【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き Rimsky-Korsakov 4 Romances Op.3 No.3 3-1 The Pine and the Palm 林姆斯基 高沙可夫 浪漫曲 作品3 林姆斯基 高沙可夫 浪漫曲 作品3 Rimski-Kórsakov 4 Romanzas Canciones リムスキー=コルサコフ 4つの歌 Classical music Música clásica クラッシック 古典音樂 古典音乐 #Rimsky #Romance #Song
Rimsky-Korsakov 4 Romances Op.3 No.3 3-1 The Pine and the Palm (Ель и пальма) No.3 3-2 Southern Night (Южная ночь) No.3 3-3 The Golden Cloud Did Sleep (Ночевала тучка золотая) No.4 3-4 On the Hills of Georgia (На холмах Грузии) ... https://www.youtube.com/watch?v=obzWUatwtIA
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Debussy L.136
Étude 4 136-4 pour les sixtes (sixths)
德布西 練習曲 作品136
德布西 练习曲 作品136
Debussy Doce estudios para piano
ドビュッシー ピアノのための12の 練習曲
piano 鋼琴 钢琴 ピアノ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Debussy #Etude #Étude
Étude 1 136-1 pour les cinq doigts d'après Monsieur Czerny (five fingers, "after Monsieur Czerny")
Étude 2 136-2 pour les tierces (thirds)
Étude 3 136-3 pour les quartes (fourths)
Étude 4 136-4 pour les sixtes (sixths)
Étude 5 136-5 pour les octaves
Étude 6 136-6 pour les huit doigts (eight fingers)
Étude 7 136-7 pour les degrés chromatiques (chromatic degrees)
Étude 8 136-8 pour les agréments (ornaments)
Étude 9 136-9 pour les notes répétées (repeated notes)
Étude 10 136-10 pour les sonorités opposées (opposing sonorities)
Étude 11 136-11 pour les arpèges composés (composite arpeggios)
Étude 12 136-12 pour les accords (chords)
Claude Debussy's Études (L 136) are a set of 12 piano études composed in 1915. The pieces are extremely difficult to play, and Debussy described them as "a warning to pianists not to take up the musical profession unless they have remarkable hands". They are broadly considered his late masterpieces.
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https://www.youtube.com/watch?v=5-6_BEdjfuU
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Mozart Piano Sonata No.9 K311 /284c in D major
莫札特 鋼琴 奏嗚曲 第9號 作品311 D大調
莫札特 钢琴 奏呜曲 第9号 作品311 D大调
Mozart Piano Sonata n.º 9 K.311 en re mayor
モーツァルト ピアノ ソナタ 第9番 ニ長調
Piano 鋼琴 ピアノ Classical music Música clásica クラッシック 古典音樂 古典音乐
#Mozart #Piano #Sonata
00:00 I Allegro con spirito
04:18 II Andante con espressione
09:12 III Rondeau (Allegro)
Wolfgang Amadeus Mozart's Piano Sonata No. 9 in D major, K. 311 / 284c, was written on the composer's stay in Augsburg and Mannheim in November-December 1777, and is contemporaneous with his Sonata No. 7 in C Major K. 309 (Mozart wrote his Sonata K. 310 in the summer of the following year, in Paris). The three sonatas K. 309–311 were published as a set 'Opus IV' in about 1782, by Franz Joseph Heina in Paris.
A typical performance takes about 15 to 17 minutes.
The first movement is in sonata form. Its first subject has a quasi-orchestral opening, and its second subject in the dominant key (A major) is quieter. The development section is almost entirely based on the last four bars of the exposition.
The second movement has an episodic structure A–B–A–B–A–coda. The second theme's melody is gently decorated with syncopation, accompanied by broken chords in the left hand. This key is G major, the subdominant of D major.
Lastly, the most technically demanding movement of the three is a sonata rondo, with a short central episode in B minor (the main key's relative minor). A slow cadenza-like passage containing a rapid ascending chromatic scale leads back to the first theme. In this passage the beginnings of the main theme of the famous second movement of the Piano Concerto No. 21 in C Major, K. 467, can be heard emerging - 8 years before he wrote it in 1785.
The piece displays mature thematic development.
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https://www.youtube.com/watch?v=FdW--bFNHYo
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Bruch 8 Pieces for Clarinet, Viola and Piano Op.83
No.5 83-5 Rumänische Melodie: Andante
布魯赫 8首小品 作品83 單簧管 中提琴 鋼琴大提琴
布鲁赫 8首小品 作品83 单簧管 中提琴 钢琴大提琴
Bruch Ocho piezas para clarinete, viola y piano Op.83
ブルッフ 8つの小品 クラリネット ヴィオラ ピアノ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Bruch #Pieces #布魯赫
8 Pieces for Clarinet, Viola and Piano, Op.83
No.1 83-1 Andante
No.2 83-2 Allegro con moto
No.3 83-3 Andante con moto
No.4 83-4 Allegro agitato
No.5 83-5 Rumänische Melodie: Andante
No.6 83-6 Nachtgesang: Andante con moto
No.7 83-7 Allegro vivace, ma non troppo
No.8 83-8 Moderato
Bruch's most well-known chamber work is the eminently worthy collection of Eight Pieces for Clarinet, Viola and Piano, op. 83 of 1910. Bruch composed them for his twenty-five-year-old son, Max Felix, who was just beginning his career as a professional clarinetist at the time. It would seem that several aspects combine to grace this work with intimate significance: the musical inspiration of Bruch’s own son, the special character of the clarinet, the “halo” of historical trios from Brahms and Mozart, Bruch’s own advanced, fragile age, and, finally, the very twilight of a Romantic style that would soon be banished to a lost epic of the past.
Although they comprise a collection of individual, short “miniatures”, Bruch’s pieces are much more than brief character sketches for the salon: They are beautifully scored chamber trios with lyrical melodies, romantic harmonies and articulated forms full of passionate expression and elegant design. While Bruch inevitably evokes Brahms, one also hears ample reflections of Schumann, Schubert and Beethoven and a clear, ripe tradition of German Romanticism. Commentators often point out the predominance of minor keys yet many of the pieces eventually transform their initial melancholy into a kind of resolved, illuminated nobility. Along with a variety of mood and tempo, the music offers a fluid variety of scoring featuring each of the three instruments in the strong relief of intimately interactive chamber textures. A year later, Bruch would pursue these unique sonorities with another work for his son, the Concerto for Clarinet, Viola, and Orchestra in E minor, Op. 88 of 1911.
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https://www.youtube.com/watch?v=sKwAPLx7-vI
【Kero】 Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Faure Barcarolle No.9 Op.101 in A minor
佛瑞 船歌 第9號 作品101 A小調
佛瑞 船歌 第9号 作品101 A小调
Fauré Barcarola n.º 9 en la menor
フォーレ バルカローレ 第9番 イ短調
piano 鋼琴 钢琴 ピアノ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Faure #Barcarolle #船歌
Barcarolles were originally folk songs sung by Venetian gondoliers. In Morrison's phrase, Fauré's use of the term was more convenient than precise. Fauré was not attracted by fanciful titles for musical pieces, and maintained that he would not use even such generic titles as "barcarolle" if his publishers did not insist. His son Philippe recalled, "he would far rather have given his Nocturnes, Impromptus, and even his Barcarolles the simple title Piano Piece no. so-and-so." Nevertheless, following the precedents of Chopin and most conspicuously Mendelssohn, Fauré made extensive use of the barcarolle, in what his biographer Jessica Duchen calls "an evocation of the rhythmic rocking and lapping of water around appropriately lyrical melodies."
Fauré's ambidexterity is reflected in the layout of many of his piano works, notably in the barcarolles, where the main melodic line is often in the middle register, with the accompaniments in the high treble part of the keyboard as well as in the bass. Duchen likens the effect of this in the barcarolles to that of a reflection shining up through the water.
Like the nocturnes, the barcarolles span nearly the whole of Fauré's composing career, and they similarly display the evolution of his style from the uncomplicated charm of the early pieces to the withdrawn and enigmatic quality of the late works. All are written with compound time signatures (6/8, 9/8, or 6/4).
Barcarolle No. 9 in A minor, Op. 101 (1909)
The ninth barcarolle, in Koechlin's view, "recalls, as in a hazy remoteness, the happiness of the past". Nectoux writes that it consists of "a series of harmonic or polyphonic variations on a strange, sombre, syncopated theme, whose monotony recalls some sailor's song".
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https://www.youtube.com/watch?v=cz5lH37tSSE
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Mozart Violin Sonata No.17 K296 in C major
莫札特 小提琴 奏嗚曲 第17號 作品296 C大調
莫札特 小提琴 奏呜曲 第17号 作品296 C大调
Mozart Sonata para violín n.º 17 en do mayor
モーツァルト ヴァイオリン ソナタ 第17番 ハ長調
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Mozart #Violin #Sonata
Violin Sonata No. 17 in C Major, K. 296, was composed by Wolfgang Amadeus Mozart on 11 March 1778 in Mannheim, Germany and was first published in 1781 as part of Mozart's Opus 2 collection. It is the first work of his 'mature sonatas' (those not written in his childhood), which were written between 1778 and 1788. The work was dedicated to Josepha Barbara Auernhammer.
The work consists of three movements.
This work is written in the style popular in Mannheim, as Mozart was impressed upon playing the violin sonatas of Joseph Schuster), noting that they were “very popular” in Mannheim.
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https://www.youtube.com/watch?v=MDs6VFE9Nww
【Kero】Score Sheet 譜 樂譜 谱 乐谱 Partitura 楽譜付き
Rachmaninoff Op.9 Trio Elegiaque No.2 in D minor for Piano Violin Cello
拉哈曼尼諾夫 拉赫曼尼諾夫 三重奏 第2號 悲歌 D小調 鋼琴 小提琴 大提琴
拉哈曼尼诺夫 拉赫曼尼诺夫 三重奏 第2号 悲歌 D小调 钢琴 小提琴 大提琴
Rajmáninov Trio élégiaque n.º 2 en re menor para piano violín y chelo
ラフマニノフ 悲しみの三重奏曲 第2番 ピアノ ヴァイオリン チェロ
Classical music Música clásica クラッシック 古典音樂 古典音乐
#Rachmaninoff #Trio #Elegiaque
00:00 I Moderato
19:04 II Quasi variazione
37:26 III Allegro risoluto
Sergei Rachmaninoff's Trio élégiaque No. 2 in D minor, Op. 9 is a piano trio which he began composing on 25 October 1893 and completed on 15 December that year. It was written in memory of Tchaikovsky, and was inscribed with the dedication "In Memory of a Great Artist". It was first performed in Moscow on 31 January 1894 by Rachmaninoff himself, the violinist Julius Conus, and the cellist Anatoli Brandukov.
The trio is in three movements, taking approximately 50 minutes to perform.
I. Moderato (D minor)
The first movement starts with a sombre tone, with a theme that returns both in the second movement and at the close of the final movement.
2. Quasi variazione (F major)
The second movement consists of eight variations upon the main theme of his symphonic poem The Rock.
3. Allegro risoluto (D minor)
The final movement, although short in comparison to the previous movements, is dominated by the unceasingly powerful and dramatic piano part.
This piano trio is similar to Tchaikovsky's Trio in A minor, which was dedicated to Nikolai Rubinstein, in that it follows the same basic structure.
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https://www.youtube.com/watch?v=jnA1le98Cuw