Thinking in the Spirit: Theologies of the Early Pentecostal Movement
Author: Douglas Jacobsen File Type: pdf ReviewThe American Pentecostal movement transformed church history in the 20th century. With roots in the 19th-century holiness revival, which taught believers to seek a second work of sanctification after their conversion, Pentecostalism added speaking in tongues as the necessary evidence of Holy Spirit baptism. Jacobsen (Messiah College) describes theological ideas from the first generation of Pentecostals, c. 1900, 1925, by closely analyzing the published writings of 12 of the most interesting and articulate leaders. Some choices are obvious, such as Charles Parham, founder of Pentecostal theology, and William Seymour, leader of the Azusa revival, which launched Pentecostalism into international recognition. On the other hand, Jacobsen also includes healing revivalist Fred Francis Bosworth, who embraced tongues but denied their necessity. Early Pentecostal theology was closely linked to spiritual experience -- my experience is my creed, proclaimed one of the leaders -- and was especially fluid before becoming more fixed after about 1925. As Pentecostal denominations such as the Assemblies of God matured, they also became more racially segregated. Jacobsen consistently makes good use of recent secondary sources to give historical perspective. Summing Up Recommended. Graduate students and researchersfaculty. -- W. B. Bedford, Crown College, 2004jul CHOICE(W. B. Bedford, Crown College, 2004jul CHOICE ) About the AuthorDouglas Jacobsen is Distinguished Professor of Church History and Theology at Messiah College.
Author: Friedrich Kittler
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Toward the end of the nineteenth century, the hegemony of the printed word was shattered by the arrival of new media technologies that offered novel ways of communicating and storing data. Previously, writing had operated by way of symbolic mediationall data had to pass through the needles eye of the written signifierbut phonography, photography, and cinematography stored physical effects of the real in the shape of sound waves and light. The entire question of referentiality had to be recast in light of these new media technologies in addition, the use of the typewriter changed the perception of writing from that of a unique expression of a literate individual to that of a sequence of naked material signifiers. Part technological history of the emergent new media in the late nineteenth century, part theoretical discussion of the responses to these mediaincluding texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovatorsGramophone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies. The book ties the establishment of new discursive practices to the introduction of new media technologies, and it shows how both determine the ways in which psychoanalysis conceives of the psychic apparatus in terms of information machines. Gramophone, Film, Typewriter is, among other things, a continuation as well as a detailed elaboration of the second part of the authors Discourse Networks, 18001900 (Stanford, 1990). As such, it bridges the gap between Kittlers discourse analysis of the 1980s and his increasingly computer-oriented work of the 1990s.
Author: Cleanth Brooks
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About the AuthorCleanth Brooks (October 16, 1906 - May 10, 1994) was an influential American literary critic and professor. He is best known for his contributions to New Criticism in the mid-twentieth century and for revolutionizing the teaching of poetry in American higher education. His best-known works, The Well Wrought Urn Studies in the Structure of Poetry (1947) and Modern Poetry and the Tradition (1939), argue for the centrality of ambiguity and paradox as a way of understanding poetry. With his writing, Brooks helped to formulate formalist criticism, emphasizing the interior life of a poem (Leitch 2001) and codifying the principles of close reading. Brooks was also the preeminent critic on Southern literature, writing classic texts on William Faulkner, and co-editor of the influential journal, The Southern Review (Leitch 2001). A classic that has been widely used by several generations, this book consists of detailed commentaries on ten famous English poems from the Elizabethan period to the present. Index.About the AuthorNo Bio
Author: Dario Maestripieri
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Ask anyone who has owned a pet and theyll assure you that, yes, animals have personalities. And science is beginning to agree. Researchers have demonstrated that both domesticated and nondomesticated animalsfrom invertebrates to monkeys and apesbehave in consistently different ways, meeting the criteria for what many define as personality. But why the differences, and how are personalities shaped by genes and environment? How did they evolve? The essays in Animal Personalities reveal that there is much to learn from our furred and feathered friends. The study of animal personality is one of the fastest-growing areas of research in behavioral and evolutionary biology. Here Claudio Carere and Dario Maestripieri, along with a host of scholars from fields as diverse as ecology, genetics, endocrinology, neuroscience, and psychology, provide a comprehensive overview of the current research on animal personality. Grouped into thematic sections, chapters approach the topic with empirical and theoretical material and show that to fully understand why personality exists, we must consider the evolutionary processes that give rise to personality, the ecological correlates of personality differences, and the physiological mechanisms underlying personality variation. **Review In this timely volume, the first one synthesizing and integrating the research on animal personality, Claudio Carere and Dario Maestripieri, two recognized scholars of behavioral biology, provide a collection of essays diverse in biological approaches and levels of investigation as well as in speciesfrom invertebrates to monkeys and apes, including humans. . . . There is currently no other compilation of papers providing such a broad and updated overview about a subject at the forefront of science. Various research perspectives and approaches . . . have been brought together striving to develop new avenues of research. They include applied areas with an overall holistic approach to the subject, which makes the volume particularly valuable for a wide audience, ranging from undergraduate students uncertain of their future choices, biologists of virtually all disciplines, medical researchers, veterinarians, and psychologists. (Enrico Alleva, Istituto Superiore di Sanita Annali dellIstituto Superiore di Sanita) Fascinating. . . . [and] valuable in promoting our understanding of the specific needs and motivation of different individuals, and consequently to improving their management. (Ori Pomerantz, Tel Aviv University Animal Welfare) This synthesis of a blossoming area of research is valuable for all academic libraries. Highly recommended. (B. E. Fleury, Tulane University Choice) The editors provide a cornucopia full of studies on animal personalities, diverse in biological approaches and levels of investigation as well as in species. Gone are the days, not so long ago, when the intrepid few planted the seeds of research on personalities in animals other than humans and did so despite suspicion of the enterprise. (Jeanne Altmann, Princeton University) About the Author Claudio Carere is adjunct professor of animal behavior and animal physiology in the Department of Ecological and Biological Sciences, Tuscia University, Italy. Dario Maestripieri is professor of comparative human development, evolutionary biology, and neurobiology at the University of Chicago.
Author: Matthew S. Muehlbauer
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The Routledge History of Global War and Society offers a sweeping introduction to the most significant research on the causes, experiences, and impacts of war throughout history. This collection of twenty-seven essays by leading historians demonstrates how war and society studies have dramatically expanded the chronological, geographic, and thematic breadth of the field of military history. Each chapter addresses the ways in which recent scholarship has integrated cultural, ethical, environmental, medical, and ideological factors to explain both conventional conflicts and genocide, terrorism, and other forms of mass violence. The broad scope of the collection makes it the perfect primer for scholars and students seeking to understand the complex interactions of warfare and those affecting and affected by conflict.**ReviewA superb summary, topically and chronologically organized in some 27 essays, of the more recent studies and controversies in this field.hr**Peter Karsten, Editor-in-Chief of the prize-winning 3 volume Encyclopedia of War and American SocietyAn essential volume for scholars and students alike providing masterful summations, by prominent historians, of the now rich historiography of war and society including key thematic issues and a regional coverage that, crucially, extends beyond the traditional focus on Europe and North America to incorporate the often-neglected non-European world. Joan Beaumont, The Australian National UniversityAbout the AuthorMatthew S. Muehlbauer is Assistant Professor of History at the United States Military Academy. David J. Ulbrich is Associate Professor andProgram Director of the Master of Arts in History and Military History degrees at Norwich University.
Author: Douglas Crimp
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A celebrated writer on contemporary art and queer culture argues that Andy Warhols films enable us to see differently, and to see a different world. We didnt think of our movies as underground or commercial or art or porn they were a little of all of those, but ultimately they were just our kind of movie. Andy Warhol Andy Warhol was a remarkably prolific filmmaker, creating more than 100 movies and nearly 500 of the film portraits known as Screen Tests. And yet relatively little has been written about this body of work. Warhol withdrew his films from circulation in the early 1970s and it was only after his death in 1987 that they began to be restored and shown again. With Our Kind of Movie Douglas Crimp offers the first single-authored book about the full range of Andy Warhols films in forty yearsand the first since the films were put back into circulation. In six essays, Crimp examines individual films, including Blow Job, Screen Test No. 2, and Warhols cinematic masterpiece The Chelsea Girls (perhaps the most commercially successful avant-garde film of all time), as well as groups of films related thematically or otherwisefilms of seductions in confined places, films with scenarios by Ridiculous Theater playwright Ronald Tavel. Crimp argues that Warhols films make visible new, queer forms of sociality. Crimp does not view these films as cinema-verite documents of Warhols milieu, or as camera-abetted voyeurism, but rather as exemplifying Warhols inventive cinema techniques, his collaborative working methods, and his superstars unique capabilities. Thus, if Warhol makes visible new social relations, Crimp writes, that visibility is inextricable from his making a new kind of cinema. In Our Kind of Movie Crimp shows how Warhols films allow us to see against the grainto see differently and to see a different world, a world of difference. **About the Author Douglas Crimp is Fanny Knapp Allen Professor of Art History at the University of Rochester. He is the author of On the Museums Ruins and Melancholia and Moralism Essays on AIDS and Queer Politics, both published by the MIT Press.
Author: Vincenzo Ruggiero
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This collection brings together leading international scholars and practitioners to provide a critical guide to penal systems across Europe. Each chapter forms a case study outlining the main contours of each national penal system, identifying and interpreting the combination of forces driving penal practice in that country. Through its exploration of twelve different Western and Eastern European countries, this collection identifies the national particularities, but also the commonalities and cross talk between penal systems, such as the overuse of imprisonment and the harsher sanctions against the poor when breaking the law. The book challenges this bias with a call for a more critical, public criminology, raising fundamental questions about how we justify and deliver punishment in Europe. Includes contributions from Inaki Rivera Beiras, Emma Bell, Miranda Boone, Bernd Dollinger, Patrizio Gonnella, Philip Gounev, Hanns von Hofer, Vassilis Karydis, Nikolaos K. Koulouris, Andrea Kretschmann, Monica Aranda Ocana, Laura Piacentini, Monika Patek, Philippe Robert, Mary Rogan, Rene van Swaaningen and Enrik Tham. **
Author: Arthur Keaveney
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In this second edition of Arthur Keaveneys classic biography, a fresh generation of students, scholars and readers are introduced to one of the most pivotal figures in the outgoing Roman Empire.A definitive book in its field, this second edition is a must read. Completely rewritten and updated to include the further discoveries of the last two decades, it challenges traditional views of Sulla as a tyrant and harsh military dictator and instead delivers a compellingly complex portrait of a man obsessed with the belief that he was blessed with divine favour.Written by a leading authority on the classical world, this lively and entertaining book transports us through Sullas rise from poverty and obscurity to his dictatorship of Rome, highlighting his dedication and achievements in better ordering the Republic before his decline a generation later.**
Author: Matthew Croasmun
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Where does evil come from? And how did it become so powerful? We can have a sense that when we try to do right by one another, we arent merely striving against ourselves. The feeling is that we are struggling against something--someone--else. As if theres a force - a person - that wishes us ill. In his letter to the Romans, the apostle Paul describes justsuch a person Sin, a cosmic tyrant who constrains our moral freedom, confuses our moral judgment, and condemns us to slavery and to death. Commentators have long argued about whether Paul literally means to say Sin is a person or is simply indulging in literary personification, but regardless of Pauls intentions, for modern readers it would seem clear enough there is no such thing as a cosmic tyrant. Surely it is more reasonable tosuppose Sin is merely a colorful way of describing individual misdeeds or, at most, a way of evoking the intractability of our social ills. In The Emergence of Sin, Matthew Croasmun suggests we take another look. The vision of Sin he offers is at once scientific and theological, social and individual, corporeal and mythological. He argues both that the cosmic power Sin is nothing more than an emergent feature of a vast human network oftransgression and that this power is nevertheless real, personal, and one whom we had better be ready to resist. Ultimately, what is on offer here is an account of the world re-mythologized at the hands of chemists, evolutionary biologists, sociologists, and entomologists. In this world, Pauls textis not a relic of a forgotten mythical past, but a field manual for modern living.