Feeding on Infinity: Readings in the Romantic Rhetoric of Internalization
Author: Professor Joshua Wilner File Type: pdf Although defining Romanticism is a standing problem for literary history, some notion of internalization at the level of cultural tradition has recurrently been proposed as the solution to that problem... In this debate the notion of internalization tends to be handled... as a known quantity, whereas I am arguing that the notion itself remains obscure and thus that the problem of internalization and the problem of Romanticism may indeed, with respect to the discourse of literary history, be closely intertwined--from Feeding on InfinityNotions of internalization play an important role in many contemporary fields of discourse, including literary history and theory, psychoanalysis, ideological critique, and learning theory in the social sciences. Indeed, the term internalization is pervasive and seems to answer a shared need of expression to such an extent that it is one of those technical words that has found its way into everyday use. But the meaning of this term and the continuities and discontinuities at work in its varied deployment have, for the most part, gone unanalyzed.In Feeding on Infinity, Joshua Wilner explores the power and limits of the discourse of internalization through the close reading of a variety of texts drawn from the Romantic tradition, a tradition which is both source for and oftentimes object of this discourse. Through the study of writers including Rousseau, Wordsworth, De Quincey, Baudelaire, Freud, Benjamin, and Sedgwick, he seeks to deepen our understanding of the problem of internalization, while situating its more or less explicit emergence as a problem in relation to the history of, in Gertrude Steins phrase, patriarchal poetics.Through patient attention to the transformations of rhetorical structures of representation and address performed by these works and to the frequent condensation of these transformations in figures of eating and drinking, Feeding on Infinity makes available to inquiry a surprisingly rich and largely unexplored network of connections within the long Romantic tradition. At the same time, it forges new links between deconstructive reading practices, psychoanalysis, and recent work in gender studies.**
Author: Frank B. Wilderson, Iii
File Type: pdf
In 1995, a South African journalist informed Frank Wilderson, one of only two American members of the African National Congress (ANC), that President Nelson Mandela considered him a threat to national security. Wilderson was asked to comment. Incognegro is that comment. It is also his response to a question posed five years later in a California university classroom How come you came back? Although Wilderson recollects his turbulent life as an expatriate during the furious last gasps of apartheid, Incognegro is at heart a quintessentially American story. During South Africas transition, Wilderson taught at universities in Johannesburg and Soweto by day. By night, he helped the ANC coordinate clandestine propaganda, launch psychological warfare, and more. In this mesmerizing political memoir, Wildersons lyrical prose flows from unspeakable dilemmas in the red dust and ruin of South Africa to his return to political battles raging quietly on US campuses and in his intimate life. Readers will find themselves suddenly overtaken by the subtle but resolute force of Wildersons biting wit, rare vulnerability, and insistence on bearing witness to history no matter the cost. **
Author: Paul K. Saint-Amour
File Type: pdf
looms large in the digital world. As users and creators of expressive works, we all know more about copyright than we did a decade ago. But scholars of modernism have felt a special urgency in grappling with this branch of law, whose rapid expansion in recent years has prolonged or revived the rights in many modernist works. Indeed, thanks to public clashes between estates and users, modernism has lately begun to seem like a byword for contested intellectual property. At the same time, todays volatile legal climate has prompted us to ask how modernism was, from its beginning, shaped by intellectual property law-and how modernists sought variously to exploit, reform, anoint, and evade copyright. We are beginning to discover, too, how copyrights transatlantic and imperial asymmetries during the modernist decades helped set the stage for its geopolitical role in the new millennium. Modernism and is the first book to take up these questions and discoveries in all their urgency. A truly multi-disciplinary study, it brings together essays by well-known scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors methods are as diverse as the works they discuss Ezra Pounds copyright statute and Charlie Parkers bebop compositions feature here, as do early Chaplin, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and locates works like these on one of the few landscapes they all clearly share the uneven terrain of intellectual property law.
Author: K. P. Harrington
File Type: pdf
K. P. Harringtons Mediaeval Latin, the standard medieval Latin anthology used in the United States since its initial publication in 1925, has now been completely revised and updated for todays students and teachers by Joseph Pucci. This new edition of the classic anthology retains its breadth of coverage, but increases its depth by adding fourteen new selections, doubling the coverage of women writers, and expanding a quarter of the original selections. The new edition also includes a substantive grammatical introduction by Alison Goddard Elliott.To help place the selections within their wider historical, social, and political contexts, Pucci has written extensive introductory essays for each of the new editions five parts. Headnotes to individual selections have been recast as interpretive essays, and the original bibliographic paragraphs have been expanded. Reprinted from the best modern editions, the selections have been extensively glossed with grammatical notes geared toward students of classical Latin who may be reading medieval Latin for the first time.Includes thirty-two full-page plates (with accompanying captions) depicting medieval manuscript and book production.Language NotesText English, Latin
Author: Wislawa Szymborska
File Type: epub
From a writer whom Charles Simic calls one of the finest poets living comes a collection of witty, compassionate, contemplative, and always surprising poems. Szymborska writes with verve about everything from love unremembered to keys mislaid in the grass. The poems will appear, for the first time, side by side with the Polish originals, in a book to delight new and old readers alike. EVERYTHINGbr Everything-br a bumptious, stuck-up word.br It should be written in quotes.br It pretends to miss nothing,br to gather, hold, contain, and have.br While all the while its justbr a shred of a gale. **
Author: Will Steger
File Type: epub
In March 1990, Will Steger completed what no man had ever before attempted the crossing of Antarctica, a total of 3,700 miles, on foot. Lured by the challenge and the beauty of Earths last great wilderness, and determined to focus the worlds attention on the frozen continent now that its ecological future hangs in the balance, Steger and his International TransArctica team performed an extraordinary feat of endurance.**
Author: Barbara Fuchs
File Type: pdf
With its dominance as a European power and the explosion of its prose and dramatic writing, Spain provided an irresistible literary source for English writers of the early modern period. But the deep and escalating political rivalry between the two nations led English writers to negotiate, disavow, or attempt to resolve their fascination with Spain and their debt to Spanish sources. Amid thorny issues of translation and appropriation, imperial competition, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how Spanish material was transmitted into English writing, entangling English literature in questions of national and religious identity, and how piracy came to be a central textual metaphor, with appropriations from Spain triumphantly reimagined as heroic looting. From the time of the attempted invasion by the Spanish Armada of the 1580s, through the rise of anti-Spanish rhetoric of the 1620s, The Poetics of Piracy charts this connection through works by Ben Jonson, William Shakespeare, Francis Beaumont, John Fletcher, and Thomas Middleton. Fuchs examines how their writing, particularly for the stage, recasts a reliance on Spanish material by constructing narratives of militaristic, forcible use. She considers how Jacobean dramatists complicated the texts of their Spanish contemporaries by putting them to anti-Spanish purposes, and she traces the place of Cervantess Don Quixote in Beaumonts The Knight of the Burning Pestle and Shakespeares late, lost play Cardenio. English literature was deeply transnational, even in the period most closely associated with the birth of a national literature. Recovering the profound influence of Spain on Renaissance English letters, The Poetics of Piracy paints a sophisticated picture of how nations can serve, at once, as rivals and resources. **
Author: G. A. Wells
File Type: pdf
Does the New Testament story of Jesus contain any elements of historical truth, or is it pure legend? Professor G.A. Wells is the foremost contemporary exponent of the purely legendary, or mythicist view. In The Jesus Myth he presents an up-to-date, radical, and well-reasoned argument, drawing upon his sure grasp of the wide-ranging evidence. Wells contends that the accounts of Jesus in the four canonical gospels not only contradict each other, but are also not in harmony with the earliest Christian documents, which never present Jesus as an itinerant preacher, a performer of miracles, born of a virgin, associated with Nazareth, or executed under Pilate. The gospels were composed after A.D. 70 by unknown individuals who could not have been eye-witnesses to the events they describe. All the earliest non-Christian testimony, pagan and Jewish, is dependent upon Christian accounts. The frequently voiced notion that there is independent corroboration of the life of Jesus from Roman records or elsewhere is wishful thinking. The Jesus Myth, which follows Professor Wellss earlier, highly acclaimed work, The Jesus Legend (see page 15), contains a new investigation of the historicity of the gospel miracles, a detailed look at the earliest non-Christian testimony to the existence of Jesus, and a provocative discussion of the New Testament Jesus as an ethical guide. There is also an afterword by the distinguished Christian scholar Roderick Tyler, whose criticisms of Professor Wellss arguments led to the new presentation in The Jesus Myth. **
Author: Alison Weir
File Type: epub
In the first volume of an exciting new series, bestselling author Alison Weir brings the dramatic reigns of Englands medieval queens to life. The lives of Englands medieval queens were packed with incident--love, intrigue, betrayal, adultery, and warfare--but their stories have been largely obscured by centuries of myth and omission. Now esteemed biographer Alison Weir provides a fresh perspective and restores these women to their rightful place in history. Spanning the years from the Norman conquest in 1066 to the dawn of a new era in 1154, when Henry II succeeded to the throne and Eleanor of Aquitaine, the first Plantagenet queen, was crowned, this epic book brings to vivid life five women, including Matilda of Flanders, wife of William the Conqueror, the first Norman king Matilda of Scotland, revered as the common mother of all England and Empress Maud, Englands first female ruler, whose son King Henry II would go on to found the Plantagenet dynasty. More than those who came before or after them, these Norman consorts were recognized as equal sharers in sovereignty. Without the support of their wives, the Norman kings could not have ruled their disparate dominions as effectively. Drawing from the most reliable contemporary sources, Weir skillfully strips away centuries of romantic lore to share a balanced and authentic take on the importance of these female monarchs. What emerges is a seamless royal saga, an all-encompassing portrait of English medieval queenship, and a sweeping panorama of British history. Praise for Alison Weir The Lost Tudor Princess This is a substantial, detailed biography of a fascinating woman who lived her extraordinary life to the full, taking desperate chances for love and for ambition. It will appeal to anyone with an interest in the powerful women of the Tudor period.--Philippa Gregory, The Washington Post Weir balances historical data with emotional speculation to illuminate the ferocious dynastic ambitions and will to power that earned her subject a place in the spotlight.--The New York Times Book Review Elizabeth of York Weir tells Elizabeths story well. . . . She is a meticulous scholar. . . . Most important, Weir sincerely admires her subject, doing honor to an almost forgotten queen.--The New York Times Book Review In Weirs skillful hands, Elizabeth of York returns to us, full-bodied and three-dimensional. This is a must-read for Tudor fans!--Historical Novels Review
Author: Timothy Peltason
File Type: pdf
By making his argument about In Memoriam a continuous argument for it, Timothy Peltason brings to light a wider appreciation of its greatness and of its central place in the history of modern poetry. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.