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Conductor - Michael Tilson Thomas
San Francisco Symphony Orchestra
Recorded in 2016
The Symphony No. 69 is a symphony by Joseph Haydn in C major, known as the "Laudon" symphony. Composed around 1775–1776, it represents a stylistic departure from the composer's earlier intense Sturm und Drang period and was written at the same time as Haydn was writing numerous comic operas. Despite the lighter tone, however, the symphony is "as finely crafted, as interesting, indeed as original, as the preceding ones, albeit very different in character."
https://en.wikipedia.org/wiki/Symphony_No._69_(Haydn)
I. Vivace (0:00)
II. Un poco adagio più tosto andante (5:29)
III. Menuetto (12:25)
IV. Presto (15:26)
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Pierre Boulez - Domaines, for clarinet and 6 orchestral groups (1968)
Musique Vivante
Conductor - Diego Masson
Clarinet - Michel Portal
INSTRUMENTATION:
Group A - Quartet: 4 Trombones (ATTB)
Group B - Sextet: 6 Strings (2 Vn, 2 Va, 2 Vc)
Group C - Duo: Marimba and Contrabass
Group D - Quintet: Flute, Trumpet, Alto Sax, Bassoon, Harp
Group E - Trio: Oboe, Horn, Electric Guitar
Group F - Solo: Bass Clarinet
PART 1: ORIGINAL
Cahier A Original - 0:00
Group A Original - 0:41
Cahier D Original - 1:47
Group D Original - 2:47
Cahier C Original - 4:08
Group C Original - 4:52
Cahier B Original - 5:34
Group B Original - 6:53
Cahier E Original - 8:51
Group E Original - 9:54
Cahier F Original - 11:32
Group F Original - 13:42
PART 2: MIROIR
Group D Miroir - 15:46
Cahier D Miroir - 16:48
Group C Miroir - 17:47
Cahier C Miroir - 18:22
Group E Miroir - 19:18
Cahier E Miroir - 20:10
Group A Miroir - 21:03
Cahier A Miroir - 22:37
Group B Miroir - 23:23
Cahier B Miroir - 25:43
Group F Miroir - 27:24
Cahier F Miroir - 28:15
Boulez’s Domaines (Areas/Domains), composed during an extended period between 1959 and 1968, was written for clarinet alone. Boulez turned it into a kind of concerto later by adding six discrete ensembles of one to six players while retaining the original solo part. Domaines follows on from the Third Piano Sonata of 1957 and the large-scale work for soprano and orchestra Pli selon pli (Fold by Fold), which he worked on between 1957 and 1962. There are close links between the three pieces in terms of expressive melodic material, for example similarities between clarinet and vocal writing, and the quasi-aleatoric nature of the notation - the actual layout on the page of fragments of music.
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Luciano Berio - Différences, for flute, clarinet, viola, cello, harp and magnetic tape (1958-59)
Institute for Computer Music and Sound Technology
Conductor - Georg Köhler
Flute - Tomomi Matsuo
Clarinet - Felix Behringer
Harp - Polina Skriabina
Violin - Grigory Maximenko
Cello - Isabel Gehweiler
Différences is a composition by the Italian composer Luciano Berio for flute, clarinet, viola, cello, harp and magnetic tape, dating 1958–59. It was written for the Domaine musical concerts in Paris and first performed in March 1959, conducted by Pierre Boulez.
Différences is one of the first attempts to combine live instruments with electronic music. At the centre of the work, the tape sound takes the place of the performers. They return with various pizzicato entries, creating a homogeneous texture which seeks only an alteration in the expression rather than a disruption in the character of the music.
Berio began the composition for Différences a year before the premiere by recording in Paris the same musicians who were to give the first performance. In the Studio di fonologia musicale in Milan he then transformed these recordings to produce the tape with which the musicians interact during the performance. Berio remarked that "[i]n Différences the original model of the five instruments coexists alongside an image of itself that is continually modified, until the different phases of transformation deliver up a completely altered image that no longer has anything to do with the original" (Berio, Dalmonte & Varga 1985, p. 126).
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Boris Tishchenko - Symphony No. 9 (Unfinished), (2008)
Orchestrated by Svetlana Nesterova
Dedicated to G. N. Roshdestvensky
Saint Petersburg Philharmonic Academic Symphony Orchestra
Conductor - Vladimir Altshuler
1. Andante - 0:00
1. Allegretto Molto - 2:36
Boris Tishchenko's 9th Symphony is an almost Mahlerian work, which was started in 2008, but sadly left unfinished at the time of his death in December 2010. It was orchestrated by Svetlana Nesterova, a student in his class at the St Petersburg State Rimsky-Korsakov Conservatoire during the years 1995-2000. Almost no information is available for this work, and there has been no recording made of it, except for this one, which is very difficult to come by, and does not seem to be available anywhere for purchase. Nevertheless it is a wonderful, short work, which remains in two sections, and Andante, followed by an Allegretto Molto, which make up part of a first movement (as indicated in the score). It ends rather abruptly with the footnote "The author's manuscript is interrupted here (2008)
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Performers:
Conductor / Violin 1 - Pinchas Zukerman
Violin 2 - Ariel Shamai
Viola - Miriam Hartman
Double Bass - Peter Marck
Israel Philharmonic Orchestra
The Serenade No. 6 for Orchestra in D major K. 239, 'Serenata Notturna', was written by Wolfgang Amadeus Mozart in Salzburg, in 1776. Mozart's father, Leopold Mozart, wrote the title and a January 1776 date on the original manuscript.
It has three movements:
0:00 - Marcia (maestoso)
4:26 - Minuetto
8:28 - Rondo (allegretto)
It is scored for
Two small orchestras
1st violin (soloist), 2nd violin (soloist), 1st viola, double bass
1st violin, 2nd violin, 2nd viola, cello, timpani.
https://en.wikipedia.org/wiki/Serenade_No._6_(Mozart)
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Utsyo Chakraborty - Imitation Games, for virtual (MIDI) piano (2019-22)
I. A Flowering Tree - 0:00
II. On having played with time... (A: Fugue) - 1:04
II. On having played with time... (B: Canon) - 2:03
"Besides providing composers with a decent playback option, the superhuman capabilities of MIDI have always fascinated me; the hyper-accuracy in playing the most complex of harmonic combinations, polyrhythms, dynamic shifts at the most amazing speeds and what not. Being indebted to this protocol of music making, I wanted to write a short set of etudes for it, albeit in a more meaningful way. I did not want to create complexity for its own sake at the expense of musicality (as many Black MIDI compositions often tend to do).
These “Imitation Games” could be looked upon as a contemporary take on the common-practice notions of imitative counterpoint. Structured in a neo-baroque fashion, the movements are as follows:
(i) A Flowering Tree – a prelude with interlocking strands of counterpoint and rhythm.
(ii) On having played with time… - (A) a 6-voice fugue without connecting episodes; (B) a canon in 6 voices, with the leading dux being derived from various contrapuntal transformations of an original subject (marked S in the score)."
- Utsyo Chakraborty, June, 2022
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Magnus Lindberg - Concerto for Clarinet and Orchestra (2002)
Finnish Radio Symphony Orchestra
Conductor - Sakari Oramo
Clarinet - Kari Kriikku
https://en.wikipedia.org/wiki/Clarinet_Concerto_(Lindberg)
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Richard Strauss - Allegretto TrV.295, AV.149 in E major for Violin and Piano (1948)
Violin - Brigitte Lang
Piano - Yvonne Lang
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Pierre Boulez: Doubles, for large orchestra
Het Residentie Orkest
Conductor - Pierre Boulez
Recorded 1966
Reworked as Figures - Doubles - Prismes: https://youtu.be/xjBtbM0rt3U
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