【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Mendelssohn Piano Quartet No.2 Op.2 MWV Q13 in C minor 孟德爾頌 鋼琴 四重奏 第2號 作品2 C小調 孟德尔颂 钢琴 四重奏 第2号 作品2 C小调 Mendelssohn Quarteto para piano n.º 2 en do menor メンデルスゾーン ピアノ 四重奏曲 第2番 ロ短調 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Mendelssohn #Piano #Quartet 00:00 I Allegro molto 07:26 II Adagio 13:11 III Intermezzo: Allegro moderato 16:41 IV Finale: Allegro molto vivace Felix Mendelssohn's Piano Quartet No. 2 in F minor, Op. 2, for piano, violin, viola and cello was published in 1823, a year after his first Piano Quartet No. 1 in C minor, Op. 1. This work was dedicated to Carl Friedrich Zelter, who became Mendelssohn's composition and music tutor starting at the age of eight years old. Zelter would take Mendelssohn on trips to go see Johann Wolfgang von Goethe, who was also an important figure in Mendelssohn's life when it came to the composition of his earliest pieces between the years 1821-1825. Mendelssohn's three piano quartets were the first piano quartets he composed and published. He composed the second quartet at the age of only 14 years. When Mendelssohn was eight years old, his parents got him a music tutor: Carl Friedrich Zelter. Zelter was Mendelssohn's composition and music theory tutor and personality wise: he was always described as "rough-tongued, "" coarse," and conservative but always kept his mindset neutral when he would teach Felix. He was so impressed by Felix that he would write letters to Goethe about him and he would end up taking Felix on a trip to Weimar, the first time in 1820, to meet Goethe. In one of Zelter's letters to Goethe he mentioned how it was extremely rare for a Jewish person to go into music professionally. But, this did not change his views on Mendelssohn as a student, if anything, it encouraged him to get Mendelssohn out in the world because of how impressive it would be. When Felix went to Weimar, he played the piano for Goethe for two hours, performing works by composers such as Bach, improvisations, and some of Felix's own compositions. Once Goethe saw for himself what Zelter was talking about, he kept Felix there for sixteen days to work with him and Felix would end up taking more trips to see Goethe, with Zelter, throughout his teen-hood. Overall, the relationship between Mendelssohn and Zelter was very strong because of the type of influence that Zelter had on him and Mendelssohn would later create his own beginning works. Thus Mendelssohn dedicated the Piano Quartet No. 2 in F minor to Zelter. A typical performance lasts just under half an hour. The work has four movements. I. Allegro molto The second theme has similar musical elements from the first theme and development. Mendelssohn does this by using chromatic third relations to build up a series of modulations in ascending half or whole steps by going through a pattern of V and I. While the development goes through a harmonic exploration, the recapitulation has a thematic recurrence, which was a popular thing to do within the 19th century. Lastly, the coda is in two parts (the second half is marked Più allergro). II. Adagio Mendelssohn continues to explore the music, harmonically and in the development section. It begins in A-flat Major. Then in a ascending motion, he modulates through a series of foreign keys. III. Intermezzo The movement is in 6/8 meter and the rhythm of the movement lacks variety and is very repetitive. IV. Finale In similarity to the first and second movements, this movement has a lot of ascending modulations throughout the piece. For the most part, the piano part dominates majority of the piece.

【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Puccini 3 minuetti for String Quartet SC.61 No.1 61-1 Minuet Minueto 蒲契尼 3首 小步舞曲 第1首 作品61-1 蒲契尼 3首 小步舞曲 第1首 作品61-1 Puccini 3 Minuetto 61-1 プッチーニ 3つの メヌエット Classical music Música clásica クラッシック 古典音樂 古典音乐 #Puccini #Minuet #Minuetti