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7 Jan 2021 06:10:39 UTC
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Angry Public Rhetorics: Global Relations and Emotion in the Wake of 9/11
Author: Celeste Michelle Condit
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In Angry Public Rhetorics, Celeste Condit explores emotions as motivators and organizers of collective actiona theory that treats humans as symbol-using animals to understand the patterns of leadership in global affairsto account for the way in which anger produced similar rhetorics in three ideologically diverse voices surrounding 911 Osama bin Laden, President George W. Bush, and Susan Sontag. These voices show that anger is more effective for producing some collective actions, such as rallying supporters, reifying existing worldviews, motivating attack, enforcing shared norms, or threatening from positions of power and less effective for others, like broadening thought, attracting new allies, adjudicating justice across cultural norms, or threatening from positions of weakness. Because social anger requires shared norms, collectivized anger cannot serve social justice. In order for anger to be a force for global justice, the worlds peoples must develop shared norms to direct discussion of international relations. Angry Public Rhetorics provides guidance for such public forums. **Review A primary contribution of this scholarly work is that it represents one of the only (if not the only) systematic, book-length studies comparing the public discourse surrounding 911, including the public rhetoric of those who expressed moral outrage at the American response to the terrorist attacks. But in addition to this, the book also expertly draws upon and synthesizes a wide range of psychological, philosophical, and rhetorical theories of, and perspectives on, emotion (and the emerging term, affect), up to and including the new realismmaterialism. Professor Condits book is important, too, becauseher overall approach to angry rhetoric informs even more recent public displays of angry rhetoric, as they have been associated with responses to numerous home-grown terrorist attacks since 911 and with the so-called discontent that contributed to the 2016 presidential election. Kenneth Zagacki, North Carolina State University In this important book about debilitating and violent entailments of anger in public rhetoric, I am intrigued mostly by Celeste Condits reflections on the possibilities of deploying our constructive symbolic capacity to overcome angers narrowing forces. The book inclines toward a pragmatic vision of democratic deliberation in multiple global forums. Robert L. Ivie, Indiana University, Bloomington With Angry Public Rhetorics, Celeste Condit shows what transdisciplinary research can do. What emerges in these pages is an account of anger as it burns through global public discourse, soldering people together with its energy, its heat, andperhaps surprisingly, as Condit showsits optimism. This book could not be more timely. Debra Hawhee, McCourtney Institute for Democracy Angry Public Rhetorics is interesting, well-done analytically, and addresses important questions surrounding both post-911 American politics and the politics of global emotions more generally. The book offers new insights regarding the dynamics and implications of anger to make a fine contribution. Ty Solomon, University of Glasgow About the Author Celeste M. Condit is Distinguished Research Professor in the Department of Communication Studies at the University of Georgia.
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Author: Justin Bozung
File Type: pdf
The Cinema of Norman Mailer Film is Like Death not only examines the enfant terrible writers thoughts on cinema, but also features interviews with Norman Mailer himself. The Cinema of Norman Mailer also explores Mailers cinema through previously published and newly commissioned essays written by an array of film and literary scholars, enthusiasts, and those with a personal, philosophical connection to Mailer. This volume discusses the National Book Award and Pulitzer Prize-winning author and filmmakers six films created during the years of 1947 and 1987, and contends to show how Mailers films can be best read as cinematic delineations that visually represent many of the writers metaphysical and ontological concerns and ideas that appear in his texts from the 1950s until his passing in 2007. By re-examining Mailers cinema through these new perspectives, one may be awarded not just a deeper understanding of Mailers desire to make films, but also find a new, alternative vision of Mailer himself. Norman Mailer was not just a writer, but more he was one of the most influential Postmodern artists of the twentieth century with deep roots in the cinema. He allowed the cinema to not only influence his aesthetic approach, but sanctioned it as his easiest-crafted analogy for exploring sociological imagination in his writing. Mailer once suggested, Film is legitimately more interesting than books... and with that in mind, readers of Norman Mailer might begin to rethink his oeuvre through the viewfinder of the film medium, as he was equally as passionate about working within cinema as he was about literature itself. **Review this is an illuminating, long overdue reassessment of Mailers cinematic endeavors. - Shock Cinema Magazine You can bet there will never be another book on the films of Norman Mailer. This always intelligent look back at the despised movie career of this famously talented writer is made all the more astonishing by the collected essays honesty, respect and attempt at historical context. Reading about these movies is way more fun than actually seeing them and even Norman might agree. - John Waters, Director and Screenwriter, USA Bozungs collection represents a major advance in our understanding of Mailers filmstheir origins, creation, reception, relationship to his literary work, and enduring influence. His assiduous archival work, communication with almost everyone alive involved with Mailers filmmaking, the collection of previously published essays (including Mailers), and the commissioning of new ones, plus an extraordinary collection of photographs, makes The Cinema of Norman Mailer the definitive volume on Mailers film career. - J. Michael Lennon, author of Norman Mailer A Double Life (2013) and Emeritus Professor of English, Wilkes University, USA Because of this thorough, eclectic, and nuanced text, I now feel as if I could do a better job teaching Mailer as a filmmaker and communicate a more critical and contextualized understanding of Mailers process and product. Now, after reading this comprehensive collection of memoirs, essays, and interviewsone that, I might add, will appeal to the enthusiast as well as undergraduate and graduate studentsI feel as if I actually might be able to do Mailer justice as a filmmaker in the classroom. Now, instead of thinking about Mailer as a writer who pushed the boundaries of all the genres he worked in, thanks to Bozungs collection, I have a broader understanding of Norman Mailer and his cultural legacy. Norman Mailer Review About the Author Justin Bozung is a researcher, writer, and part-time archivist, residing in Georgia, USA. He was a featured contributor at Shock Cinema and Videoscope magazines from 2010 to 2014. He has contributed to two books about Stanley Kubrick 2001 The Lost Science (2013) and Studies in the Horror Film Stanley Kubricks The Shining (2015). Bozung serves on the board of the Norman Mailer Society and lectures about Mailers films.
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50611
Author: Emily Brady
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Within philosophy, a new interest in aesthetics beyond the arts has encouraged the rapid growth of environmental aesthetics. Within this literature, however, less attention has been given to the spaces and places that emerge from various nature-culture interactions. This has meant the relative neglect of types of environments to which the majority of people have access, and interact with, in a sustained manner. In this respect, these are the environments in which many of us understand and value nature. Through a greater understanding of how humans interact with these environments and the types of relationships that emerge through this interaction, we address seek to address this gap. Between Nature and Culture provides a systematic, philosophical account of the main issues and problems that pertain to the aesthetics of modified environments, as well as new insights concerning the generation and appreciation of landscapes and environments that fall between (non-human) nature and (human) culture, including gardens, agricultural and ecologically restored landscapes, and land and ecological art works. **Review A welcome collaborative effort that examines both mainstream and quirky instances of modified natural environments, proposes proper modes of aesthetic appreciation for such sites, and urges an ethical stewardship that foregrounds caring for the natural world we inhabit. (Stephanie Ross, Professor of Philosophy, University of Missouri, St Louis) Until recently, environmental aesthetics was preoccupied with wild or unmodified nature. Since the environments we engage with most like gardens and farmland are decisively modified by cultural practices, a book on the aesthetics of such environments is especially welcome. The authors provide clear, informed and closely argued discussions of topics that range from topiary and monocultural farming to landscape restoration and environmental art. Their book will surely help to widen the horizons of environmental aesthetics. (David E. Cooper, Emeritus Professor, Department of Philosophy, Durham University) Between Nature and Culture The Aesthetics of Modified Environments is a masterpiece. Clear and well-expressed, the books philosophy is optimistic and admirable, and reminds me of the early writings of transcendentalists such as Henry David Thoreau. (Jai Syvitski, Professor, Department of Geological Sciences, University of Colorado Boulder) This timely and carefully-argued book addresses the various ways that aesthetic value can be created by working with nature. In so doing, it sheds new light on the aesthetic and ethical significance of a wide range of practices, from topiary to stonewalling and from land art to the restoration of post-industrial landscapes. I highly recommend it. (Simon Paul James, Reader in Philosophy at Durham University Member of Durham Centre for Ethics and Law in the Life Sciences) In contrast to much of the major work in environmental aesthetics, Between Nature and Culture focuses on the aesthetic potential of modified environments, such as gardens and agricultural landscapes, where the land is intentionally modified to suit human needs and purposes. The book is an excellent introduction to this important area of research as well as a deep discussion of its major themes. It will be an essential source for scholars and a fascinating read for anyone interested in the aesthetic appreciation of the environments in which, as the authors note, most of us spend most of our lives. (Allen Carlson, Professor Emeritus, Department of Philosophy, University of Alberta) About the Author Emily Brady is Professor of Philosophy and Director of Glasscock Center for Humanities Research at Texas A&M University. She works in the areas of aesthetics and philosophy of art, environmental ethics, environmental humanities, and animal studies. She has published widely in aesthetics and environmental philosophy, and her most recent book is The Sublime in Modern Philosophy Aesthetics, Ethics and Nature (Cambridge University Press, 2013). Dr Isis Brook is Head of Faculty and Senior Lecturer at Crossfields Institute International. She has held philosophy lectureships at Lancaster University, where she also served as a Faculty Teaching Dean, and the University of Central Lancashire. Her research and publications range across aesthetics, environmental ethics, and phenomenology. She is especially interested in responses to gardens and landscapes, and how these responses can be made more sensitive and ultimately shape who we are. Dr Jonathan Prior is Lecturer in Human Geography at Cardiff University. His research and publications take an interdisciplinary approach, spanning environmental philosophy, sound studies, and landscape research. He is interested in the relationship between environmental values and the production of environmental policies, as a means to understand what motivates and underpins different ways of conceptualising the more-than-human world when humans seek to implement conservation, ecological restoration, or environmental management strategies.
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