“Let me begin my American impressions with two impressions I had before I went to America. One was an incident and the other an idea; and when taken together they illustrate the attitude I mean. The first principle is that nobody should be ashamed of thinking a thing funny because it is foreign; the second is that he should be ashamed of thinking it wrong because it is funny.” Chapter 7: The American Business Man Gilbert Keith Chesterton was an English writer, philosopher, lay theologian, and literary and art critic. He has been referred to as the "prince of paradox". Time magazine observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, his "friendly enemy", said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin. Chesterton's Orthodoxy was influential in the conversion of many to Catholicism. In the magazine The Atlantic, critic James Parker recommends the book thus: "If you’ve got an afternoon, read his masterpiece of Christian apologetics Orthodoxy: ontological basics retailed with a blissful, zooming frivolity, Thomas Aquinas meets Eddie Van Halen Chesterton Radio Works of G.K. Chesterton and Friends Plus Drama, Comedy, Mystery, Science Fiction, Big Bands and more True - Good - Beautiful The Soundtrack for your Chesterton Day! Do you enjoy the variety on Chesterton Radio? Like, Share and Subscribe to be notified of our new shows All our shows in one Playlist! http://Player.ChestertonRadio.com Easy direct link to our Channel: http://Listen.ChestertonRadio.com Discover new Chesterton Radio shows in our other Playlists! http://CBSRMT.ChestertonRadio.com http://Plays.ChestertonRadio.com http://Chesterton.ChestertonRadio.com http://Orthodoxy.ChestertonRadio.com http://EverlastingMan.ChestertonRadio... http://Eugenics.ChestertonRadio.com http://Distributism.ChestertonRadio.com http://FatherBrown.ChestertonRadio.com http://Freedom.ChestertonRadio.com http://1984.ChestertonRadio.com http://Jukebox.ChestertonRadio.com http://NocturneNightflight.Chesterton... Follow us on Social Media https://mstdn.social/@Chesterton ... https://www.youtube.com/watch?v=uom6eTuGPsw

First show with the Sportsmen Quartet. Jack is upset that Dennis and Phil have their own shows. Originally Broadcast September 29, 1946 The Jack Benny Program, starring Jack Benny, is a radio-TV comedy series that ran for more than three decades and is generally regarded as a high-water mark in 20th-century American comedy. Cast: Jack Benny – played himself. Protagonist of the show, Benny is a comic, vain, penny-pinching miser, insisting on remaining 39 years old on stage despite his actual age, and often playing the violin badly. Eddie Anderson – Rochester Van Jones, Jack's valet and chauffeur. Early in the show's run, he often talked of gambling or going out with women. Later on, he generally complained about his salary. Don Wilson – Himself. Don generally opened the show and also did the commercials. He was the target of Jack's jokes, mostly about his weight. Gene McNulty – Dennis Day, a vocalist perpetually in his 20s (by the time of the last television series, McNulty was 49 years old). He was sweet but not very bright. When called upon, he could use a wide variety of accents, which was especially useful in plays. He usually sang a song about 10 minutes into the program. If the episode was a flashback to a previous time, a ruse would be used such as Dennis singing his song for Jack so he could hear it before the show. McNulty adopted the name "Dennis Day" as his stage name for the rest of his career. Sadie Marks – Mary Livingstone, a sarcastic comic foil whose varying roles all served as, to use the description of Fred Allen, "a girl to insult (Jack)." Marks, who in real life was Benny's wife, later legally changed her name to "Mary Livingstone" in response to the character's popularity. Her role on the program was reduced in the 1950s due to increasing stage fright, and Livingstone finally retired from acting in 1958. Phil Harris – Himself. A skirt-chasing, arrogant, hip-talking bandleader who constantly put Jack down (in a mostly friendly way, of course). He referred to Mary as "Livvy" or "Liv", and Jack as "Jackson".[3] Harris explained this once by saying it's "as close as I can get to jackass and still be polite" Spun off into The Phil Harris–Alice Faye Show (1946–1954) with his wife, actress Alice Faye. Harris left the radio show in 1952 and his character did not make the transition to television. Mel Blanc – Carmichael the Polar Bear, Professor Pierre LeBlanc, Sy the Mexican, Polly (Jack's parrot), The Maxwell and many other assorted voices. An occasional running gag went along the lines of how the various characters Mel portrayed all looked alike. He was also the sound effects of Jack's barely functional Maxwell automobile—a role he played again in the Warner Brothers cartoon The Mouse that Jack Built. Another participating voice actor was Bert Gordon. Mel also played a train station announcer, whose catchphrase was, "Train leaving on Track Five for Anaheim, Azusa and Cuc-amonga." Frank Nelson – The "Yeeee-essss?" man. He was always the person who waited on Jack wherever he was, from the railroad station agent, to the store clerk, to the doorman, to the waiter. Frank always delighted in aggravating Jack, as he was apparently constantly aggravated by Jack's presence. (Wikipedia) ... https://www.youtube.com/watch?v=SYOrZT2_pfs