Colonizing Consent: Rape and Governance in South Africas Eastern Cape
Author: Elizabeth Thornberry File Type: pdf Elizabeth Thornberry uses historical evidence to shed light on South Africas contemporary epidemic of sexual violence. Drawing on over a thousand cases from a diverse set of courts, Thornberry reconstructs the history of rape in South Africas Eastern Cape, from the precolonial era to the triumph of legal and sexual segregation, and digs deep into questions of conceptions of sexual consent. Through this process, Thornberry also demonstrates the political stakes of disputes over sexual consent, and the ways in which debates over the regulation of sexuality shaped both white and black politics in this period. From customary authority to missionary Christianity and humanitarian liberalism to segregationism, political claims implied theories of sexual consent, and enabled distinctive claims to control female sexuality. The political history of rape illuminates not only South Africas contemporary crisis of sexual violence, but the entangled histories of law, sexuality, and politics across the globe. **Book Description Drawing on more than a thousand cases from a diverse set of courts, Thornberry provides a ground breaking social and political history of rape in colonial South Africa, as well as an important case study for comparative legal history, histories of sexuality, and public policy on sexual violence. About the Author Elizabeth Thornberry is Assistant Professor of African History at The John Hopkins University. She has researched and published widely on the history of gender, sexuality, and law in South Africa. She co-edited Domestic Violence and the Law in Colonial and Postcolonial Africa (2010) and is currently writing a book on the intellectual history of customary law in South Africa. She has held fellowships from the American Council of Learned Societies, the Fulbright Institute for International Education, and the Shelby Cullom Davis Center at Princeton University, New Jersey.
Author: Pericles Lewis
File Type: pdf
The modernist period witnessed attempts to explain religious experience in non-religious terms. Such novelists as Henry James, Marcel Proust, James Joyce, Virginia Woolf and Franz Kafka found methods to describe through fiction the sorts of experiences that had traditionally been the domain of religious mystics and believers. In Religious Experience and the Modernist Novel, Pericles Lewis considers the development of modernism in the novel in relation to changing attitudes to religion. Through comparisons of major novelists with sociologists and psychologists from the same period, Lewis identifies the unique ways that literature addressed the changing spiritual situation of the early twentieth century. He challenges accounts that assume secularisation as the main narrative for understanding twentieth-century literature. Lewis explores the experiments that modernists undertook in order to invoke the sacred without directly naming it, resulting in a compelling study for readers of twentieth-century modernist literature.ReviewIn this book, as in his two earlier ones, Pericles Lewis finds a new perspective on twentieth-century literature and demonstrates in surprising and convincing ways the depth and complexity of religious vision in the greatest modernist novels. With an impressive breadth of learning and an exact command of language and structure, this book finds in the work of Henry James, Marcel Proust, Franz Kafka, Virginia Woolf, and James Joyce a contradictory, self-doubting approach to religious meanings unlike those of most religious writing in the past three millennia, but profoundly religious meanings none the less. What makes the book so decisively convincing is that its approach illuminates patterns of structure and meaning that were unnoticed until now even in these deeply studied authors, but which, thanks to Lewis alert, sympathetic readings, now seem unmistakably central. Edward Mendelson, Columbia UniversityLewiss book is a masterly analysis of the transmutation of religious experience in the modernist novel ... The richness of [the] book lies in its vivid and persuasive detail, and the careful cross-referencing between chapters. Times Literary Supplement Book DescriptionThe modernist period witnessed attempts to explain religious experience in non-religious terms. In Religious Experience and the Modernist Novel, Pericles Lewis considers the development of modernism in the novel in relation to changing attitudes to religion, through comparisons of major novelists with sociologists and psychologists from the same period.
Author: Carl Dennis
File Type: epub
**From the winner of the Pulitzer Prize and the Ruth Lilly Prize This new collection by acclaimed poet Carl Dennis is about vocation in the largest sense, the work that we believe gives our lives meaning, and the challenges that come in defining such work and in doing it well. The poems approach their subject from a variety of perspectives a calling may involve a compromise with limitations, or be an expression of individual purpose if a calling in some poems provides an alternative to the disorder of the world, in others it offers a means to shape the world as we are shaped by it. As the poems speak to each other, they form a dialogue of attitudes that makes room for both frustration and achievement, a dialogue that includes us and takes us beyond ourselves. ** **
Author: Sabine Roeser
File Type: pdf
Risks arising from technologies raise important ethical issues. Although technologies such as nanotechnology, biotechnology, ICT, and nuclear energy can improve human well-being, they may also convey risks for our well-being due to, for example, abuse, unintended side-effects, accidents, and pollution. As a consequence, technologies can trigger emotions, including fear and indignation, which often leads to conflicts between stakeholders. How should we deal with such emotions in decision making about risky technologies? This book offers a new philosophical theory of risk emotions, arguing why and how moral emotions should play an important role in decisions surrounding risky technologies. Emotions are usually met with suspicion in debates about risky technologies because they are seen as contrary to rational decision making. However, Roeser argues that moral emotions can play an important role in judging ethical aspects of technological risks, such as justice, fairness, and autonomy. This book provides a novel theoretical approach while at the same time offering concrete recommendations for decision making about risky technologies. It will be of interest to those working in different areas of philosophysuch as ethics, decision theory, philosophy of science, and philosophy of technologyas well as scholars in the fields of psychology, public policy, science and technology studies, environmental ethics, and bioethics. **
Author: Vladimir Nabokov
File Type: epub
The letters of the great writer to his wifegathered here for the first timechronicle a decades-long love story and document anew the creative energies of an artist who was always at work. No marriage of a major twentieth-century writer is quite as beguiling as that of Vladimir Nabokovs to Vera Slonim. She shared his delight in lifes trifles and literatures treasures, and he rated her as having the best and quickest sense of humor of any woman he had met. From their first encounter in 1923, Vladimirs letters to Vera form a narrative arc that tells a half-century-long love story, one that is playful, romantic, pithy and memorable. At the same time, the letters tell us much about the man and the writer. We see the infectious fascination with which Vladimir observed everythinganimals, people, speech, the landscapes and cityscapes he encounteredand learn of the poems, plays, stories, novels, memoirs, screenplays and translations on which he worked ceaselessly. This delicious volume contains twenty-one photographs, as well as facsimiles of the letters themselves and the puzzles and doodles Vladimir often sent to Vera.**
Author: Michael Finkel
File Type: epub
In February 2002, New York Times Magazine writer Michael Finkel received a startling piece of news a young man named Christian Longo, wanted for killing his entire family, had been captured in Mexico, where hed taken on a new identity Michael Finkel of the New York Times.The next day, on page A-3 of the Times, came another troubling item a note from the editors explaining that Finkel, having falsified parts of an investigative article, had been fired. Nonetheless, the only journalist Longo would speak with was the real Michael Finkel, and so Finkel placed a call to Oregons Lincoln County jail, intent on getting the true story. So began a bizarre and intense relationshipa reporting job that morphed into a shrewd game of cat-and-mouse. Part mystery, part memoir, part mea culpa, True Story weaves a spellbinding tale of murder, love, and deceit with a deeply personal inquiry into the slippery nature of truth.**ReviewCarefully structured, rigorously reported, and fascinating till the end. (Esquire) Astute and hypnotically absorbing . . . theres a burning sincerity and beautifully modulated writing on every page. (Publishers Weekly (starred review)) A riveting, disturbing and magnificent merging of two men at their lowest moments. (New York Newsday) Combines crime and intellectual heft...could well become a classic of the genre. (Washington Post Book World) Always fascinating, sometimes funny, often very weird . . . simply terrific from the first page to the last. (Jeffrey Toobin) A compulsively readable amorality tale. (Boston Globe) A memoir as creepy as it is compelling...expertly and suspensefully told. (Outside magazine) About the Author Michael Finkel has written for National Geographic, GQ, Rolling Stone, Esquire, Vanity Fair, the Atlantic, and the New York Times Magazine. He lives in western Montana.
Author: Various
File Type: pdf
font face=Noto Sans, serifspan 11pxSupplementing the flowing content that characterizes the spanfontem Noto Sans, serif 11pxJacket2font face=Noto Sans, serifspan 11px interface, spanfonta href=httpsjacket2.orgreissues target=_blank Noto Sans, serif 11pxReissuesafont face=Noto Sans, serifspan 11px offers a stable archive of digitized journals and magazines primarily focused on poetry and poetics. This landing page will feature updated links to the full Reissues inventory as it continues to grow. Reissues is inspired by archival platforms ranging from spanfonta href=httpeclipsearchive.org Noto Sans, serif 11pxEclipseafont face=Noto Sans, serifspan 11px and spanfonta href=httpwww.ubu.comhistorical Noto Sans, serif 11pxUbuWebafont face=Noto Sans, serifspan 11px to spanfonta href=httpdl.lib.brown.edumjpjournals.html Noto Sans, serif 11pxThe Modernist Journals Projectafont face=Noto Sans, serifspan 11px and spanfonta href=httpsdrc.lib.uiowa.edudadacollection.html Noto Sans, serif 11pxThe International Dada Archiveafont face=Noto Sans, serifspan 11px. Just as spanfontem Noto Sans, serif 11pxJacket2font face=Noto Sans, serifspan 11px is built upon the preservation of forty issues of John Tranters spanfonta href=httpjacketmagazine.com00home.shtml Noto Sans, serif 11pxJacketafont face=Noto Sans, serifspan 11px magazine, Reissues seeks to re-present periodicals in conversation with contemporary issues in poetics.spanfontdiv Noto Sans, serif 11pxfont face=Noto Sans, serifspan 11pxhttpjacket2.orgreissuesspanfont
Author: Robert St. Clair
File Type: pdf
Bodies abound in Rimbauds poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to lastfrom the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching ones legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appearsoften literallyas a kind of gap, breach, or aperture through which Rimbauds poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged lyrical material for Rimbaud a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, real socio-economic, political, and symbolic problems. Rimbauds bodies are, in other words, utopian bodies sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.**About the Author Robert St.Clair is Assistant Professor of French at Dartmouth College and co-editor-in-chief of Parade sauvage, the international journal of Rimbaud studies.