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16 Dec 2021 22:16:47 UTC
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Genaside II - Narra Mine
people why don't you come and hear
people why don't you come and hear
people why don't you come and hear
come and hear
come and hear
come and hear
come and hear
people realise
the judges are all telling lies
look at the country now
empty heads are feeling proud
feeling proud
feeling proud
educate the narrow minds
they see what they wanna see
educate the narrow minds
they feel what they wanna feel
what they feel
what they feel
think about the time we've wasted
now we're in reverse
going back to what has been
and the judge he still hasn't learned
hasn't learned
hasn't learned
hasn't learned
educate the narrow minds
they see what they wanna see
educate the narrow minds
they feel what they wanna feel
what they feel
educate the narrow minds
they see what they wanna see
educate the narrow minds
they feel what they wanna feel
what they feel
Hey...hey...lord a hey!
Follow me, follow me, follow me, follow me...mi bawl
Mad midda mad midda mad midda mad midda me turn mad up
Mad midda mad midda mad midda mad midda me turn mad up, eh!
Mad midda mad midda mad midda mad midda me turn mad up
Mad midda mad midda mad midda mad midda me turn mad up
Me turn mad up
Killerman chat the mic me turn mad up
Killerman chat the mic me turn mad up
Idiot deejay dem a get jack up
chat too much and then ya get slap up
eh oh me ratchet knife it just flick up
straight in ya face ya face it get wet up
in ah ya belly ya belly it get cut up
'a fi go 'ospital to get stitch up
Genocide crew you know we don't ramp up
When you get kick up and slap up and bash up
phenomenon up pon ya mic, an me ruff
me pull up on and we call out to thee
Cos many of those, many of those, many of those don't know how to act
many of those d-d-d-d-d-d-don't know how to act
many of those, many of those, many of those don't know how to act
many of those d-d-d-d-d-d-don't know how to act
With the hotter hotter - say you no hotter hotter
and when you hafa hafa - hold it in ya ata ata
When we flash these lyrics we beg ya pay attention
D-O-N, understand me nah man
Understand me now Ladies and Gentleman
So michael jackson like he went before he was a badman
AK fire, and your legs start burn!
And you look like the boxer called George Foreman
Foreman was a boxer me say from america
Killerman me on the mic, come to take over
and when me hold the badger up me said it hot like fire
And the pum pum print a beg him kill him murder
Cos a this a yoot man pon your mic centre
We say anywhere we go we have to bun Babylon
And we chat microphone like this and that
And me keep on run and me keep on...
a-ggrr hotta a ggrrimini, ggrrimini, ggrrimini, ggrrimini-oo
a gimini Hotta pon ya mic a babbi-nabba-pappatoo, ma-na-ma
Hold up on the mic a say me o'bile for you-ah
When upon it them a gone up and screw
gwan them a never get mmm like me
one a-the days im look a see to get me hard degree
get to my days, a my day, a da-da dah
Murder them a, murder them a run like a who-oo
We're Genaside, calling through
Prophet to him, brock it to you
better body gal a you a stand up and true
gwaan like ya ruff, a you no ruff like a who
when we chat the mic and then me dagger pass through
one a one a two, a go a one dagger two, eh!
drop the mic an', pull up a style an'
mi get mi wickid up, while to while ah
release them shot, live from the gun u nuh
die one, and then me massive them a pile up
straight to he, and you no say riddim,
anywhere me go a say me pull out the clip, bo!
this raggamuffin say me ruff and tuff
me say anywhere we go the dancehall haf to brock
talk wise to woman and we talk like that
and we talk all the words for you dedication, eh!
this for me good, eh, this for me bad, eh,
rock the mic, and a tase up this land
hook up a little girl who was a bare imaginey
when me check it out she had a gun in her body
me na wan no dirrty girl, if she crabby crabby, eh!
true raggamuffin pon your mic em cee, bo!
drop the mic, i be full up of the style
say raggamuffin in a raggamuffin style, eh!
bo!
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More from the publisher
the-only-way-to-tell-the-truth-is-in-fiction
Slides Here: https://defcon.org/images/defcon-22/dc-22-presentations/Theime/DEFCON-22-Theime-Truth-Through-Fiction-Updated.pdf
The Only Way to Tell the Truth is in Fiction: The Dynamics of Life in the National Security State
Richard Thieme THIEMEWORKS
Over a decade ago, a friend at the National Security Agency told Richard Thieme that he could address the core issues they discussed in a context of "ethical considerations for intelligence and security professionals" only if he wrote fiction. "It's the only way you can tell the truth," he said.
Three dozen published short stories and one novel-in-progress (FOAM) later, one result is "Mind Games," published in 2010 by Duncan Long Publishing, a collection of stories that illuminates “non-consensual realities:” the world of hackers; the worlds of intelligence professionals; encounters with other intelligent life forms; and deeper states of consciousness.
A recent scholarly study of “The Covert Sphere” by Timothy Melley documents the way the growth and influence of the intelligence community since World War 2 has created precisely the reality to which that NSA veteran pointed. The source of much of what “outsiders” believe is communicated through novels, movies, and television programs. But even IC “insiders” rely on those sources as compartmentalization prevents the big picture from coming together because few inside have a “need to know.”
Thieme asked a historian at the NSA what historical events they could discuss with a reasonable expectation that their words denoted the same details. “Anything up to 1945,” the historian said with a laugh – but he wasn’t kidding.
Point taken.
This fascinating presentation illuminates the mobius strip on which all of us walk as we make our way through the labyrinth of security and intelligence worlds we inhabit of necessity, all of us some of the time and some of us all of the time. It discloses why “post-modernism” is not an affectation but a necessary condition of modern life. It addresses the words of an NSA intelligence analyst who responded to one of Thieme’s stories by saying, “most of this isn’t fiction, but you have to know which part to have the key to the code.” This talk does not provide that key, but it does provide the key to the key. It also throws into relief everything else you hear – whether from the platform or in the hallways – inside this conference. And out there in the “real world.”
“Nothing is what it seems.”
Richard Thieme is an author and professional speaker focused on the challenges posed by new technologies and the future, how to redesign ourselves to meet these challenges, and creativity in response to radical change and identify shift. His column, "Islands in the Clickstream," was distributed to subscribers in sixty countries before collection as a book in 2004. When a friend at the NSA said, "The only way you can tell the truth is through fiction," he returned to writing stories, 19 of which are collected in “Mind Games.” He is co-author of the critically acclaimed “UFOs and Government: A Historical Inquiry,” a 5-year research project using material exclusively from government documents and other primary sources, now in 50 university libraries. Speeches based on the book have been given for HITB-KL, an FBI/Infragard “superconference,” the Ryerson Astronomical Society at the University of Chicago, the Chicago Astronomical Society at Adler Planetarium, and dozens of libraries.
A novel, FOAM, is in progress and “A Richard Thieme Reader” will be published soon. His work has been taught at universities in Europe, Australia, Canada, and the United States, and he has guest lectured at numerous universities, including Purdue University (CERIAS), the Technology, Literacy and Culture Distinguished Speakers Series of the University of Texas, the “Design Matters” lecture series at the University of Calgary, “The Real Truth: A World’s Fair” at Raven Row Gallery, London, and as a Distinguished Lecturer in Telecommunications Systems Management at Murray State University. He addressed the reinvention of “Europe” as a “cognitive artifact” for curators and artists at Museum Sztuki in Lodz, Poland.
www.thiemeworks.com
twitter and skype: neuralcowboy
linkedIn: Richard Thieme
Facebook: Richard Thieme author page
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