Author: Luis-Alejandro Dinnella-Borrego The Risen Phoenix charts the changing landscape of black politics and political culture in the postwar South by focusing on the careers of six black congressmen who served between the Civil War and the turn of the nineteenth century: John Mercer Langston of Virginia, James Thomas Rapier of Alabama, Robert Smalls of South Carolina, John Roy Lynch of Mississippi, Josiah Thomas Walls of Florida, and George Henry White of North Carolina. Drawing on a rich combination of traditional political history, gender and black history, and the history of U.S. foreign relations, the book argues that African American congressmen effectively served their constituents interests while also navigating their way through a tumultuous postCivil War Southern political environment. Black congressmen represented their constituents by embracing a policy agenda encompassing strong civil rights protections, economic modernization, and expanded access for education. Although local developments such as antiblack aggression and violent electoral contests shaped the policies embraced by newly elected black congressmen, including the tactical decision to support amnesty for ex-Confederates, black congressmen embraced their role as national leaders and as spokesmen not only for their congressional districts and states but for all African Americans throughout the South. As these black leaders searched for effective ways to respond to white supremacy, disenfranchisement, segregation, and lynching, they challenged the barriers of prejudice, paving the way for future black struggles for equality in the twentieth century.

Author: Thomas McKean The flowering thorn expresses the dual nature of the ballad: at once a distinctive expression of European tradition, but also somewhat tricky to approach from a scholarly perspective, requiring a range of disciplines to illuminate its rich composition. Most of this latter quality has to do with the very features that characterize ballads... or narrative songs. These include an appearance of fragmentation; a wide range of cultural and social referents; complex, evocative symbolic language; and variation. The notable multiformity of meaning, text and tune is mirrored in scholarship, too. The Flowering Thorn is therefore wide ranging, with articles written by world authorities from the fields of folklore, history, literature, and ethnology, employing a variety of methodologies—structuralism to functionalism, repertoire studies to geographical explorations of cultural movement and change. The twenty-five selected contributions represent the latest trends in ballad scholarship, embracing the multi-disciplinary nature of the field today. The essays have their origins in the 1999 International Ballad Conference of the Kommission fur Volksdichtung (KfV), which focused particularly on ballads and social context; performance and repertoire; genre, motif, and classification. The revised, tailored, and expanded essays are divided into five sections—the interpretation of narrative song; structure and motif; context, version, and transmission; regions, reprints, and repertoires; and the mediating collector's offering a range of examples from fifteen different cultures, ten of them drawing on languages other than English, resulting in a series of personal journeys to the heart of one of Europe's richest, most enduring cultural creations. —Thomas McKean, from the IntroductionCONTRIBUTORS: Mary Anne Alburger, David Atkinson, Julia C. Bishop, Valentina Bold, Katherine Campbell, Nicolae Constantinescu, Luisa Del Giudice, Sheila Douglas, David G. Engle, Frances J. Fischer, Simon Furey, Vic Gammon, Marjetka Golez-Kaucic, Pauline Greenhill, Cozette Griffin-Kremer, J. J. Dias Marques, William Bernard McCarthy, Isabelle Peere, Gerald Porter, James Porter, Roger de V. Renwick, Sigrid Rieuwerts, Michèle Simonsen, Larry Syndergaard, Stefaan Top, Larysa Vakhnina, Lynn Wollstadt