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14 Oct 2020 05:05:53 UTC
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Rethinking Violence: States and Non-State Actors in Conflict
Author: Edited by Erica Chenoweth and Adria Lawrence
An original argument about the causes and consequences of political violence and the range of strategies employed.
An original argument about the causes and consequences of political violence and the range of strategies employed.
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Edited by Erica Chenoweth and Adria Lawrence
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English
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Author: Robert C. Clark
Truly a book that will captivate newcomers and renew the appreciation of longtime residents, this breathtaking photographic exploration showcases the fullness of the state's regional diversity, natural beauty, and human creativity. Two hundred color photographs record South Carolina's people and places, architecture and terrain, flora and fauna, past and progress. With a remarkable ability to capture the splendor and spirit of the land and its inhabitants, Robert C. Clark's photographs and Tom Poland's text craft a work of artistry and magnificence. A foreword by South Carolina historian Walter Edgar complements the photographs. From the forests and white-water rivers of the mountains to the cypress swamps of the coastal plain, South Carolina's natural wonders shine forth. The state's diverse geography and wealth of rivers, lakes, streams, and marshes are depicted along with such sights as an early Upstate snowfall, vibrantly colored wildflowers, a live oak tunnel near Edisto Island, and cypress needles on a Carolina bay. South Carolina artisans and performers are featured, as are cityscapes, the technological achievements of the state's industries, and its numerous recreational opportunities. The volume includes historic landmarks such as the State House, Midleton Place, Wilcox Inn, and the slave tenement at the Aiken-Rhett House, and less prominent structuresgristmills, farmhouses, general stores, and the state's last covered bridge. The photographs show people enjoying music and cultural events; re-creating the Revolutionary and Civil War; casting, crabbing, and shrimping along the coast; and hot air ballooning.
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Author: Jed Z. Buchwald
Isaac Newton's Chronology of Ancient Kingdoms Amended, published in 1728, one year after the great man's death, unleashed a storm of controversy. And for good reason. The book presents a drastically revised timeline for ancient civilizations, contracting Greek history by five hundred years and Egypt's by a millennium. Newton and the Origin of Civilization tells the story of how one of the most celebrated figures in the history of mathematics, optics, and mechanics came to apply his unique ways of thinking to problems of history, theology, and mythology, and of how his radical ideas produced an uproar that reverberated in Europe's learned circles throughout the eighteenth century and beyond. Jed Buchwald and Mordechai Feingold reveal the manner in which Newton strove for nearly half a century to rectify universal history by reading ancient texts through the lens of astronomy, and to create a tight theoretical system for interpreting the evolution of civilization on the basis of population dynamics. It was during Newton's earliest years at Cambridge that he developed the core of his singular method for generating and working with trustworthy knowledge, which he applied to his study of the past with the same rigor he brought to his work in physics and mathematics. Drawing extensively on Newton's unpublished papers and a host of other primary sources, Buchwald and Feingold reconcile Isaac Newton the rational scientist with Newton the natural philosopher, alchemist, theologian, and chronologist of ancient history.
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Author: Brian Stock
The Cosmographia of Bernard Silvester was the most important literary myth written between Lucretius and Dante. One of the most widely read books of its time, it was known to authors whose interests were as diverse as those of Vincent of Beauvais, Dante, and Chaucer. Bernard offers one of the most profound versions of a familiar theme in medieval literature, that of man as a microcosm of the universe, with nature as the mediating element between God and the world. Brian Stock's exposition includes many passages from the Cosmographia translated for the first time into English. Arising from the central analysis are several more general themes: among them the recreation by twelfth-century humanists of the languages of myth and science as handed down in the classical tradition; the creation of the world and of man, the chief mythical and cosmographical problem of the period; the development of naturalistic allegory; and Bernard's relation to the new science introduced from Greek and Arabic sources.Originally published in 1972.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Author: Edited by James L. W. West III
In 1992 the University of Pennsylvania Press published a new edition of Theodore Dreiser's second novel, Jennie Gerhardt. The original published text was altered significantly from the author's intentions: its sexual energy was short-circuited, its criticisms of organized religion were blunted, its language was smoothed and sentimentalized, and, most important, Jennie Gerhardt was reduced to a less thoughtful, less womanly character. The restored edition brings back the sexual charge, reinstates the social and religious criticism, and makes the language Dreiser's again.This volume brings together 19 fresh readings, together with an introduction, of the Pennsylvania edition by three generations of Dreiser critics. The volume includes general assessments, analysis of main characters, treatments of the autobiographical roots of the narrative, views of various traditions (realistic, sentimental, ethnic) on which Dreiser drew, and investigations of historical contexts that inform his story.
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Author: Raymond Martin
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Author: Karen Raber
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Author: Abigail G.H. Manzella
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Author: Bal Ram Nanda
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Transaction
Created
2 weeks ago
Content Type
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English