Secrets of War 19. - Cold War: The Strangelove Factor (1998)
Produced from 1997 to 2001, Secrets of War is a 65-hour documentary television series about military history and the secrets of war of the 20th century. It is edited as 65 episodes. The series premiered on the History Channel in September 1998 where it prevailed in the 8 o'clock Sunday evening slot for over two years. The series was co-created by Supervising Producers John Corry and Chip Proser. Alan Beattie and Chris Chesser served as Executive Producers. Original musical score composed and conducted by Ramón Balcázar. Narrated by Charlton Heston, the series details facts and information derived from rare archival footage, formerly classified documents and messages, coupled with interviews with experts, authors and eyewitnesses from all over the world.
The series was originally conceived as a 26-hour production. The first 13 hours concentrated on World War II, and the vast amount of unknown history kept secret by the British Official Secrets Act and finally revealed from 1975 to the 1990s. The second 13 hours focused on other conflicts of the 20th century. After the success of the first season, Documedia proceeded to expand the series comprehensively to address other wars, battles and intrigues, including many colour present-day shows on topics as diverse as chemical weapons and spy planes, and theme-oriented episodes like prisoners of war and code breakers.
The series interviewed key participants in all of the important conflicts of the 20th century, including prominent authors with unique perspectives of the clandestine aspects of war. The creators worked with the top spies of the era: former Directors of the CIA James Woolsey, Richard Helms and Dr. James Schlesinger; former Chairmen of the KGB Generals Vladimir Semichastny and Alexander Shelepin (Russia); as well as former directors of the MOSSAD Meir Amit and Isser Harel. Other commenters participated, including: Henry Kissinger, Robert McNamara, Dan Quayle, John H. Sununu, James A. Baker III, Jack Valenti, Howard K. Smith, John K. Singlaub, David Eisenhower, Dr. Sergei Khrushchev, Arthur Schlesinger, Jr. and Senator John McCain.
Each one-hour episode tells a strong, specific and factual story, backed up by interviews, rare footage, 3D graphics, on-location shooting, historical retracing shots and extensive reenactments. It is used in the classrooms of the United States Naval Academy and United States Air Force Academy, and the only military series that American Forces Network (formerly the Armed Forces Radio and Television Service) licenses for American Service men and women on military bases and ships worldwide.
Some fascinating extracts from an interview with
James Angleton who retired in 1975 as the head of counter—intelligence at the CIA. For more than 50 years, he was one of America’s top counter—spies, and as such, one of the most influential men in the world.
He is firmly convinced that, ever since the war, the Soviet Union has been engaged in a drive for world domination, and that the KGB has played a major part through its intelligence services.
James Jesus Angleton (December 9, 1917 – May 11, 1987) was chief of counterintelligence for the Central Intelligence Agency (CIA) from 1954 to 1974. His official position within the organization was Associate Deputy Director of Operations for Counterintelligence (ADDOCI).
In 1969, the Department of Defense, intelligence community and Department of State recommended President Richard Nixon uphold the Treaty on the Non-Proliferation of Nuclear Weapons and pressure the Israelis to stop their nuclear weapons program by withholding U.S. arms. U.S. deliberations considered Israel’s illegal diversion of U.S. weapons grade uranium. However, the Nixon administration adopted Israel’s policy of “ambiguity” toward Israel’s nukes. Why did this happen? How has “ambiguity” been maintained for a half century? What law governs U.S. foreign aid to non-NPT signatory nuclear countries, and how is this law continually subverted? How has the pattern of action leading to “ambiguity” been repeated in other key U.S. policy areas of interest to Israel and its lobby?
Grant Smith is the director of the Washington, DC-based Institute for Research: Middle Eastern Policy (IRmep). He is the author of the 2016 book Big Israel: How Israel’s Lobby Moves America about the history, functions and activities of Israel affinity organizations in America. Smith has written two unofficial histories about the American Israel Public Affairs Committee (AIPAC). America's Defense Line: The Justice Department's Battle to Register the Israel Lobby as Agents of a Foreign Government and Foreign Agents: AIPAC from the 1963 Fulbright Hearings to the 2005 Espionage Scandal.
Smith's reports about the Israel lobby appear frequently in the Washington Report on Middle East Affairs and Antiwar.com news website.
The Washington Report on Middle East Affairs (also known as The Washington Report and WRMEA) magazine, published eight times per year, focuses on "news and analysis from and about the Middle East and U.S. policy in that region". The New York Times has characterized it as "critical of United States policies in the Middle East". In 2005, USA Today called it "a non-partisan publication that has been critical of Bush's policies". Representatives of pro-Israel organizations have criticized the Washington Report on Middle East Affairs as being aligned with the Arab lobby and as "anti-Israel".
The Washington Report on Middle East Affairs states its position as follows: The Washington Report on Middle East Affairs does not take partisan domestic political positions. As a solution to the Israeli–Palestinian conflict, it endorses U.N. Security Council Resolution 242's land-for-peace formula, supported by seven successive U.S. presidents. In general, the Washington Report supports Middle East solutions which it judges to be consistent with the charter of the United Nations and traditional American support for human rights, self-determination and fair play.
2002 British television mini-series "Masters of Darkness", covering historical figures Rasputin, Aleister Crowley, Marquis de Sade, and John Dee.
Aleister Crowley (born Edward Alexander Crowley; 12 October 1875 – 1 December 1947) was an English occultist, ceremonial magician, poet, painter, novelist, and mountaineer. He founded the religion of Thelema, identifying himself as the prophet entrusted with guiding humanity into the Æon of Horus in the early 20th century. Crowley gained widespread notoriety during his lifetime, being a recreational drug user, bisexual, and an individualist social critic. Crowley has remained a highly influential figure over Western esotericism and the counterculture of the 1960s.
Channel 4 is a British free-to-air public broadcast television network. It began its transmission on 2 November 1982. The channel was established to provide a fourth television service in the United Kingdom; at the time the only other channels were the licence-funded BBC1 and BBC2, and a single commercial broadcasting network ITV.
Produced from 1997 to 2001, Secrets of War is a 65-hour documentary television series about military history and the secrets of war of the 20th century. It is edited as 65 episodes. The series premiered on the History Channel in September 1998 where it prevailed in the 8 o'clock Sunday evening slot for over two years. The series was co-created by Supervising Producers John Corry and Chip Proser. Alan Beattie and Chris Chesser served as Executive Producers. Original musical score composed and conducted by Ramón Balcázar. Narrated by Charlton Heston, the series details facts and information derived from rare archival footage, formerly classified documents and messages, coupled with interviews with experts, authors and eyewitnesses from all over the world.
The series was originally conceived as a 26-hour production. The first 13 hours concentrated on World War II, and the vast amount of unknown history kept secret by the British Official Secrets Act and finally revealed from 1975 to the 1990s. The second 13 hours focused on other conflicts of the 20th century. After the success of the first season, Documedia proceeded to expand the series comprehensively to address other wars, battles and intrigues, including many colour present-day shows on topics as diverse as chemical weapons and spy planes, and theme-oriented episodes like prisoners of war and code breakers.
The series interviewed key participants in all of the important conflicts of the 20th century, including prominent authors with unique perspectives of the clandestine aspects of war. The creators worked with the top spies of the era: former Directors of the CIA James Woolsey, Richard Helms and Dr. James Schlesinger; former Chairmen of the KGB Generals Vladimir Semichastny and Alexander Shelepin (Russia); as well as former directors of the MOSSAD Meir Amit and Isser Harel. Other commenters participated, including: Henry Kissinger, Robert McNamara, Dan Quayle, John H. Sununu, James A. Baker III, Jack Valenti, Howard K. Smith, John K. Singlaub, David Eisenhower, Dr. Sergei Khrushchev, Arthur Schlesinger, Jr. and Senator John McCain.
Each one-hour episode tells a strong, specific and factual story, backed up by interviews, rare footage, 3D graphics, on-location shooting, historical retracing shots and extensive reenactments. It is used in the classrooms of the United States Naval Academy and United States Air Force Academy, and the only military series that American Forces Network (formerly the Armed Forces Radio and Television Service) licenses for American Service men and women on military bases and ships worldwide.
Egyptian author Tarek Osman uncovers the history of the modern Arab world by tracing some of the great political dreams that have shaped it, from the nineteenth century to the Arab Spring.
Throughout the series, he focuses on two countries that are currently high on the news agenda: Egypt and Syria. As Tarek discovers, these are also the states from which many of the crucial characters and ideas in this story emerged.
In the third programme, he explores the many forces which converged and led to the unexpected rise of Islamism or political Islam from the 1970s onwards, a force which came to fill the vacuum left by Arab Nationalism.
Tarek examines the reasons for the re-emergence of the Muslim Brotherhood in Egypt and across the region, and the gradual cultural shift that changed the landscape of the Arab world .
Egyptian author Tarek Osman uncovers the history of the modern Arab world by tracing some of the great political dreams that have shaped it, from the nineteenth century to the Arab Spring.
Throughout the series, he focuses on two countries that are currently high on the news agenda: Egypt and Syria. As Tarek discovers, these are also the states from which many of the crucial characters and ideas in this story emerged.
In the first episode, Tarek takes us back to Egypt's early nineteenth century encounters with Europe.
He traces the journey of the Islamic scholar al-Tahtawi, who spent several years in Paris in the 1820s. There he was deeply struck by many exotic aspects of French culture, from constitutional governance, through forms of dress and dance, to newspapers. Back in Egypt, he became part of a burgeoning push to modernise his home country.
And Tarek visits what is now a major Cairo hotel, but in 1869 was a vast neoclassical palace, newly built to host the celebrations for the opening of the Suez Canal. Sitting on the garden terrace, he hears of the delights of 'the century's grandest party'.
Through scenes like this, he explores how, in the late nineteenth and early twentieth century, even as the Ottoman, British and French Empires asserted their power in the Arab world, a cultural renaissance was spreading.
It brought an explosion in literacy, campaigns for women's rights, and a flowering of artistic creativity from novels to cinema.
But the First World War saw Britain and France cut a secret deal to divide parts of the Arab world between them. And the reassertion of colonial power after the war brought major rebellions, such as the 1919 Egyptian Revolution and the 1925-7 Syrian rising against the French.
As Tarek hears, these were in the minds of some of those who, in 2011, took to the streets to protest against their rulers.
And so Tarek traces how, in the years between the world wars, what some historians call the liberal period in the Arab world began to lose credibility.
After all, the lives of the growing Arab middle-class might have been enriched by the Nahda, but many ordinary people remained impoverished. And many still chafed against colonial power.
And so new, harder-edged ideas began to emerge.
In 1928, a young teacher called Hasan al-Banna founded the Muslim Brotherhood in Ismailiya in northern Egypt, to oppose the cultural dominance of the West and reassert Islamic values.
And meanwhile, a much more secular vision of a better future for the Arab world was taking shape too: Arab nationalism.
Produced from 1997 to 2001, Secrets of War is a 65-hour documentary television series about military history and the secrets of war of the 20th century. It is edited as 65 episodes. The series premiered on the History Channel in September 1998 where it prevailed in the 8 o'clock Sunday evening slot for over two years. The series was co-created by Supervising Producers John Corry and Chip Proser. Alan Beattie and Chris Chesser served as Executive Producers. Original musical score composed and conducted by Ramón Balcázar. Narrated by Charlton Heston, the series details facts and information derived from rare archival footage, formerly classified documents and messages, coupled with interviews with experts, authors and eyewitnesses from all over the world.
The series was originally conceived as a 26-hour production. The first 13 hours concentrated on World War II, and the vast amount of unknown history kept secret by the British Official Secrets Act and finally revealed from 1975 to the 1990s. The second 13 hours focused on other conflicts of the 20th century. After the success of the first season, Documedia proceeded to expand the series comprehensively to address other wars, battles and intrigues, including many colour present-day shows on topics as diverse as chemical weapons and spy planes, and theme-oriented episodes like prisoners of war and code breakers.
The series interviewed key participants in all of the important conflicts of the 20th century, including prominent authors with unique perspectives of the clandestine aspects of war. The creators worked with the top spies of the era: former Directors of the CIA James Woolsey, Richard Helms and Dr. James Schlesinger; former Chairmen of the KGB Generals Vladimir Semichastny and Alexander Shelepin (Russia); as well as former directors of the MOSSAD Meir Amit and Isser Harel. Other commenters participated, including: Henry Kissinger, Robert McNamara, Dan Quayle, John H. Sununu, James A. Baker III, Jack Valenti, Howard K. Smith, John K. Singlaub, David Eisenhower, Dr. Sergei Khrushchev, Arthur Schlesinger, Jr. and Senator John McCain.
Each one-hour episode tells a strong, specific and factual story, backed up by interviews, rare footage, 3D graphics, on-location shooting, historical retracing shots and extensive reenactments. It is used in the classrooms of the United States Naval Academy and United States Air Force Academy, and the only military series that American Forces Network (formerly the Armed Forces Radio and Television Service) licenses for American Service men and women on military bases and ships worldwide.
Files declassified in America have revealed the covert public relations and lobbying activities of Israel in the US. The National Archive made the documents public following a Senate investigation. They suggest Israel has been trying to shape media coverage of issues it regards as important.
RT (formerly Russia Today or Rossiya Segodnya (Russian: Россия Сегодня)) is a Russian state-controlled international news television network funded by the Russian government. It operates pay television and free-to-air channels directed to audiences outside of Russia, as well as providing Internet content in Russian, English, Spanish, French, German and Arabic.
Oliver Stone describes the development and filming of the movie, J.F.K. The movie subscribes to the conspiracy theory of the assassination of President John F. Kennedy in 1963, describing a plot by conservative political figures to take over the government.
JFK (released under the subtitle The Story That Won't Go Away) is a 1991 American epic political thriller film written and directed by Oliver Stone. The film examines the investigation into the assassination of John F. Kennedy by district attorney Jim Garrison, who came to believe there was a conspiracy to assassinate Kennedy and that Lee Harvey Oswald did not act alone. The film's screenplay was adapted by Stone and Zachary Sklar from the books On the Trail of the Assassins (1988) by Jim Garrison and Crossfire: The Plot That Killed Kennedy (1989) by Jim Marrs. JFK was nominated for eight Academy Awards, including Best Picture, and won two for Best Cinematography and Best Editing. It was the first of three films Stone made about American presidents, followed by Nixon (1995) and W. (2008).
William Oliver Stone (born September 15, 1946) is an American film director, producer, and screenwriter. Stone won an Academy Award for Best Adapted Screenplay as writer of Midnight Express (1978), and wrote the gangster film remake Scarface (1983). Stone achieved prominence as writer and director of the war drama Platoon (1986), which won Academy Awards for Best Director and Best Picture. Platoon was the first in a trilogy of films based on the Vietnam War, in which Stone served as an infantry soldier. He continued the series with Born on the Fourth of July (1989)—for which Stone won his second Best Director Oscar—and Heaven & Earth (1993). Stone's other works include the Salvadoran Civil War-based drama Salvador (1986); the financial drama Wall Street (1987) and its sequel Wall Street: Money Never Sleeps (2010); the Jim Morrison biographical film The Doors (1991); the satirical black comedy crime film Natural Born Killers (1994); a trilogy of films based on the American Presidency: JFK (1991), Nixon (1995), and W. (2008); and Snowden (2016).
Many of Stone's films focus on controversial American political issues during the late 20th century, and as such were considered contentious at the times of their releases. They often combine different camera and film formats within a single scene, as demonstrated in JFK (1991), Natural Born Killers (1994), and Nixon (1995).
Like his subject matter, Stone has become a controversial figure in American filmmaking, with critics accusing him of promoting conspiracy theories, and of misrepresenting real-world events and figures in his works. He has been frequently critical of American foreign policy and approved of leaders such as Hugo Chávez and Vladimir Putin.
William Oliver Stone was born in New York City, to Jacqueline (Goddet) and Louis Stone, a stockbroker. His American father was from a Jewish family (from Germany and Eastern Europe), and his mother, a war bride, was French (and Catholic). After dropping out of Yale University, he became a soldier in the Vietnam War. Serving in two different regiments (including 1rst Cavalry), he was introduced to The Doors, drugs, Jefferson Airplane, and other things that defined the sixties. For his actions in the war, he was awarded a Bronze Star for Gallantry and a Purple Heart. Returning from the war, Stone did not return to graduate from Yale.
Oliver Stone is a three-time Oscar winner, and although he has mostly been stung by critics of his films, he remains a well-known name today in the film industry. The films he directed have been nominated for 31 Academy Awards, including eight for acting, six for screen writing, and three for directing.