literature.About the AuthorPaul Varner serves as the Scholar in Residence for the English Department at Abilene Christian University. He has published three other volumes in this series from Rowman and Littlefield, Historical Dictionary of Westerns in Cinema (2008), Historical Dictionary of Westerns in Literature (2010), and Historical Dictionary of the Beat Movement (2012).
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145852
Author: Jean-Paul Sartre
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Truth and Existence, written in response to Martin Heideggers Essence of Truth, is a product of the years when Sartre was reaching full stature as a philosopher, novelist, playwright, essayist, and political activist. This concise and engaging text not only presents Sartres ontology of truth but also addresses the key moral questions of freedom, action, and bad faith. Truth and Existence is introduced by an extended biographical, historical, and analytical essay by Ronald Aronson. Truth and Existence is another important element in the recently published links between Sartres existentialist ontology and his later ethical, political, and literary concerns. . . . The excellent introduction by Aronson will help readers not experienced in reading Sartre.Choice Accompanied by an excellent introduction, this dense, lucidly translated treatise reveals Sartre as a characteristically 20th-century figure.Publishers Weekly Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot, and The Freud Scenario, both published in translation by the University of Chicago Press. **From Publishers Weekly Ignorance, if Sartre is correct, is an intentional act, a means of avoiding the truth through sheer indifference or an act of will. Freedom is achieved through hard work and choice--both anathema to the willfully ignorant--declares the French existentialist in this short, coherent philosophical tract, written in 1948 and published only now. To prove that ignorance is bad faith, Sartre uses the example of a tubercular woman who denies her illness, pretending to be controlled by destiny yet at the same time preoccupied with the suppressed truth. Other forms of bad faith explored here are passive contemplation, innocence and abstract knowledge divorced from living reality. Accompanied by an excellent introduction, this dense, lucidly translated treatise reveals Sartre as a characteristically 20th-century figure. Van den Hoven is a professor of French at the University of Windsor in Ontario, Aronson a humanities professor at Wayne State in Michigan. 1992 Reed Business Information, Inc. From Library Journal Although written in 1948 on the heels of Being and Nothingness , this work remained unpublished until, posthumously, Sartres adopted daughter saw it into print in France in 1989. Her arrangement of Sartres manuscript pages has been translated here, including the notes Sartre added to his draft. Editor Aronsons introduction is an important element of the work for contemporary readers because it places Sartres explication of truth within his developing philosophy. In spite of this works brevity, Sartres delineation of truth as the antithesis of willful ignorance is dense and demanding. A necessary and welcome addition to all humanities collections, it will interest scholars of the 20th century as well as philosophers. - Francisca Goldsmith, Berkeley P.L., Cal. 1992 Reed Business Information, Inc.
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1 year ago
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English