Author: Patricia Fargnoli Winner of the 1999 May Swenson Poetry Award, Patricia Fargnoli has also received the Robert Frost Literary Award, a fellowship at the MacDowell Colony, has been in residences many times at the Dorset Writers Colony, and has received several other awards for her poetry. Her work has been published in Poetry, Poetry Northwest, Ploughshares, Prairie
Author: James R. Guthrie
Born into a family of attorneys, Dickinson absorbed law at home. She employed legal terms and concepts regularly in her writings, and her metaphors grounded in law derive much of their expressive power from a comparatively sophisticated lay knowledge of the various legal and political issues that were roiling nineteenth-century America. Dickinson displays interest in such areas as criminal law, contracts, equity, property, estate law, and bankruptcy. She also held in high regard the role of law in resolving disputes and maintaining civic order. Toward the end of her life, Dickinson cited the Spartans defense at Thermopylae as an object lesson demonstrating why societies should uphold the rule of law. Yet Dickinson was also capable of criticizing, even satirizing, law and lawyers. Her poetic personae inhabit various legal roles including those of jurymen, judges, and attorneys, and some poems simulate courtroom contests pitting the rights of individuals against the power of the state. She was keenly interested in legal matters pertaining to women, such as breach of promise, dower, and trusts. With her tone ranging from subservient to domineering, from reverential to ridiculing, Dickinsons writings reflect an abiding concern with philosophic and political principles underpinning the law, as well as an identification with the plight of individuals who dared confront authority. A Kiss from Thermopylae reveals a new dimension of Dickinsons writing and thinking, one indicating that she was thoroughly familiar with the legal communitys idiomatic language, actively engaged with contemporary political and ethical questions, and skilled at deploying a poetic register ranging from high romanticism to low humor.
Author: Claire Gorrara
By investigating representations of the war years in a selection of French crime novels from the mid-1940s to the present day, this book argues for the importance of crime fiction, and popular culture more generally, as active agents of memory in the ongoing debates over the legacies of the war years in contemporary France.
Author: Carmen Giménez Smith
Adding to the Latina tradition, Carmen Gimenez Smith, politically aware and feminist-oriented, focuses on general cultural references rather than a sentimental personal narrative. She speaks of sexual politics and family in a fierce, determined tone voracious in its opinions about freedom and responsibility. The author engages in mythology and art history, musically wooing the reader with texture and voice. As she references such disparate cultural figures as filmmaker Lars Von Trier, Annie from the film Annie Get Your Gun, Nabokovs Lolita, facebook entries and Greek gods, they appear as part of the poets cultural critique. Phrases such as the caustic domain of urchins and the gelatin shiver of teas surface take the poems from lyrical images to comic humor to angry, intense commentary. On writing about downgrading into human, she says, Then what? Amorality, osteoporosis and not even a marble estuary for the ages. Gimenez Smiths poetic arsenal includes rapier-sharp wordplay mixed with humor, at times self-deprecating, at others an ironic comment on the postmodern world, all interwoven with imaginative language of unexpected force and surreal beauty. Revealing a long view of gender issues and civil rights, the author presents a clever, comic perspective. Her poems take the reader to unusual places as she uses rhythm, images, and emotion to reveal the narrators personality. Deftly blending a variety of tones and styles, Gimenez Smiths poems offer a daring and evocative look at deep cultural issues.
Author: Jessica Keating
In the sixteenth and seventeenth centuries, German clockwork automata were collected, displayed, and given as gifts throughout the Holy Roman, Ottoman, and Mughal Empires. In Animating Empire, Jessica Keating recounts the lost history of six such objects and reveals the religious, social, and political meaning they held.The intricate gilt, silver, enameled, and bejeweled clockwork automata, almost exclusively crafted in the city of Augsburg, represented a variety of subjects in motion, from religious figures to animals. Their movements were driven by gears, wheels, and springs painstakingly assembled by clockmakers. Typically wound up and activated by someone in a position of power, these objects and the theological and political arguments they made were highly valued by German-speaking nobility. They were often given as gifts and as tribute payment, and they played remarkable roles in the Holy Roman Empire, particularly with regard to courtly notions about the important early modern issues of universal Christian monarchy, the Reformation, the Counter-Reformation, the encroachment of the Ottoman Empire, and global trade.Demonstrating how automata produced in the Holy Roman Empire spoke to a convergence of historical, religious, and political circumstances, Animating Empire is a fascinating analysis of the animation of inanimate matter in the early modern period. It will appeal especially to art historians and historians of early modern Europe.E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Author: Leonid Livak
The writing and teaching of Russian literary and cultural history has changed little since the 1980s. In Search of Russian Modernism challenges the basic premises of Russian modernist studies, removing the aura of certainty surrounding the analytical tools at our disposal and suggesting audacious alternatives to the conventional ways of thinking and speaking about Russian and transnational modernism. Drawing on methodological breakthroughs in Anglo-American new modernist studies, Leonid Livak explores Russian and transnational modernism as a story of a self-identified and self-conscious interpretive community that bestows a range of meanings on human experience. Livak's approach opens modernist studies to integrative and interdisciplinary analysis, including the extension of scholarly inquiry beyond traditional artistic media in order to account for modernisms socioeconomic and institutional history. Writing with a student audience in mind, Livak presents Russian modernism as a minority culture coexisting with other cultural formations while addressing thorny issues that regularly come up when discussing modernist artifacts. Aiming to open an overdue debate about the academic fields of Russian and transnational modernist studies, this book is also intended for an audience of scholars in comparative literary and cultural studies, specialists in Russian and transnational modernism, and researchers engaged with European cultural historiography.
Author: Sonja Tiernan
This is the first dedicated biography of the extraordinary Irish woman, Eva Gore-Booth. Gore-Booth rejected her aristocratic heritage choosing to live and work amongst the poorest classes in industrial Manchester. Her work on behalf of barmaids, circus acrobats, flower sellers and pit-brow lasses is traced in this book. During one impressive campaign Gore-Booth orchestrated the defeat of Winston Churchill. Gore-Booth published volumes of poetry, philosophical prose and plays, becoming a respected and prolific author of her time and part of W.B. Yeats literary circle. The story of Gore-Booths life is captivating. Her close bond with her sister, an iconic Irish nationalist, provides a new insight into Countess Markieviczs personal life. Gore-Booths life story vividly traces her experiences of issues such as militant pacifism during the Great War, the case for the reprieve of Roger Casements death sentence, sexual equality in the workplace and the struggle for Irish independence.
Author: Mary Shelley
Mary Shelley's Frankenstein has endured in the popular imagination for two hundred years. Begun as a ghost story by an intellectually and socially precocious eighteen-year-old author during a cold and rainy summer on the shores of Lake Geneva, the dramatic tale of Victor Frankenstein and his stitched-together creature can been read as the ultimate parable of scientific hubris. Victor, the modern Prometheus, tried to do what he perhaps should have left to Nature: create life. Although the novel is most often discussed in literary-historical terms -- as a seminal example of romanticism or as a groundbreaking early work of science fiction -- Mary Shelley was keenly aware of contemporary scientific developments and incorporated them into her story. In our era of synthetic biology, artificial intelligence, robotics, and climate engineering, this edition of Frankenstein will resonate forcefully for readers with a background or interest in science and engineering, and anyone intrigued by the fundamental questions of creativity and responsibility. This edition of Frankenstein pairs the original 1818 version of the manuscript -- meticulously line-edited and amended by Charles E. Robinson, one of the world's preeminent authorities on the text -- with annotations and essays by leading scholars exploring the social and ethical aspects of scientific creativity raised by this remarkable story. The result is a unique and accessible edition of one of the most thought-provoking and influential novels ever written.Essays byElizabeth Bear, Cory Doctorow, Heather E. Douglas, Josephine Johnson, Kate MacCord, Jane Maienschein, Anne K. Mellor, Alfred Nordmann
Author: Sara Sue Hoklotubbe
Is murder always a simple transaction? Don't bank on it.Sadie Walela's life is about to be turned upside down.One morning Sadie unlocks the door at the Mercury Savings Bank and confronts a robber who's been lying in wait for her and her fellow employees. He flees after stealing money and killing her coworker. When a whirlwind of events leaves Sadie herself under suspicion, she sets out to clear her name.This banker turned sleuth is suddenly plunged into an unfamiliar world in which people are not always as they appear-not her employer, not the homeless man she's befriended, not the police officer who takes an interest in the case, not the man she falls in love with. And, as she's beginning to imagine, not even herself.Sadie is a blue-eyed Cherokee living in northeastern Oklahoma, a half-blood who finds she sometimes has to adapt to get by in the white man's world, much as her father's ancestors did. In this story of robbery, murder, love, and intrigue, she faces adversity at each bend in the road, but in the tradition of her people she adapts and moves forwardeven if it means having to re-think her relationships and expectations.Set against the backdrop of small-town Oklahoma and its Native culture, Deception on All Accounts draws readers into the real lives of contemporary American Indians as it shines a light on violence, corporate corruption, and prejudice in modern America. As Sadie Walela comes to terms with murder, romance, and her hopes for a career, she finds deception on all accounts.
Author: Jin'ichi Konishi
This book, which covers the period from preliterate times to the beginning of the tenth century, is the first of five proposed volumes that will give an account of Japanese literature from its beginnings to the death of the modern novelist Mishima.Originally published in .The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.