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Dear Sir
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New album Daddy's Home out now: https://lnk.ilovestvincent.com/DaddysHome
From the album MASSEDUCTION, order & stream.
Spotify: http://found.ee/StVincent_NewYorkSpot...
iTunes: http://found.ee/StVincent_NewYorkiTun...
Google: http://found.ee/StVincent_NewYorkGoog...
Amazon: http://found.ee/StVincent_NewYorkAmaz...
Apple: http://found.ee/StVincent_NewYorkApple-i
Facebook: https://www.facebook.com/St.Vincent
Instagram: https://www.instagram.com/st_vincent
Twitter: https://twitter.com/st_vincent
Directed by: Alex Da Corte
http://alexdacorte.com
Produced by: All Ages Productions
http://allagesproductions.com
#StVincent #NewYork #MASSEDUCTION
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#FACTCHECKTHEFACTCHECKERS
Produced by Earbuds
‘Kali V2’ taken from the debut album ‘MAN MADE’ out now
Stream/Download/Buy ‘MAN MADE’: https://greenteapeng.lnk.to/MANMADEID
IG: https://Instagram.com/greenteapeng
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Website: https://greenteapeng.net
Lyrics:
I'm feeling kinda helpless now
I'm in a box looking out at shifting grounds
Interpreting new sounds
My eyes were sharp and then I found out
This shits way to profound for me sober
I've been searching for some other
Right beside myself
Like you don't
Provide the help
The clarity for me to see
The lies and deceit that they try to pull over we
Still my people they suffering
Yea my people stay suffering
And in the streets there is mumbling
I feel ya narrative crumbling
May KALI’s fire bun ya down
Rid this land free of rotten crown
I'm ready to make a new sound
Can’t contribute to the lies
In this fickle paradise
These days you gain truths
And lose followers
And trust me these blessings are working just how they should
And as things try to disguise themselves
Like false truths let them go
Like fake news you must move through
Reflect the highest you
Don’t allow yourself to be consumed
By the fear these man adhere to
We were put here as equal
This is our time no sequel
Still my people stay suffering
Yea my people they suffering
And In the streets there is mumbling
I feel ya narrative crumbling
May KALI’s fire bun ya down
Rid this land free of rotten crown
I'm ready to make a new sound
Can’t contribute to the lies
In this fickle paradise
May KALI ’s fire bun ya down
Rid this land free of rotten crown
I'm ready to make a new sound
Can’t contribute to the lies
In this fickle paradise
Fuck a fickle paradise x2
Fuck this fickle paradise
Such a fickle paradise
Fuck this fickle paradise
Can’t contribute to the lies
Can’t contribute to the lies
Fuck this fickle paradise
Such a fickle paradise
Fuck this fickle paradise
Can’t contribute to the lies
Fuck this fickle paradise
Such a fickle paradise
Fuck this fickle paradise
Credits:
Director: Aboveground
Producer: Maya Dufeu
Prod Asst: Samuel Taylor
DOP: Ahmet Husseyin
Steadicam: Beau Pritchard-James
First AD: George O’Regan
1st AC: Sam Harding
2nd AC: Alice Davies
Gaffer: Jonny Boomer
Spark: Oscar Whaley
Production Design: Louis Simonon
Production Design: Asst Tomomi Kishimoto
MUA: Maha Alselami
BTS / Van 1: Stefania Tasca
Styling Assistant: Farah Lakoues
Luton Van Driver: Reuban Thacker
Styling: Greentea Peng & Jake Hunte
Colorist: Alexandre Nerzic
Sound Designer: Vaiper
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Music video by Bruce Springsteen & The E Street Band performing Because The Night. (C) 2010 Bruce Springsteen
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RED LORRY YELLOW LORRY Walking On Your Hands
The band was formed by guitarist/songwriter Chris Reed and vocalist Mark Sweeney, along with bassist Steve Smith and drummer Mick Brown (who would later join The Mission). Sweeney left the band in late 1981 and Reed permanently took over as vocalist, with Martin Fagan joining as a second guitarist. The group's sound, featuring a numbing guitar drone, powerfully throbbing bass, pounding drum machine, and Reed's cavernous vocal tones, caused the Lorries (as their fans came to call them) to be quickly lumped into the then-developing gothic rock scene by pop journalists, although the band themselves preferred to cite Wire as an influence.[1]
In 1982, the Lorries' manager Dave Hall provided independent record label Red Rhino with a cassette of the group's demos.[2] Impressed by the quality of the songs, Red Rhino label head "Tony K" (Tony Kostrzewa)[3] signed the band and immediately released "Beating My Head" unchanged from the demo as the band's debut single.[4] The song made a strong appearance on the influential NME independent record chart. Fagan and Smith soon departed the band, to be replaced by Dave Wolfenden and Paul Southern respectively. While numerous additional personnel changes would occur in the history of the band, Wolfenden became a mainstay and a frequent songwriting partner of Reed's during the band's most productive period. In 1983 and 1984, the band released several more singles (including "He's Read" and "Monkeys On Juice", which reached No. 9 on the NME indie chart[5]). John Peel was an early supporter, and the band recorded two radio sessions for him in March and November 1983.[2][6]
In 1985, the band's debut album, Talk about the Weather, was released and peaked at No. 3 on the NME indie rock albums chart.[7] The album, which most fans consider to be the band's best, received generally positive reviews and sold extremely well for a small label offering.[4] "Hollow Eyes", a single taken from the album, attained good sales as well,[8] as did follow-up non-LP singles "Chance" and "Spinning Round",[9] the latter of which is generally felt to be the Lorries's strongest song
http://www.cherryred.co.uk/
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